• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Thunderbird Club

Did you hit with a damp cloth to raise the grain and then sand before the filler?

Also I'm happy to share the pickup ring riser 3D file if you know someone with a 3D printer.
Yes. I was water based which seemed like it was really easy to use and worked well. Not so much. That literally backed me up the last to to get the clear on it, which was in fact the last day we had I could have done that. It being windy was also something I was fighting.

Thanks, that would be great. I believe a guy a church has one and will check.
 
That looks fantastic!!
I can only hope mine turns out even partway this nice.

Gorgeous!
Thanks guy. I'm picky and it's not perfect. It's nearly 60 yrs old and wasn't shooting for a perfectly new look, but was wanting a little better. But as mentioned a couple feet away it looks great. I'm just thrilled to get to use it now instead if seeing parts of it laying or hanging in various places. It's relief just having it together.

BuddhaFingas: I'm certain with your attention to detail it will look fantastic.
 
Initial impressions: Loved the ergos and how it plays. Every bit up their with the '64 and '06. Nothing but a joy. Very light nothing to nitpick. Wish the neck on the '21 was like the '66.

Tone was good but lacking some heft, or something with the ABM and different from the '64 which has both punch and heft. I had the AMB bass knob and 3:00 and have never needed to go that far before. After run thought I stitched to the Ampeg and that helped a lot and was much better. I didn't leave thinking this is magic as with the '64. In no way did it sound bad, just lacked magic. Some of this I will attribute to the string choice until others are tried. Even my wife said I would be trying another string as she didn't come away thinking it sounded as good as other basses I have.

Pickups: Seemed brightish, but the strings were brand new and admittedly don't sound ideal on some other basses I tried either. I even tolled the tone on the bass to about halfway and normally I leave it wide open. Rotos or SIT Power Steels would have been too much (for my goals), and required more taming, I think. Pups seemed to lack heft, 3D soundstage you might say and something of the presence of the '64 (admittedly comparing a pickup that has few if any equals). All partially string related we will say for now. I don't think I have a set that I have used on the '64 to try on the '66 to do a better comparison but will look through my box of strings. (I was going to use some SITs, but the ball end winding on the E is too thick to fit into the claw, so that seems to be out as a comp.) I'm certain the Infelds I used for most of the last 20 yrs will not fit as the G barely reached on the '64 so I don't see them fitting the '66 at all.

That said, I loved playing it and the looks got lots of complements. Plenty of strings to try so I'm looking forward to what begins to develop various sets.

Ignore the copper look on the hardware. The windows are an amber color.
1762742092684.png
 
Initial impressions: Loved the ergos and how it plays. Every bit up their with the '64 and '06. Nothing but a joy. Very light nothing to nitpick. Wish the neck on the '21 was like the '66.

Tone was good but lacking some heft, or something with the ABM and different from the '64 which has both punch and heft. I had the AMB bass knob and 3:00 and have never needed to go that far before. After run thought I stitched to the Ampeg and that helped a lot and was much better. I didn't leave thinking this is magic as with the '64. In no way did it sound bad, just lacked magic. Some of this I will attribute to the string choice until others are tried. Even my wife said I would be trying another string as she didn't come away thinking it sounded as good as other basses I have.

Pickups: Seemed brightish, but the strings were brand new and admittedly don't sound ideal on some other basses I tried either. I even tolled the tone on the bass to about halfway and normally I leave it wide open. Rotos or SIT Power Steels would have been too much (for my goals), and required more taming, I think. Pups seemed to lack heft, 3D soundstage you might say and something of the presence of the '64 (admittedly comparing a pickup that has few if any equals). All partially string related we will say for now. I don't think I have a set that I have used on the '64 to try on the '66 to do a better comparison but will look through my box of strings. (I was going to use some SITs, but the ball end winding on the E is too thick to fit into the claw, so that seems to be out as a comp.) I'm certain the Infelds I used for most of the last 20 yrs will not fit as the G barely reached on the '64 so I don't see them fitting the '66 at all.

That said, I loved playing it and the looks got lots of complements. Plenty of strings to try so I'm looking forward to what begins to develop various sets.

Ignore the copper look on the hardware. The windows are an amber color.
View attachment 7365351
Omg Donnie....I'm breathless, congratulations my friend, would LOVE to see it in person!.....can't say enough.........:drool::drool::drool:
 
My Sinister* T-Bird is finally getting fully dialed in & balanced to the new strings. Couple more days' play and I'll tackle the intonation, which frankly is not that far off. But tinkers must.

Still need to polish the nut slots a bit more as I'm still getting ting-tings while tuning the high strings, though no hang-ups.

I'm able to play three-finger triplets & gallops mostly without any unplanned slappy-clanks from my index finger now.
A new skill I've been chasing for months, for Social D songs like When She Begins and Story Of My Life.

Question for the audience; is a left-handed Reverse Thunderbird a double-reverse, or is it inside out?



*Sinister is opposite of 'dexter' in heraldry, of course.
 
Initial impressions: Loved the ergos and how it plays. Every bit up their with the '64 and '06. Nothing but a joy. Very light nothing to nitpick. Wish the neck on the '21 was like the '66.

Tone was good but lacking some heft, or something with the ABM and different from the '64 which has both punch and heft. I had the AMB bass knob and 3:00 and have never needed to go that far before. After run thought I stitched to the Ampeg and that helped a lot and was much better. I didn't leave thinking this is magic as with the '64. In no way did it sound bad, just lacked magic. Some of this I will attribute to the string choice until others are tried. Even my wife said I would be trying another string as she didn't come away thinking it sounded as good as other basses I have.

Pickups: Seemed brightish, but the strings were brand new and admittedly don't sound ideal on some other basses I tried either. I even tolled the tone on the bass to about halfway and normally I leave it wide open. Rotos or SIT Power Steels would have been too much (for my goals), and required more taming, I think. Pups seemed to lack heft, 3D soundstage you might say and something of the presence of the '64 (admittedly comparing a pickup that has few if any equals). All partially string related we will say for now. I don't think I have a set that I have used on the '64 to try on the '66 to do a better comparison but will look through my box of strings. (I was going to use some SITs, but the ball end winding on the E is too thick to fit into the claw, so that seems to be out as a comp.) I'm certain the Infelds I used for most of the last 20 yrs will not fit as the G barely reached on the '64 so I don't see them fitting the '66 at all.

That said, I loved playing it and the looks got lots of complements. Plenty of strings to try so I'm looking forward to what begins to develop various sets.

Ignore the copper look on the hardware. The windows are an amber color.
View attachment 7365351
Awesome, dude!
 
My Sinister* T-Bird is finally getting fully dialed in & balanced to the new strings. Couple more days' play and I'll tackle the intonation, which frankly is not that far off. But tinkers must.

Still need to polish the nut slots a bit more as I'm still getting ting-tings while tuning the high strings, though no hang-ups.

I'm able to play three-finger triplets & gallops mostly without any unplanned slappy-clanks from my index finger now.
A new skill I've been chasing for months, for Social D songs like When She Begins and Story Of My Life.

Question for the audience; is a left-handed Reverse Thunderbird a double-reverse, or is it inside out?



*Sinister is opposite of 'dexter' in heraldry, of course.
A reverse reverse, of course.
 
…just testing for forthcoming gigs, a short testing sound wise only without any reordering through a virtual ashdown rig….all basses are great players….

View attachment 7365230

….the ranking is…

1) Greco TBR90 1988 with Greco pups, no name strings, basswood body, sound’s closest to my 66 NR
2) Cataldo NR4232 2019 with 63 Thunderbuckers, Honduras mahogany body, Roto flats, lightweight
3) Gibson Babybird 2011 with original pups, Babicz bridge, perfect for early 70s covers…
4) BaCH BTH-2 2011 with David Barfuss pups, sound between Mike Lull and 66 Thunderbuckers….
5) Epiphone 64 bass 2024 with GHS low tension flats, pups seem to sound different to the Vintage Pro’s….
6) Greco TB 900 1978 with Bartolini TB pup, no mid and treble, may work well for HM..
7) BaCH FT-2 Fenderbird with (wax potted) EY-buckers a bit weak compared to the others…

…not included are studio use only basses (65, 66NR, 76)

View attachment 7365229

….and basses recently used on stage (BaCH BTH-1 w/ Mike Lull PU, 2017 Epiphone VP)

View attachment 7365232

…one bird is not enough, need at least two (or more) …
The colors, the colors ... Quite a lovely ensemble- thank you for sharing!!
 
Initial impressions: Loved the ergos and how it plays. Every bit up their with the '64 and '06. Nothing but a joy. Very light nothing to nitpick. Wish the neck on the '21 was like the '66.

Tone was good but lacking some heft, or something with the ABM and different from the '64 which has both punch and heft. I had the AMB bass knob and 3:00 and have never needed to go that far before. After run thought I stitched to the Ampeg and that helped a lot and was much better. I didn't leave thinking this is magic as with the '64. In no way did it sound bad, just lacked magic. Some of this I will attribute to the string choice until others are tried. Even my wife said I would be trying another string as she didn't come away thinking it sounded as good as other basses I have.

Pickups: Seemed brightish, but the strings were brand new and admittedly don't sound ideal on some other basses I tried either. I even tolled the tone on the bass to about halfway and normally I leave it wide open. Rotos or SIT Power Steels would have been too much (for my goals), and required more taming, I think. Pups seemed to lack heft, 3D soundstage you might say and something of the presence of the '64 (admittedly comparing a pickup that has few if any equals). All partially string related we will say for now. I don't think I have a set that I have used on the '64 to try on the '66 to do a better comparison but will look through my box of strings. (I was going to use some SITs, but the ball end winding on the E is too thick to fit into the claw, so that seems to be out as a comp.) I'm certain the Infelds I used for most of the last 20 yrs will not fit as the G barely reached on the '64 so I don't see them fitting the '66 at all.

That said, I loved playing it and the looks got lots of complements. Plenty of strings to try so I'm looking forward to what begins to develop various sets.

Ignore the copper look on the hardware. The windows are an amber color.
View attachment 7365351
Nice!!
 
My Sinister* T-Bird is finally getting fully dialed in & balanced to the new strings. Couple more days' play and I'll tackle the intonation, which frankly is not that far off. But tinkers must.

Still need to polish the nut slots a bit more as I'm still getting ting-tings while tuning the high strings, though no hang-ups.

I'm able to play three-finger triplets & gallops mostly without any unplanned slappy-clanks from my index finger now.
A new skill I've been chasing for months, for Social D songs like When She Begins and Story Of My Life.

Question for the audience; is a left-handed Reverse Thunderbird a double-reverse, or is it inside out?



*Sinister is opposite of 'dexter' in heraldry, of course.
Reverse Reverse.