Well let's hope he is a household name in a few years and for the right reasonsYou guys are too kind, honestly! I’ll refine them over time, but I do like this kid and I think he’s onto something![]()
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Well let's hope he is a household name in a few years and for the right reasonsYou guys are too kind, honestly! I’ll refine them over time, but I do like this kid and I think he’s onto something![]()
Well let's hope he is a household name in a few years and for the right reasons![]()
That would be nice! I got to play my Gibson and Cataldo ‘Birds on everything, so he’s on the right track![]()
Great bass tones on those recordings.
I'm hopin' that, with a few more reviews like this one... maybe I'll start to grasp the color association thing. I can't help but feel like I'm missing out on something. Like it's a dimension of perception and comprehension, saved only for the chosen few![]()
Model Gs are my favorite pickup next to 60s Thunderbird units oh and Thunderbuckers!I would like to hear what one of those sounds like. They might be worth an experiment or two.
We aren't too kind. We are actually jerks. You and the kid are just good, which means that we can't say the kinds of awful things we would say to most people. Geez, I hate people with talent! That darn talent and skill ruin all the insulting fun!You guys are too kind, honestly! I’ll refine them over time, but I do like this kid and I think he’s onto something![]()
I'm bringing the average intelligence down, then. It's an odd thing in that it's not two-way at all. And it's random. If I'm not paying attention, I don't even notice, but if you ask me to describe a sound, it will have at least a tinge of color associated with it most of the time. It will also have a tactile quality fairly often, meaning smooth, shiny, cool, fuzzy, splintery, or something like that. I haven't thought about it enough to know if it's consistent, meaning that the same sound has the same color all the time, or if it's more random than that. I will say that my favorite bass sound with Cobalt flats has a lot of black with electric blue around the edges. That's fairly consistent. Different pitches don't have different colors so much but different overtone patterns do.Synesthesia is actually well studied, perhaps because it is easy to recognize and perhaps because synesthetes tend to have high intelligence accounting for a small over-representation in research.
There are many types; any two senses can be associated - for example, in some cases, words can have taste. It is also not usually a two way mechanism. Where sounds may have colour, colour may not have sounds. It is these associations that can result in useful adaptations. There are synesthetes who are extraordinarily good at math because of the association of another sense with numbers. Similarly, synesthetes that associate another sense with sound often have perfect pitch.
The leading theory revolves around disinhibition of sensory areas. One of the critical functions of the brain is inhibition - essentially turning off/down pathways that would interfere with a task. It appears that in synesthetes, when they are using the affected sense, other sense(s) fail to turn off/down.
Wendy came to the rescue with that one, everyone should have a Wendy I've had a hot day in the sun and I'm about well done.
Seeing as you guys had a big part in my headstock design I thought I'd post a picture of the dragon inlay here first, OK it's not inlaid yet but it gives a good idea. I very nearly fvcked up big style due to my poor knowledge of written Welsh, "the dragon" is "y ddraig", "dragon" is "draig" so nearly a horrendous mistake thereWendy came to the rescue with that one, everyone should have a Wendy
I have got hold of some lovely dark Abalone shell to do the text so I'm going to run with that.
The inlay has it's top surface glued to the paper so what you see is a mirror image of what will be the final thing
View attachment 3062418
I find it fascinating! I wish that it could be given or learned...Synesthesia is actually well studied, perhaps because it is easy to recognize and perhaps because synesthetes tend to have high intelligence accounting for a small over-representation in research.
There are many types; any two senses can be associated - for example, in some cases, words can have taste. It is also not usually a two way mechanism. Where sounds may have colour, colour may not have sounds. It is these associations that can result in useful adaptations. There are synesthetes who are extraordinarily good at math because of the association of another sense with numbers. Similarly, synesthetes that associate another sense with sound often have perfect pitch.
The leading theory revolves around disinhibition of sensory areas. One of the critical functions of the brain is inhibition - essentially turning off/down pathways that would interfere with a task. It appears that in synesthetes, when they are using the affected sense, other sense(s) fail to turn off/down.
I've had a hot day in the sun and I'm about well done.
Seeing as you guys had a big part in my headstock design I thought I'd post a picture of the dragon inlay here first, OK it's not inlaid yet but it gives a good idea. I very nearly fvcked up big style due to my poor knowledge of written Welsh, "the dragon" is "y ddraig", "dragon" is "draig" so nearly a horrendous mistake thereWendy came to the rescue with that one, everyone should have a Wendy
I have got hold of some lovely dark Abalone shell to do the text so I'm going to run with that.
The inlay has it's top surface glued to the paper so what you see is a mirror image of what will be the final thing
View attachment 3062418
I've had a hot day in the sun and I'm about well done.
Seeing as you guys had a big part in my headstock design I thought I'd post a picture of the dragon inlay here first, OK it's not inlaid yet but it gives a good idea. I very nearly fvcked up big style due to my poor knowledge of written Welsh, "the dragon" is "y ddraig", "dragon" is "draig" so nearly a horrendous mistake thereWendy came to the rescue with that one, everyone should have a Wendy
I have got hold of some lovely dark Abalone shell to do the text so I'm going to run with that.
The inlay has it's top surface glued to the paper so what you see is a mirror image of what will be the final thing
View attachment 3062418
Though I do have plenty of "quirks", I believe mine are descriptive, more so than perceptiveI'm bringing the average intelligence down, then. It's an odd thing in that it's not two-way at all. And it's random. If I'm not paying attention, I don't even notice, but if you ask me to describe a sound, it will have at least a tinge of color associated with it most of the time. It will also have a tactile quality fairly often, meaning smooth, shiny, cool, fuzzy, splintery, or something like that. I haven't thought about it enough to know if it's consistent, meaning that the same sound has the same color all the time, or if it's more random than that. I will say that my favorite bass sound with Cobalt flats has a lot of black with electric blue around the edges. That's fairly consistent. Different pitches don't have different colors so much but different overtone patterns do.
Fix, you aren't missing out on much of anything. The world is already a colorful place, and as long as you can see the world and hear music, that's all you need. I'm convinced that everyone else has unique perceptive quirks.
That is soooooooooooooooooooooo cool!!!!
Fantastic looking dragon!
Lovely craftsmanship Christine!
That's going to look amazing when it's all in place.I've had a hot day in the sun and I'm about well done.
Seeing as you guys had a big part in my headstock design I thought I'd post a picture of the dragon inlay here first, OK it's not inlaid yet but it gives a good idea. I very nearly fvcked up big style due to my poor knowledge of written Welsh, "the dragon" is "y ddraig", "dragon" is "draig" so nearly a horrendous mistake thereWendy came to the rescue with that one, everyone should have a Wendy
I have got hold of some lovely dark Abalone shell to do the text so I'm going to run with that.
The inlay has it's top surface glued to the paper so what you see is a mirror image of what will be the final thing
View attachment 3062418
No. No overall color.Though I do have plenty of "quirks", I believe mine are descriptive, more so than perceptive
Here's an interesting question. In your "color charts", you tend to assign a color to a specific element (ie - magenta guitar or black/green bass). Is there also a color for the song as a singular entity?
In comparison... these are my various attempts at the same...I've had a hot day in the sun and I'm about well done.
Seeing as you guys had a big part in my headstock design I thought I'd post a picture of the dragon inlay here first, OK it's not inlaid yet but it gives a good idea. I very nearly fvcked up big style due to my poor knowledge of written Welsh, "the dragon" is "y ddraig", "dragon" is "draig" so nearly a horrendous mistake thereWendy came to the rescue with that one, everyone should have a Wendy
I have got hold of some lovely dark Abalone shell to do the text so I'm going to run with that.
The inlay has it's top surface glued to the paper so what you see is a mirror image of what will be the final thing
View attachment 3062418