AFAIK the Bass Flyrig is analog. I just read the octave is only octave down, so that kills the deal for me.Unsure about bass rigs, but I have yet to hear a digital rig that I thought sounded great with guitar.
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AFAIK the Bass Flyrig is analog. I just read the octave is only octave down, so that kills the deal for me.Unsure about bass rigs, but I have yet to hear a digital rig that I thought sounded great with guitar.
hard to get a good shot (even using a magnifying lens) but just a very stressed solder joint..I understand cost/quality trade-offs. You have to make them. But that was a bad call, assuming you want your amps to have a reputation for quality. Going by your comment; it's a bit blurry to see the issue.
Huzzah! Looks like it complements the Orange color scheme.
I like to think humans can learn from their mistakes. We do not do things the same as we did in 1970 any more. We can change as we learn what the consequences are. Those who do not learn are just yeast.
This is the best I can find of that.
Boris Johnson busks it again – this time in a tube station with Misha B – video
Just think, you could have been in demand!
Yes indeed. Flats do almost always sound better in a live mix. That's when most rounds fail me.Funny thing about flats, at least for me, is that they frequently sound horrible by themselves in a practice setting but sound great in a live setting. Whereas rounds, to my ears, sound great in a practice setting but may or may not sound good live. I'm sure there's a scientific explanation for that, maybe something to do with fundamentals or bloom or attack but for what it's worth, it's something I take into account when selecting strings.
I'd rather first see him learn how a guitar works.Somebody should buy Boris a comb and teach him to use it.
Most of my basses have flats as well. I'm trying to broaden my tonal palate. But often when I'm trying strings on a bass I just think, "Should have just slapped some flats on it." (That's all the slapping I can really do.) Flats are my go-to thick surround sound makers.I'll trust your evaluation on the RW's. Since I only use flats, MMV.[my mileage varies]
I like to think humans can learn from their mistakes. We do not do things the same as we did in 1970 any more. We can change as we learn what the consequences are. Those who do not learn are just yeast.
Yes. Because I couldn't like your post 10 times!I recall those warnings in school that an ice age was coming. "The Scientists" said so. I have become far more skeptical since then.
[rant]
I have also learned that "journalists" have very little ability to understand grammar let alone science. Science is not a popularity contest; consensus means nothing. If you start from a non-falsifiable hypothesis, if you don't outline what evidence would change your conclusion, if you can't accurately make predictions from your hypothesis, you are not doing science. [/rant]
I knew somebody wold eventually get there!I've been blinded b.......never mind.
View attachment 3453401 All set up. Ready to tear the roof off!
No disagreements from me about that. But, what goes up, comes down. I can explain a perverse reason I'm optimistic, but that's more political and economic and should be carried out by PM or not at all.What we're experiencing in the US now is the result of the reaction to the late sixties and the groundwork to counter it started in the early-mid seventies. The movers and shakers operated in the the shadows deliberately to build the foundation for what is happening now. The only more recent 'fluke' was a certain host that proved beneficial to the long-range planers. No conspiracy theories - it's all in highly researched books and it's just up to the populace to educate themselves. (which is daunting at best)
This is pretty nuts. Live Fantomas show. Mike Patton on vocals, Terry Bozzio on drums, Buzz Osborne on guitar, and Trevor Dunn on bass.
love this guy...Play the accordion - go to jailActually, I saw Al Dimeola years ago with an international (world/jazz) band including an Italian accordion player - he was an amazing player! Redefined what an accordion is capable of sounding like in the right hands and context/music.