A dylan-ish saying? I don't recall saying that! THERE CAN BE ONLY ONE.
Yeah, I was kinda thinking of that lesser known Bob dude....

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A dylan-ish saying? I don't recall saying that! THERE CAN BE ONLY ONE.

Live music needs to be exactly that.My band has been together for 9 years, all original lineup. After 42 years of humping a bass and being in literally so many bands I've forgotten a lot them, the secret to our success is we rarely practice. If we are gigging steadily, we fix mistakes on the fly. We practice if there's been a lull in gigging and we need to blow some cobwebs off. Seriously. Not that we haven't wanted to kill each other from time to time, but since we don't see each other weekly, it helps.
Who said, a band is like a marriage to multiple partners, just no sex. That's pretty close.
What's all this poppycock about "slapping" a bass? Why would anyone want to hit their basses? What did their basses do to THEM to warrant such physical abuse?It takes me all of about 25 seconds to do all the slapping I know. Then I go back to marginally playing bass. Just never needed to do it in any music I've done. I've slipped a "pop" in once in a while, but that's it.
Same kinda sax I marched in the Orange Bowl Parade-many, many years ago.We Went to a show last night. Starting off the new year right!
Opener was was an eighteen-year-old singer home during her semester break from Harvard. Her name is Anaí Morales; she uses the stage name Anaí Adina. Her father Juan is a well-known mariachi singer. Anaí sang songs with her dad accompanying her; some standards and a couple her dad wrote. They were joined by her two sisters and other friends for a few full on mariachi songs.
This girl can sing.
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Headliner was the fabulous Los Lobos who I hadn't seen in years. They're still bringing an eclectic mix of straight ahead rock and Latino music.
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Check this out. I'd like to see @GonePlaid march with this:
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Cool guitar.
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I want one of these.
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La Bamba!
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For you up in Seattle, they'll be at the Triple Door on the 8th, 9th and 10th. And they'll be at the Fillmore in SF on the 11th. A fun night out.
Ha! Ok, this thing is behaving nowanother happy customer!....will try it with a bass and a Jules preamp tomorrow just for kicks..
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A man after my own heart: I'll throw in a completely inappropriate 'pop' just for grins in something like "You were always on my mind".It takes me all of about 25 seconds to do all the slapping I know. Then I go back to marginally playing bass. Just never needed to do it in any music I've done. I've slipped a "pop" in once in a while, but that's it.
A-MEN!Any heavily percussive technique I've engaged in has been purely utilitarian, for the effect desired in a song. When it starts to become for its own sake it starts to feel brittle and empty, and I realize that technique's not my realm.
Flea can kill it...
Louis Johnson...
Larry Graham...
And there are some high-tier players who go there but I'm just not buying it, like Jeff Berlin or Vail Johnson... *yawn*... being good at it doesn't mean it's groovy.
When I was kid, there was an article in Stereo Review magazine that basically said to do that before spending money on new gear.That's amazing. I can tell that my left ear is less than my right. I only noticed it when I put an earbud in my right and then my left and noticed it was not as loud. I try to go very couple years and have an ENT pull and flush out a of nasty stuff I've collected. Maybe I need to make that appt. Could be actual loss. I think 95% of my band settings I'm to the right of everything or at least the drums, exposing my left to most of the sound action.
We Went to a show last night. Starting off the new year right!
Opener was was an eighteen-year-old singer home during her semester break from Harvard. Her name is Anaí Morales; she uses the stage name Anaí Adina. Her father Juan is a well-known mariachi singer. Anaí sang songs with her dad accompanying her; some standards and a couple her dad wrote. They were joined by her two sisters and other friends for a few full on mariachi songs.
This girl can sing.
View attachment 3654390
Headliner was the fabulous Los Lobos who I hadn't seen in years. They're still bringing an eclectic mix of straight ahead rock and Latino music.
View attachment 3654401
Check this out. I'd like to see @GonePlaid march with this:
View attachment 3654402
Cool guitar.
View attachment 3654403
I want one of these.
View attachment 3654405
La Bamba!
View attachment 3654411
For you up in Seattle, they'll be at the Triple Door on the 8th, 9th and 10th. And they'll be at the Fillmore in SF on the 11th. A fun night out.
That's Steve Berlin, pretty much the newest member who joined in about '83. He was with The Blasters before that. He's a player. He does session work and has recorded with dozens of other artists.Same kinda sax I marched in the Orange Bowl Parade-many, many years ago.
?....
Who said, a band is like a marriage to multiple partners, just no sex....
I'm pretty sure it wasn't anyone from Fleetwood Mac. Will be very interested to hear your report. The Berg Forté is supposed to be a killer amp especially when paired with Berg cabs. I'm Berg cab user as well but haven't ever tried any of their amps.View attachment 3654667 After some back strain lifting my SVT head in and out after my last couple of gigs I'm going to give this 6.5 pound monster a try tonight.
The new Bergantino Forte HP.
It sounds awesome in the basement with the T-Birds.Tons of headroom.
We'll see how it sounds at the gig.I haven't used it a practice with the band so I'm going in cold.
I'll report back with the results.
I'm pretty sure it wasn't anyone from Fleetwood Mac.
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Ouch!The Forte HP appealed to me when they stated 1200 watts at 4 ohms..lots of cool onboard features that I'm getting accustomed to.I think I have it dialed in for tonight.Will be very interested to hear your report. The Berg Forté is supposed to be a killer amp especially when paired with Berg cabs. I'm Berg cab user as well but haven't ever tried any of their amps.
Failed to what? Strain your back?(I had one in the late 70s. Never again)The Forte HP appealed to me when they stated 1200 watts at 4 ohms..lots of cool onboard features that I'm getting accustomed to.I think I have it dialed in for tonight.
I did go the class D route a few years ago with the Euphonics audio I 800.I still have it as a back up rig just in case one of the SVT's failed.
That's nasty. Makes me appreciate our months of rain at 10 degrees.The area considered the westernmost suburb of Sydney clocked 48.9°C today aka 120.2°F. We had a relatively mild 38°C.
Tubes can be delicate at times..always a little suspicious that something could go wrong.Failed to what? Strain your back?(I had one in the late 70s. Never again)
+100%Any heavily percussive technique I've engaged in has been purely utilitarian, for the effect desired in a song. When it starts to become for its own sake it starts to feel brittle and empty, and I realize that technique's not my realm.
Flea can kill it...
Louis Johnson...
Larry Graham...
And there are some high-tier players who go there but I'm just not buying it, like Jeff Berlin or Vail Johnson... *yawn*... being good at it doesn't mean it's groovy.