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probably, the amps in the video are Gibson as wellOne of their album covers had their 'Birds showing. Wonder if Gibson had a deal with them.
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Bingo. A little fuzzy to my eyes but I thunk that's what they was. Haven't seen any in years.probably, the amps in the video are Gibson as well
No doubt. A lot of their recordings pre-date the Thunderbird and Firebird.One of their album covers had their 'Birds showing. Wonder if Gibson had a deal with them.
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Very helpful information, THANKS!I play a lotta different styles of music, but very little 'hard'-ish rock. The 50 is just enuff mellower-my preference-compared to the 45 to be less trebly, which is what I was after . Same being true for the other 3 strings. Meanwhile, the 45-100s give the EB-0 a little more presence(?), so win-win.
Since they're the same $, I figgered WT7, why not give 'em a try? Me likee.
What a punchy sound out of this T-bird II.
It's all fun and games until the headstock goes flying across the stage and blinds the guitar player. Then it's a sport.Let's review: I carefully removed the 45-100s and set them aside. I then measured the 50-105s and cut off ~2" of the excess. While I was at it I tightened down the bridge. I then installed the new strings, tuning them ~1/2 step sharp over night. I then re-tuned it to standard. No surgery needed on the nut-they fit fine(I've had tapes on it and they fit OK). So I guess the answer would be: Nope.
For me, the D and G just have more substance, in both feel and tone.On my Thunderbird equipped with Cobalt Flats I find myself frequently forcing a D string note selection vs an easier G string note due to the brighter less mellow G string. Not a huge issue for a lot of songs but a PITA on some and just not practical on others. I'll give the 50's a try.
Good description.For me, the D and G just have more substance, in both feel and tone.
For me, the D and G just have more substance, in both feel and tone.
Sure, but on that argument, why do they produce so many different string gauges?On one level i agree, but on another i respectfully disagree.
A proper bass will provide that on all strings.
The difference is subtle but-even with my questionable hearing-noticeable. A bit more than I expected. That's a good thing.Sure, but on that argument, why do they produce so many different string gauges?
Sure, but on that argument, why do they produce so many different string gauges?
Very good point. And not sure i can give a good clear explanation for that.
But here it goes. Grab your popcorn. Certain strings are gonna be good for certain basses?
Not being sarcastic. For real.
Idk man.
Deep, real deep.![]()

I have the same bass. I really like playing it.
Fact.Very good point. And not sure i can give a good clear explanation for that.
But here it goes. Grab your popcorn. Certain strings are gonna be good for certain basses?
Not being sarcastic. For real.
Idk man.
I have the same bass. I really like playing it.
That's certainly true, but when something like the SIT Power Steel comes in 40-95, 45-100, 45-105, 50-105, and 50-110....Very good point. And not sure i can give a good clear explanation for that.
But here it goes. Grab your popcorn. Certain strings are gonna be good for certain basses?
Not being sarcastic. For real.
Idk man.
That's certainly true, but when something like the SIT Power Steel comes in 40-95, 45-100, 45-105, 50-105, and 50-110....