• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Thunderbird Club

That's certainly true, but when something like the SIT Power Steel comes in 40-95, 45-100, 45-105, 50-105, and 50-110....
My ignorance might be showing a bit, but I had always just assumed the string gauge within a specific brand and type was much more about playability and feel than sound. If a heavier G string brings better balance to the tone of my bass I'm game to try it. I suspect it isn't going to make fretting with my pinky finger any easier and there's always the possibility it might slow me down a bit. Still, the curiosity in me has been triggered.
 
My ignorance might be showing a bit, but I had always just assumed the string gauge within a specific brand and type was much more about playability and feel than sound. If a heavier G string brings better balance to the tone of my bass I'm game to try it. I suspect it isn't going to make fretting with my pinky finger any easier and there's always the possibility it might slow me down a bit. Still, the curiosity in me has been triggered.
I like its feel and it hasn't slowed my pinky fretting ability at all. My age, however.....
 
For this Thunderbird Thursday, an old pic:

View attachment 4173363

Got a bit bored for a few minutes (how does that even happen? :thumbsdown: ), so I moved a bit of furniture around & brought out the Pro 5, in an attempt to create an "after/later/wt7 ever" pic....


I'll let you guys decide if I succeeded....:nailbiting:

Then....

20200818_101531.jpg



Now....

20210222_191257.jpg
 
...
I think that having damage on the end of the headstock is almost as iconic? as other features of the Thunderbird, like the shape, pickups, etc. ;)

I’ve whacked at least three of my four (counting the Pro V I sold) Bird headstocks into the music room ceiling.
 
Last edited:
subjective, I’m a big proponent of bipolar (not FET) output stages........in a nutshell, I can dial both in to sound very similar..... the Ashdown can do everything the SVT can (and more) while the opposite is not true..
Almost. The Ampeg still adds lots more physical stage presence.
 
I’ve seen that video before and had to check. If it was live, then yeah. But the studio recordings were all P bass.
My ignorance might be showing a bit, but I had always just assumed the string gauge within a specific brand and type was much more about playability and feel than sound. If a heavier G string brings better balance to the tone of my bass I'm game to try it. I suspect it isn't going to make fretting with my pinky finger any easier and there's always the possibility it might slow me down a bit. Still, the curiosity in me has been triggered.
Everything affects everything else. String size, scale length, and string materials make a difference in sound and feel, just as different pickups do.