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That's interesting. Does routing under the guard change the balance substantially? I don't mind the overall weight so much as the neck dive; my particular bass is only slightly heavier than my Sterling SB4...but there is a difference.
Removing weight from the body without reducing the weight of the headstock will certainly change the balance.
View attachment 450186 Here it is, as promised... with the Wall Of Death for a backdrop...
It didn't neck-dive before I routed and it doesn't neck dive after losing close to a pound - it's just lighter.
Not in this case - the body was heavy, and now it's less heavy.
Removing weight from the body without reducing the weight of the headstock will certainly change the balance.
The Goth that I refinished is pretty heavy at 9.5 lbs fully assembled. My neck thru Gibson's are only 8.5 lbs.
Actually , the Wall Of Death is pretty much retired. Stripped down to an Ampeg SVP-PRO pre, Ampeg B2-R head and Ampeg 2x10.Ohhh got it.
Fellas, I just saw this! Man if I wasn't lefty!!!
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Damn that is sexy, and cheap! If I had the money, it could give my other 'bird companyFellas, I just saw this! Man if I wasn't lefty!!!
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Both basses were DI-d before my amp, so the amp's not in question. The Jag was run in Series with the Vol/Tone dimed out & the active circuit turned off. The T-bird was run with the Neck volume on 7, Bridge volume on full & the tone on full.
One thing I was thinking is that maybe the single coils just lend that bite and clarity that helps define the sound.
Any suggestions on what I should do? Are there any single coil T-bird replacement pick-up options? Should I look at putting a pre-amp in? I could do a stacked Vol/Vol setup with a 2-band, maybe?
Damn that is sexy, and cheap! If I had the money, it could give my other 'bird company View attachment 450474
Well we went Bass to DI to amp. Both basses with the same DI and same amp. The T-bird just didn't have the same rounded tone. Also, he was adjusting the house levels at the board in the FOH, so he tried tinkering with the tone to get it to a likable level. We just couldn't find something we were happy with.The D.I is the factor, not the bass itself. I know cause i've done d.i. so many times (recording and live) and i hate it. Recording, i have no control over my tone it's just flat. As simple as that is, i don't like going d.i. it makes you lack the definition and growl you need. IMO, i wouldn't do anything to the bird, i'd just not use a D.I. with it. If that has no change whatsoever, so be it, do what you want. But i can say, from personal experience, that d.i. usually kills your tone. Cause it's just flat, you can't enhance the top or bottom end. Unless you have a d.i. with eq (which i do MXR M80, but haven't used it live back when i was plugged d.i.). That's my two cents on the factor.
Try again with your bird w/o the d.i. and see how it sounds. If nothing changes, do whatever, if it does change, you've found the variable. good luck
What's your opinion and thought on the epi blackbird? tone wise, feel, etc.
Did you try the pinky breaker?It has such a high output! It's always the loudest bass at gigs. It is actually very thunderous, but with the right amp it can be nice and trebly. It has amazing sustain and it's overall comfortable to play, no "Neck Dive" it is heavy though
Many times! Not to my liking!Did you try the pinky breaker?![]()