It’s really hard to hear a chorus on bass in a live setting while the rest of the band is playing - unless you have a fair bit of high end in your signal.
I’ve mostly used it for the downward run in “These Boots are made for Walking” and Sledgehammer where I combined it with octave up/down.
My pedals are fairly pedestrian - Chorus is the Boss CEB-3.
If you add distortion, I’ve found you want something that will retain your original signal and allow you to blend in the distorted signal. You don’t want the bottom to drop out when you hit the switch. I use a regular Big Muff Pi. (Not much cool factor

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