That's what's on the 67 NR(EBCF's, of course).50-105
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That's what's on the 67 NR(EBCF's, of course).50-105
I think Halford came out not long after he dropped a Harley on himself on stage in Toronto.I bet those guys got more than their share of the ladies and I don't remember anyone coming out as gay other than Halford but he was more metal.
Didn't Richie Kotzen get kicked out of Poison for sleeping with the singer's wife?Ratt, Poison, Cinderella, Motley Crue, Hanoi Rocks, Def Leppard, etc... you didn't want your girlfriend on any of their tour buses or backstage.![]()
I've only seen clips of him playing a Ric (when you could see what he was playing). I honestly never liked anything I've heard to keep listening or look for another song. I'm sure there are some decent bass tones from him along the way. Some of his bass tracks sounded like a distorted guitar and hardly like a bass. Certainly worked for them.
Currently 45-105 in D standard. In the past I have used 50-110 without filing the nut. May go back to that for D standard.Out of interest, what string gauges are folks running ( on a regular Gibson T-bird )?
I've been using 40-100's for years but fancy putting a heavier set on for a touch more tension.
Wondering if I could get away with 45-110 without having to file the nut?
Most of the Motorhead 'songs' I've heard, the bass is pretty much buried in a wall of distortion. I s'pose it's there...I've only seen clips of him playing a Ric (when you could see what he was playing). I honestly never liked anything I've heard to keep listening or look for another song. I'm sure there are some decent bass tones from him along the way. Some of his bass tracks sounded like a distorted guitar and hardly like a bass. Certainly worked for them.
I think Halford came out not long after he dropped a Harley on himself on stage in Toronto.

I think that was always his intent.I've only seen clips of him playing a Ric (when you could see what he was playing). I honestly never liked anything I've heard to keep listening or look for another song. I'm sure there are some decent bass tones from him along the way. Some of his bass tracks sounded like a distorted guitar and hardly like a bass. Certainly worked for them.
Hidin' the clams.I think that was always his intent.
It is the chronology. Not sure there is causality.I didn't hear that... do you think the two are related? Dropping the Harley not owning one, that is.
Here's mine... the Thunderbird of the Harley line-up.
View attachment 4358480
I've only seen clips of him playing a Ric (when you could see what he was playing). I honestly never liked anything I've heard to keep listening or look for another song. I'm sure there are some decent bass tones from him along the way. Some of his bass tracks sounded like a distorted guitar and hardly like a bass. Certainly worked for them.
He kinda explains it here.Most of the Motorhead 'songs' I've heard, the bass is pretty much buried in a wall of distortion. I s'pose it's there...
Well, vocally there was no mistaking him.The tone you describe was actually his goal, he didn't want to sound anything like a conventional bassist - Love him or hate him, he did it his way, I'm not a huge fan, but "Ace of Spades" and the cover of Bowie's "Heroes" are pretty good in my book.
Well, vocally there was no mistaking him.
He kinda explains it here.
I have the same problem!![]()
Yup. Works for Lemmy. I love Motorhead.Tweetchie zone. That's just not a sound I wanna hear coming outta my-or anyone else's-bass. My opinion.
As you say, twitchy zone. In a 3 piece like Motorhead or Rush, there is a lot of space to fill up. Lemmy had his way of doing that, just as Geddy has his way.Tweetchie zone. That's just not a sound I wanna hear coming outta my-or anyone else's-bass. My opinion.
I hate Motorhead as much as I hate Silversun Pickups.
But seriously... who told Lemmy he could sing?
I've only seen clips of him playing a Ric (when you could see what he was playing). I honestly never liked anything I've heard to keep listening or look for another song. I'm sure there are some decent bass tones from him along the way. Some of his bass tracks sounded like a distorted guitar and hardly like a bass. Certainly worked for them.
Most of the Motorhead 'songs' I've heard, the bass is pretty much buried in a wall of distortion. I s'pose it's there...
I doubt Lemmy ever gave enough of a **it about other peoples opinions to ever bother asking if they thought he could sing

I like them. It’s been awhile, but I know we’ve mentioned her before.I am a DollyRots fan. Pop-punk is a fun genre and reasonably radio friendly.