I suspect you’ll love it. Under stage lights it’s awesome. Spector used two different holoflash painting techniques. You got the good one (like mine) where the colors are large and splotchy with some wrinkle effect strewn in vs the worm effect. Without bright lights shining on the holoflash finish the bass will look a dark charcoal grey with black burst edges, but under light it pops and as the viewer or the light or the bass move the colors all continually change. If you play any outdoor daytime gigs take this bass, it goes wild in the sunlight.
Mine under different lighting situations…
Indoor stage type lighting (first pic is close up of the wrinkle effect)…
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outdoor sunlight…
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Actually there’s a few things going on there. The Greco bass scale is less than the Gibson but still longer than a short scale. The pickups are completely different, much hotter, much more aggressive, very bold and loud. And both pup placements are quite a bit different than the Gibson. The pup placements work really well on the Greco but because of the different scale and the different types of pups it’s hard to determine how much of the great sound is really attributable to just the placement.
Summer Palace in Beijing, beautiful, been there many many times. That, the Forbidden City and the Great Wall should be on everyone’s bucket list.