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Time for our annual RRHOF Bashing

Well, your whole post was about things you don’t know about, if you don’t know who Roxy Music is, maybe you’re not the best person to be commenting on a post dealing with rock history. You just don’t know much about your artists you were commenting on. That’s OK. I bet there are things you do know a lot about.
It wasn't.
If a band's contribution to music doesn't carry across decades, generations, and genres, it isn't worthy.
Joe Average could name maybe one Stevie Nicks song (Stand Back.) Her solo career was based only on momentum fron her previous work.
Joe Average could name exactly one Radiohead song (Creep.) They have a painfully vocal fanbase, but their broad appeal is severely limited. Even their fans frequently say they are being obscure to be obscure.
The Zombies have exactly one well known song (She's not there) and you would be hard pressed to find anyone under 60 that even pull that one out of the air. I was raised on K-Earth, so I have a vague recollection of that song. They have no broader influence or impact on music.
Your lack of understanding of how unimportant some of these artists are in a broader context is your problem, not mine. Additionally, it merely goes to show how pointless these nominations are.
 
Todd Rundgren should have gotten in before any of them. Great career as a solo artist, band member and producer for The Band, Grand Funk Railroad, Cheap Trick, New York Dolls, Bad Finger, Meat Loaf, Psychedelic Fur, The Tubes, Bad Religion and others.
 
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Regardless of how perverted from its roots in being little else than soundtrack to a casual mating ritual the Rock & Roll music genre became and has become, the name of the for-profit enterprise is all wrong.

It'd be like if some stadium owner opened something they called Baseball Hall of Fame and, at first, only inducted baseball, stickball, and cricket players, but eventually began indicting golfers, hockey players, and tennis players so as to boost ticket sales, the success of which then leading them to mostly induct in each annual event fishermen, poker players, boxers and only include one or two token ball-sports players and a few uncoordinated team owners and desk jockeys.


No offense, purely for fun:
I could go on all day. Here's what Wikipedia says:

She is known for sonically innovative, socially conscious and sexually provocative records, and elaborate stage shows.

See that part that says, "sonically innovative, socially conscious?" That's more than Def Leppard did.
that has as much to do with the R&R genre as it is known by both its fans and detractors as Jeremy McGrath's unprecedented supercross career has with marathon. JM is at least as much of both an athlete and performer as JJ is a musician and performer...

Even though her music is more true to the hot and bothered, hip swinging spirit that spawned the Rock and Roll genre than most music that actally is recognized as Rock & Roll post-Bob Dylan, she just ain't rock nor roll, and certainly is not both.

Yes, but in all fairness, 1) many people confuse metal, trance, hip hop, country and other forms as Rock 'n Roll. 2) In truth, pop and dance music share more characteristics of rock 'n roll than metal does. 3) Metal is not something you can dance to.
1) does "many" mean... um... the population whose musical intake is limited to classical, opera, and the occasional weekend dip into traditional bluegrass and folk? There undoubtedly are "many" of those narrow-minded people who simply are not exposed to uncivilized movement inspiring music. Their lack of discernment in music popular in the American 14-35yo demographics from 1955-on is as relevant as a Scottish house cat's would be on Thai cuisine.
2) ...from a soundscape chef's perspective, unequivocally yes. From even a semi-savvy music consumer's perspective? You are inbreedingly wrongamundo.
3) pop-n-locking is but one dance, and it is both grossly dissimilar to and is predated by waltz and headbanging, but is neither more nor less of a legitimate form of dance than either the other two.

Almost everyone on [this] list is from rock and roll, or r&b/blues.

Here is a list from 2011 of inductees:

ABBA (friggin abba?)

Louis Armstrong (Love him, but Lance and Neil are more R&R than this garbly tooter)

Chet Atkins (disliked R&R, but was brilliant on R&R's equivalent of a baseball's bat)

Frank Barsalona (booking agent)

The Bee Gees (dude. no.)

Dick Clark (lol)

Neil Diamond (maybe for people who think Aerosmith is heavy metal, for them he might be R&R)

Bob Dylan (a tuneless wordsmith with a guitar. This is where R&R's perversion which would lead to Slayer and Hole began, and the reason that Janet and Abba just are as rock and roll as a bologna sandwich is pie)

Nesuhi Ertegun (businessman)

Ahmet Ertegun (businessman)

Leo Fender (inventor and businessman)

Grandmaster Flash and the Furious Five (like a Trek 770 is a good minivan)

Isaac Hayes (did he ever think "my product is tangentially related to Rock n Roll"? Doubtful.)

Herb Alpert & Jerry Moss [snort]

Jac Holzman (another businessman)

Madonna (sigh. nope.)

Joni Mitchell (a golfer in the baseball HOF. She used a guitar. Sometimes she had drummers...)

Paul Simon (hhhhh)

Simon and Garfunkel (hhhhhh)

Seymour Stein (musician? Nope. businessman.)


I do like your constructeur's analysis of the similarity of 80's R&B to the impetus of what Rock and Roll has become. It makes the products of Nirvana closer to that of John Stafford Smith & Francis Scott Key than they are to Sister Rosetta Tharpe.

Alligators, birds, and man. We all come from the same beginning and we even have many things in common. Discernment between classifications is kinda important. I doubt that pretty lady who keeps photobombing your avi pics would be ok with you boinking some woman who mostly looks and sounds the same, particularly if it's her mom. I find it easy to doubt "but, you guys are pretty much the same" would fly.
 
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2019 inductees just announced:
Radiohead
Janet Jackson
Def Leppard
The Cure
Roxie Music
The Zombies
Stevie Nicks

Personally happy to see The Zombies recognized. Don't understand the Janet Jackson decision. Never a huge Radiohead, Cure, or Roxie Music fan, but OK. Could go either way on Nicks.

Discuss.
Not a fan by any means. But not a horrible list considering past inductees. Janet Jackson??? Really??? The Cure? Ok, whatever. I don’t listen to Radiohead, but can’t deny their influence. Roxy Music and The Zombies are way overdue. Stevie is already in, don’t understand why her solo stuff needs to be recognized. And I am a huge fan of hers...
 
It wasn't.
If a band's contribution to music doesn't carry across decades, generations, and genres, it isn't worthy.
Joe Average could name maybe one Stevie Nicks song (Stand Back.) Her solo career was based only on momentum fron her previous work.
Joe Average could name exactly one Radiohead song (Creep.) They have a painfully vocal fanbase, but their broad appeal is severely limited. Even their fans frequently say they are being obscure to be obscure.
The Zombies have exactly one well known song (She's not there) and you would be hard pressed to find anyone under 60 that even pull that one out of the air. I was raised on K-Earth, so I have a vague recollection of that song. They have no broader influence or impact on music.
Your lack of understanding of how unimportant some of these artists are in a broader context is your problem, not mine. Additionally, it merely goes to show how pointless these nominations are.[/

. “She’s No There” wasn’t even the Zombies’ biggest hit. “Time Of The Season” was- albeit a hit released after the band broke up. “Stand Back” was only one of Stevie Nicks big hits outside Fleetwood Mac. Classic Rock radio was built on some of her duets. She had a number of them and is a cultural icon- but in terms of impact carrying across generations, “Edge Of 17” was the basis for Destiny Child’s biggest hit and their lead singer Beyonce is quite popular with Joe Average. Radiohead’s “The Bends” and “OK Computer” were two of the most successful and impactful albums of the 90s. “Fake Plastic Trees” and “Karma Police” were absolutely inescapable on alternative rock radio. I don’t suppose there’s any more point in discussing this with you, but I might suggest a bit of googling to get a perspective behind the end of your nose.
 
It wasn't.
If a band's contribution to music doesn't carry across decades, generations, and genres, it isn't worthy.
Joe Average could name maybe one Stevie Nicks song (Stand Back.) Her solo career was based only on momentum fron her previous work.
Joe Average could name exactly one Radiohead song (Creep.) They have a painfully vocal fanbase, but their broad appeal is severely limited. Even their fans frequently say they are being obscure to be obscure.
The Zombies have exactly one well known song (She's not there) and you would be hard pressed to find anyone under 60 that even pull that one out of the air. I was raised on K-Earth, so I have a vague recollection of that song. They have no broader influence or impact on music.
Your lack of understanding of how unimportant some of these artists are in a broader context is your problem, not mine. Additionally, it merely goes to show how pointless these nominations are.
I still don’t care about the RROF but I have to say this isn’t right. I think you might be the one lacking the broader context.
 
Roxy Music kicked off about 15 years before the New Romantics were around, with Brian Eno as synth/processing guru. They sat initially somewhere between prog and glam rock. Their first three albums were innovative and just weird enough to become influential. Without Eno (who left after their second album), they became progressively poppier and more commercially successful as the '70s drew to a close.

You are correct, and I do realize they pre-date the New Romantics. I still credit them with the influence, especially for visual style.
 
Black Sabbath is inducted, and its probably less mainstream than Iron Maiden.

"Probably?"

Maybe, depending on who you ask.

If you polled the average mainstream music listener in the USA, they are likely be far more familiar with "Iron Man," "Paranoid," and a few others than anything Maiden recorded. I'm not picking favorites here, just stating how the mainstream audience views it.
 
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I'm happy Devo didn't get in. They always used to talk about how the only way to subvert the system is from the inside, but the danger of becoming part of the system you're trying to subvert is becoming exactly what you wanted to subvert. And that's what happened to them back in the day. Who needs that happening a second time?