It is a Bass Guitar, so a
limited range instrument.
No need for Bass response below lowest string frequency produced, some 40Hz, nor higher frequency than highest significant harmonic of the highest note, so some 5kHz.
So any "improved" Op Amp will be wasted, except if you get a lower noise one, but nothing beyond.
It is not a Hi Fi preamp where minimum spec to deserve that label is ruler flat from 20Hz (which you don´t have) to 20kHz (neither) .
Hi Fi preamps often boast of even more extended response, say 2 or 5Hz to, say, 50kHz or 100kHz, mainly to
guarantee perfect response in the Audio band, not needed here.
Same about aiming to sub-zero distortion: in fact string Musical Instruments can benefit from "a little" distortion even when used nominally "clean", or sound is often labelled as "boring clinical", go figure.
Tubes are well liked , in part because they introduce some nonlinearity (a.k.a. distortion) to add some "flavour".
Of course it doesn´t
hurt having a cleaned and flatter Op Amp, simply you won´t enjoy any audible "improvement"
For the same reasons, it is not worth going to film caps, besides the obvious size problem.
In a nutshell: using "better parts" often leads to no or minuscule improvement, the REAL improvement comes from bettering THE DESIGN.
Of course, anybody who can solder can replace parts, now to improve the
design requires knowledge and experience, so it´s not very popular.
For example, that Millenium preamp has a somewhat crude design which has a real effect on sound and quality, yet you are not addressing that by any means.
millenium improve.png
visible errors (or at least areas to improve):
1) "the most important Op Amp is the first one" since it processes the weakest signal .... but those are
active pickups, there is at least one Op Amp embedded in each one (fed by that 18V rail),
yet you can´t touch it, not even see it, it´s potted inside, let alone replace it with a better one.
2) it uses a
crude Blend pot.
Normal pots get signal at the hot terminal, which exits through the wiper, which among other things allows for a relatively constant load to signal source , as low as possible output impedance (for a passive part) and when set to 0 shorts the output, for lowest hum and noise.
None of that here where signal enters through the wiper and exits through "hot", so:
* signal source gets variable (and always too low) load, including
shorting it when set to 0 and very very low load when set to lower levels.
* network output impedance is high over most of the travel, and maximum when both pickups are set for same level (50%) .... which is a very common setting.
* which leads to problem #3:
3) Baxandall tone controls need being fed from as low an impedance as possible for best results, but here signal comes from that cheesy Blend pot network.
It would improve if a buffer were inserted between them, I show the best place for it.
4) tone control Op Amp shows a treble
murderingnetwork: R102//C105.
220k plus 470pF have a turnover frequency of 1500Hz
In practice somewhat higher because the whole EQ network is in parallel with R102, and it uses 50k pots, but hey, that will severely mask any possible "improvement" brought by using "better parts".
In a nutshell: real improvements are far away from what an average user can do, because they are achieved at the design bench.
Part swapping is justified only if VERY old or incompetent parts are present, say replacing a very noisy 741 by a more modern one, or dried up caps by fresh ones, not much beyond that