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U.S. Peavey Club

My Squier TB was a completely matte finished neck. When I got it, the fingerboard was quite dirty and the back of the neck was slightly glossed from playing. The gunk cleaned off easily with naphtha and the back of the neck was re-satined with a quick hit of steel wool. You can see the filth on this pic I took the day I got it.
Never thought about Bar Keeper's Friend to clean a seriously dirty fingerboard. Been using the stuff for decades to clean around the house (and to polish the nastiest of dirty cymbals).
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I'm not a fan of burst finishes but, that is a gorgeous finish on your Telecaster! I dig the grain pattern on that particular specimen.
 
I use a MB fusion 500 .
At this point I think If I found a deal on a VB3 I'd think about it or maybe a nice Megabass head. I had a huge infatuation with those and the GK 400RB in the 80's. I have a 400RBII now so maybe I should look for that Megabass head.

I have a megabass lead for you.

I sent it to Meridian... had it fully reworked and cleaned.

It's' now for sale $160 from a very cool guy - PM me if you want a connection
 
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Millenium/GV String Retainer

Has anyone found an aftermarket source for these? I'm guessing they're copies of a Floyd Rose retainer

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I'm not a fan of burst finishes but, that is a gorgeous finish on your Telecaster! I dig the grain pattern on that particular specimen.
I'm not a sunburst guy, either. That one did look great, though. Not great for a Squier, just great! Played really nice, too. I love that particular neck profile and have a Squier CV '51 P neck with the same exact profile on my Partscision bass. The difference is the CV neck was fully gloss finished, so the back got a good scrubbing to matte it up. Note: this bass is black, which I love sooo much more than sunburst! It's going nowhere, for a relatively cheap bass, it performs 3-5Xs it's pay grade.
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Truth be told, the Tele bass mostly sat, unplayed. Mudbuckers are niche---so hot and so dark. I contemplated adding a single coil P pickup in the proper spot to make the bass a little more useful, but chose to not rout and just do a wiring mod to it (CTS 1M linear volume, 500K push/pull tone for series/parallel and Switchcraft jack). This made it more tonally usable to me (parallel mode), but in the end, it just didn't jive, so I sold it and got a black USA made EBMM SUB 4 string for the same $$. I played that SUB more in the first month than I did that Tele the 3-4 years I had it!
 
I'm not a sunburst guy, either. That one did look great, though. Not great for a Squier, just great! Played really nice, too. I love that particular neck profile and have a Squier CV '51 P neck with the same exact profile on my Partscision bass. The difference is the CV neck was fully gloss finished, so the back got a good scrubbing to matte it up. Note: this bass is black, which I love sooo much more than sunburst! It's going nowhere, for a relatively cheap bass, it performs 3-5Xs it's pay grade.
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Truth be told, the Tele bass mostly sat, unplayed. Mudbuckers are niche---so hot and so dark. I contemplated adding a single coil P pickup in the proper spot to make the bass a little more useful, but chose to not rout and just do a wiring mod to it (CTS 1M linear volume, 500K push/pull tone for series/parallel and Switchcraft jack). This made it more tonally usable to me (parallel mode), but in the end, it just didn't jive, so I sold it and got a black USA made EBMM SUB 4 string for the same $$. I played that SUB more in the first month than I did that Tele the 3-4 years I had it!

You're absolutely spot on about the mudbuckers. I have a Modern Player Tele with two mudbuckers and it's a different tone for sure. Oddly enough, with the right amp mine can sound a lot like an acoustic bass. I decided to hang on to mine because there's nothing else in my toolbox that sounds like it. I'm thinking about using it for an acoustic set this weekend.

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So I picked up a Trace Elliot ELF from Craigslist last night brand new in the box for $200. I LOVE it. It sounds amazing. Doesn't have the classic TE tone, but it just sounds great. Cooling fan, SIMPLE to use. I love simple. Less gimmicks, the better. Since Trace Elliot is owned by Peavey (right ?) I figure it's still within our Peavey group.
Also, my overdrive pedal dilemma has been solved, too. As much as I loved every demo of the Darkglass X7, it's just out of my budget. Again, was looking on CL and a guy FIVE MINUTES from me had a BOSS ODB-3 bass overdrive for $20 bucks !!!!!
Saturday night I replaced my stock pickups in my Peavey Foundation S with Seymour Duncans. Not a whole lot of difference, so the stock ones were really good. I should know by now that Peavey hardly cut corners. I also switched out the stock bridge for a Hipshot high mass bridge, since I had one in my parts drawer.
I had a good weekend.

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You're absolutely spot on about the mudbuckers. I have a Modern Player Tele with two mudbuckers and it's a different tone for sure. Oddly enough, with the right amp mine can sound a lot like an acoustic bass. I decided to hang on to mine because there's nothing else in my toolbox that sounds like it. I'm thinking about using it for an acoustic set this weekend.

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That butterscotch Tele with the chrome pups looks KILLER !
 
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So on an impulse I bought a Korean made Fury V. Are you going to kick me out of this thread? I still have more than 10 USA Peavey basses. Does that count?
There are some really nice Korean made basses.
Have you seen the prices for used Lakland Skyline basses? ...and I think they are Indonesian now.
Reverend Basses are pretty slick, they are Korean or Indonesian.
 
So on an impulse I bought a Korean made Fury V. Are you going to kick me out of this thread? I still have more than 10 USA Peavey basses. Does that count?

I've actually been looking at a couple of those. Only thing that holds me back is I have an aversion to 20 fret necks!

And shh. Don't tell anyone one. I have a Chinese Millennium 5 BXP AC. Way better than it has a right to given what I paid for it.
 
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