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U.S. Peavey Club

I have the x7

personally don't like it with my cirrus or others
my randy Jackson bass sounds great with it
Thanks for bursting my bubble :( JK. I need some extra grit for a song or two (maybe more) and it was between this and the Sansamp Geddy Lee. I SHOULD'VE bought from GC instead of Ebay best price to save $25 bucks. GC has the BEST return policy. (Bill's Music also has 30 day return policy. Just checked.) Darn !!! I don't want to think like that. The ink isn't even dry yet.
That being said, I've NEVER spent this much on an effect pedal, let alone a pedal I thought I would NEVER get. Distortion ? C'mon. I could've bought another Peavey bass for the price. I took that into consideration and I don't want another bass today. I want this.
OK - I need to hear some good stories about this pedal from you guys.
 
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Thanks for bursting my bubble :( JK. I need some extra grit for a song or two (maybe more) and it was between this and the Sansamp Geddy Lee. I SHOULD'VE bought from GC instead of Ebay best price to save $25 bucks. GC has the BEST return policy. (Bill's Music also has 30 day return policy. Just checked.) Darn !!! I don't want to think like that. The ink isn't even dry yet.
That being said, I've NEVER spent this much on an effect pedal, let alone a pedal I thought I would NEVER get. Distortion ? C'mon. I could've bought another Peavey bass for the price. I took that into consideration and I don't want another bass today. I want this.
OK - I need to hear some good stories about this pedal from you guys.

Well I'll be very curious to what you think. I think the Darkglass stuff sounds incredible. My problem is I normally don't have the need for anything with that heavy of a distortion.
 
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Thanks for bursting my bubble :( JK. I need some extra grit for a song or two (maybe more) and it was between this and the Sansamp Geddy Lee. I SHOULD'VE bought from GC instead of Ebay best price to save $25 bucks. GC has the BEST return policy. (Bill's Music also has 30 day return policy. Just checked.) Darn !!! I don't want to think like that. The ink isn't even dry yet.
That being said, I've NEVER spent this much on an effect pedal, let alone a pedal I thought I would NEVER get. Distortion ? C'mon. I could've bought another Peavey bass for the price. I took that into consideration and I don't want another bass today. I want this.
OK - I need to hear some good stories about this pedal from you guys.

The X7 and X series pedals are versatile enough that you will be able to get something awesome out of them. I have an X I use with my Patriot all the time. I also use a Darkglass M900 amp. With the Cirrus it will shine. Nathan's video also convinced me that the Cirrus (while I always liked them), was the best bargain in basses ever. Good luck with the X7, you'll dig it.
 
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The X7 and X series pedals are versatile enough that you will be able to get something awesome out of them. I have an X I use with my Patriot all the time. I also use a Darkglass M900 amp. With the Cirrus it will shine. Nathan's video also convinced me that the Cirrus (while I always liked them), was the best bargain in basses ever. Good luck with the X7, you'll dig it.
Thanks J, I look forward to it a lot. I don't plan on using it for heavy distortion, but just to add some Chris Squier, Geddy growl to it without having to play a Ric. How do you like the Darkglass amp ? I saw those, too. I play though my trusty SWR Baby Blue head and I can only imagine what a great addition the X7 will be !
Here is the pedal built into the amp for those of us who didn't know it even existed !!! Dang !!!!
 
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Thanks J, I look forward to it a lot. I don't plan on using it for heavy distortion, but just to add some Chris Squier, Geddy growl to it without having to play a Ric. How do you like the Darkglass amp ? I saw those, too. I play though my trusty SWR Baby Blue head and I can only imagine what a great addition the X7 will be !
Here is the pedal built into the amp for those of us who didn't know it even existed !!! Dang !!!!


Have you tried the Two Notes Le Bass preamp? It's a great preamp with lots of warm tones that can hit varying degrees of grit and overdrive when needed. For me, it's been an awesome recording tool as it has it's own send/return chain and thru input. It has has a headphone and DI out and is really good for running through a dedicated power amp if needed.

I also recommend the Peavey Max preamp and the Ampeg SVP-BSP as good options for recording. You can sometimes grab the Ampeg for less than the cost of a new Darkglass and the Max pre is usually around $200 or less. The tube overdrive on the Max pre is very organic and musical and the SVP-BSP has two effects loops for each channel, a DI out with line level control for each channel, and a master volume in addition to the two-volume pots for each channel.

I've used both with my Mill and Cirrus and they sound fantastic.

 
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Have you tried the Two Notes Le Bass preamp? It's a great preamp with lots of warm tones that can hit varying degrees of grit and overdrive when needed. For me, it's been an awesome recording tool as it has it's own send/return chain and thru input. It has has a headphone and DI out and is really good for running through a dedicated power amp if needed.

I also recommend the Peavey Max preamp and the Ampeg SVP-BSP as good options for recording. You can sometimes grab the Ampeg for less than the cost of a new Darkglass and the Max pre is usually around $200 or less. The tube overdrive on the Max pre is very organic and musical and the SVP-BSP has two effects loops for each channel, a DI out with line level control for each channel, and a master volume in addition to the two-volume pots for each channel.

I've used both with my Mill and Cirrus and they sound fantastic.


Thanks brother. No, I've never even heard of Le Bass. Here I come, Youtube ! - Mike
BTW, I don't know if I mentioned that I woke up to a refund from the shop I bought the Darkglass from because it sold on the other site, so I'm back to shopping mode again. Gonna probably go to GC and try them in person.
 
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My recent experience in taking a beat up and unplayable Foundation back to being a great bass was great fun and I tried something new to me that may be useful to some of you. If you have already heard part of this story, please excuse an old man. We tend to repeat ourselves.

The bass came to me in the original case. I bought it off Reverb for $175 plus shipping. It is a scratched up red bass with rosewood fingerboard, super ferrite PU's, two piece neck, scroll lettering on the HS and no micro tilt. EDIT: 58Kites let me know that the micro tilt was probably under the neck plate and it is. I think the neck plate has been changed.

The bass had a lot of forward bow when it arrived and it sounded terrible and the controls did not work properly. The electronics problems were easily corrected since I own another Foundation with Super Ferrites and could compare wiring. The hot and ground on the neck PU were reversed and the output jack was connected to the opposite end of the tone pot rather than the PU output. Those two errors were corrected and the bass sounded fantastic.....but played terrible.

I removed the truss rod cover and found the truss rod nut cavity filled with some kind of glue. I believe it was hot glue. ???? No, I can't imagine what that was supposed to do. Similar to a dog's solution to some problems....pee on it and then cover it up. The bass also had a set of .050 to .105 strings on it which didn't help.

I chipped out the glue and found the truss rod nut buggered up. Finally was able to remove it after heating it with my soldering iron. Ordered a new nut, lightly lubed the threads and the bearing surface and found that with it very tight there was still too much relief with a set of .040-.100 strings on it. I find most basses play their best with almost no relief. This one required the bridge saddles to be very high to keep it from fretting out on the higher frets.

So, to recap, here I am with an inexpensive bass that has too much relief in the neck, a very tight truss rod nut and does not play very well.

I thought about it for a day or two and decided to try something I have not done before. I clamped the body to a table with the neck hanging off the table edge. I took a guitar strap and hung it off the head stock and then put 16 pounds of weight in the strap. This was done with the strings loose. I then took a hair dryer and heated the neck and concentrated on the area where the neck meets the body. I heated it several times and left it with the weights hanging on the HS for two days.

I removed the bass from my makeshift neck jig and it was pretty much straight but still had too much forward bow when tuned to pitch. I loosened the strings again and decided to try tightening the truss rod nut. I found it much easier to turn and was able to give it about half a turn (yeah, that is a lot but the neck needed a lot of adjustment) and the nut was still not overly tight. I again tuned it to pitch and the neck was dead straight....no relief.

I left it tuned to pitch and after a day it settled in with almost no relief. YAY! I was able to do a normal set up and now the bass plays great and sounds fantastic.

I hope this info will be of use to any of you that may have a bass with similar neck problems. As you know, a properly fitting wrench is essential for making adjustment on a bass and so many Peavey basses have damaged truss rod nuts because it takes a thin wall socket to properly fit these older basses.

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Hey Chuck nice little fix there. I have an 82 G&L L2KE that I bought 4 years ago. Unfortunately it had a couple of undisclosed problems and the worst was the neck. Had a bad Ski Slope and a twist. The neck was too beautiful to not try to save, Lots of figuring and Birdseye plus a really nice dark rosewood board. I ended up sending it to that guy in Texas, warped neck.com and he was able to heat treat it over a period of a couple weeks and though it is not perfect, It takes a good setup now and plays very well. Better still 4 years down the road and it is still holding.

I would suggest if the neck starts to develop a problem again you can send it to him. It did run about 100.00 but In my case it was money very well spent.
 
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Ok, Heres a question for you guys, Do any of you guys own or at least have tried a GK Plex preamp pedal? I like the GK sound, always have. I currently own a 400RBII that I got beginning of last year and I really like that as an alternative to my others. So anyway the question is what do you think of these things? I know there is some amplifier emulation built in but I'm not really after that per se. How does it sound? I know it has a bunch of stuff that you can access but how hard is that to get a grip on? Is it too much so it isn't friendly?

Thanks!
 
Do any of you guys own or at least have tried a GK Plex preamp pedal?
Owned one for a couple of year. No idea if the presets mirror other GK gear.
Tuner is a hassle to access,lights can be blinding.

@Chuck M

If you use a good straight edge,blocks and 3 clamps you can pinpoint exactly where force is required when straightening necks. Need back bow. place a block 1st fret and another at say 17th fret. Clamp the straight edge to the neck,spirit level is good. Blocks create the gap,all you do is pick your spot for the 3rd clamp.
 
GK Plex preamp pedal? I like the GK sound,

So anyway the question is what do you think of these things? I know there is some amplifier emulation built in but I'm not really after that per se. How does it sound? I know it has a bunch of stuff that you can access but how hard is that to get a grip on? Is it too much so it isn't friendly?

Thanks!

I Play a Plex Every Sunday.
  • Kept in a rack drawer behind the scenes.
  • The footswitch tuner is used (3 quick clicks)
  • Yes, sounds like my MB200 and MB500
  • Takes about an hour to really learn - I set it and forget it
  • The career sound staff love it -- I like the simplified rack
Signal Chain
Millenium Plus 5 (with super dead strings)>shure wireless>plex>Yamaha Digital Board > Array/IEM

It's fairly isolated at the end of the track... and the next one

 
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I use a MB fusion 500 .

How do you like it? I've heard that they are much warmer and don't have the typical GK clank. I was thinking of getting one as my primary gigging head for 2020. I don't want to use my Ampeg 8Pro and GK1200 SEB because they are rare and hard to replace.

I'm guessing that it's probably loud for 500 watts. Curious to see how much you like it. Thanks!
 
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How do you like it? I've heard that they are much warmer and don't have the typical GK clank. I was thinking of getting one as my primary gigging head for 2020. I don't want to use my Ampeg 8Pro and GK1200 SEB because they are rare and hard to replace.

I'm guessing that it's probably loud for 500 watts. Curious to see how much you like it. Thanks!

I love the amp. You can get the 400/800rb clank out of the amp. Really sounds closer to my 1001rbII which is my favorite GK amp. Not sure how much the tubes have on the overall sound. Overdrive sounds good, actually used the fusion for a guitar amp in a pinch. For me it's the best option using GK amps. I also have a MB200 for theater gigs. Can run my Mesa DI into the AUX input of the MB200 and have the same affect as the fusion, bypassing the preamp all together.
 
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