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Unusual Rock Trivia?

When Randy Bachman was on the road in the 1960s and 1970s, he says, “I didn't take a per diem and go eat at a fancy restaurant. I put my per diems in my pocket. I ended up with the largest Gretsch collection in the world – 385 Gretsches that I sold to Fred Gretsch for his Gretsch museum at four times for what I paid for. That was the greatest investment I’ve ever made. I bought those guitars one at a time for $200-$300, which I saved every week being on the road for months at a time and eating pretty much the slop that they give to the crew.”


Seventy-five Vintage Guitars from the Bachman-Gretsch Collection Sparkle and Shine at Nashville Museum Exhibit
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A historical collection of vintage, rare, and one-of-a-kind Gretsch guitars is now on display at The Country Music Hall of Fame® and Museum in Nashville, Tennessee. The new exhibit, American Sound and Beauty: Guitars from the Bachman-Gretsch Collection, features 75 of the more than 300 Gretsch guitars amassed by Canadian musician Randy Bachman of The Guess Who and Bachman Turner Overdrive fame. It is the largest collection of guitars ever displayed at the Museum and marks the first time the public has seen a part of Bachman’s extensive Gretsch collection, considered the largest in the world. The Gretsch Foundation, the charitable arm of the Gretsch family, purchased the collection in 2008.

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Several rare and one-of-a-kind vintage Gretsch guitars from the 1960s on display at the Country Music Hall of Fame and Museum. Photo by Ron Denny/The Gretsch Company.

Fred Gretsch, fourth generation Gretsch Company president, and wife Dinah, CFO and executive vice president, were joined by family, friends, and legendary musicians at a special preview and reception hosted by the Museum on Thursday night, January 14.

Gretsch President Fred Gretsch sharing remarks about the Bachman-Gretsch Collection. Ben Hall, Major Gifts Manager at the Country Music Hall of Fame® and Museum, holds the Gretsch Company’s 130th Anniversary history poster. Photo by Ron Denny/The Gretsch Company.

Gretsch shared that he never imagined a phone call made to Randy Bachman more than 30 years ago asking for his help would lead to this special exhibit. After buying back the family business from the Baldwin Company in 1984, Gretsch needed vintage Gretsch guitars to use as prototypes. “Randy was kind enough to share several of his guitars from his collection,” said Gretsch. “We are forever grateful for his assistance in helping launch that first generation of new Gretsch guitars.”

What a great post!
And a very cool story; there are many lessons here.

Thanks!
 
In 1967 Jimi Hendrix was the opening act for The Monkees.

This is true, they started a tour together on 07-July, but...
on the 7th show (16-July) Jimi got fed up with the crowd freaking out, flipped them the bird & walked off-stage, for good!
They did only 7 shows together.

I think the clincher for Jimi was when he tried to get them to sing along to Foxey Lady, but instead they were singing Foxey Davey.
 
Toto's "Africa" to play 'for eternity' in Namibia desert

Toto's "Africa" has come home, so to speak, thanks to an installation by an artist who plans to play the song on loop in a Namibian desert -- for eternity.

German-Namibian artist Max Siedentopf has set up the sound installation, called "Toto Forever," in an undisclosed location in the 1,200 mile-long Namib Desert.
The desert, on the west coast of Southern Africa, is around 55 million years old -- making it the world's oldest desert and the "perfect spot" for his work, Siedentopf, 27, said, "Hopefully the song will play just as long," he added.

Siedentopf is using solar batteries to power the entire installation, which consists of plinths supporting six speakers attached to a single MP3 player that contains one track: Toto's "Africa."

"Even though 'Africa' by Toto was released 1982 it is still very much present in today's pop culture and frequently used for memes and even entire Reddit pages are dedicated to the song," Siedentopf, who is based in London, said.
"I was very intrigued by this and wanted to pay the song the ultimate homage and physically exhibit 'Africa' in Africa."

The song -- which was written by Toto's late drummer, Jeff Porcaro, and keyboard player David Paich -- has occasionally been mocked for its lack of local knowledge: One of the lyrics claims "Kilimanjaro rises like Olympus above the Serengeti," but Africa's highest peak can't be seen from the Serengeti.


He said he won't reveal exact the location of the work, adding that it is "like a treasure that only the most loyal of Toto fans can find."

https://www.youtube.com/watch?v=cCuP7ABO_Go

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http%3A%2F%2Fcdn.cnn.com%2Fcnnnext%2Fdam%2Fassets%2F190115110804-01-toto-forever-namibia-desert.jpg
 
I've seen this article before in other parts of the interwebs and the one bit I can't get past is the very real potential for the MP3 player to overheat and fail (much like a phone in a hot car). I'm curious how it was overcome.

And the speakers and the rest of the equipment to withstand blinding wind and sands storms...doesn't look like it'll last at first glance, but who knows.
 
The Guns N’ Roses song "You Could Be Mine" was originally released as the theme song for the 1991 film, Terminator 2: Judgment Day. Arnold Schwarzenegger was very involved with every facet of the movie's production. One of the things that the producers wanted to do was to put together a music video for the film, because back then, if you could get a good music video it would get played 15 times a day on MTV. Arnold was asked whether he would do it, and he said, "Only if you get the best band in the world to do it." He was asked, "Okay, who’s the best?" Arnold said, "If you get Guns N’ Roses I’m in." But, to get them there was a lot of schmoozing with the band and Arnold and Maria [Shriver] invited the band over to their house for dinner one night to negotiate a deal, and sure enough, they agreed.
 
July 10, 1900 - “His Master’s Voice” is registered with the U.S. Patent Office as the trademark for the Victor Recording Company (later known as RCA Victor). The company’s logo is a painting of a terrier named “Nipper” looking at the horn of a phonograph machine. The painting is by British artist Francis Barraud who is Nipper’s caretaker after his brother Mark Henry Barraud passes away in 1887. Nipper himself lives to be eleven years old before he dies in 1895. The image becomes an icon and one of the most recognized corporate trademarks of the 20th century and beyond.

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Alice Cooper was welcome in Canada in the '70s. His snake Angel, however, was not.

When the shock-rocker tried to get the nine-foot boa constrictor into the country for his 1977 tour, it was refused entry because of lack of documentation.

"Angel is absolutely brilliant on stage," Cooper said. "I've gone to 15 or 20 countries in my whole life and I've never, ever had to [produce a snake's life history]."

Cooper was asked when he would give up the rock-and-roll life. The 29-year-old Cooper said he would quit at 35. He is still touring at the age of 72.
 
The Beatles song "Dear Prudence" was written by John Lennon for Prudence Farrow, Mia's sister. She was with the group in Rishikesh studying transcendental meditation with the Maharishi Yogi, and after a paranoid episode, would not leave her bungalow. John supposedly played it for her to lure her out. "Dear Prudence / Won't you come out to play"...
 
Chuck Berry’s 1958 smash hit “Johnny B. Goode” was so popular and influential that it was selected as one of the songs featured on the “Golden Record” affixed to the Voyager space probe—a record designed to transmit the greatest cultural achievements of human history to any hypothetical alien civilizations that someday, millennia in the future, stumble upon the spacecraft floating around aimlessly long after completing its mission in our Solar System.

What are the contents of the Golden Record?


The contents of the record were selected for NASA by a committee chaired by Carl Sagan of Cornell University, et. al. Dr. Sagan and his associates assembled Link Removed and a variety of natural sounds, such as those made by surf, wind and thunder, birds, whales, and other animals. To this they added musical selections from different cultures and eras, and spoken greetings from Earth-people in fifty-five languages, and printed messages from President Carter and U.N. Secretary General Waldheim.

Each record is encased in a protective aluminum jacket, together with a cartridge and a needle. Instructions, in symbolic language, explain the origin of the spacecraft and indicate how the record is to be played. The 115 images are encoded in analog form.

The remainder of the record is in audio, designed to be played at 16-2/3 revolutions per minute. It contains the spoken greeting, beginning with Akkadian, which was spoken in Sumer about six thousand years ago, and ending with Wu, a modern Chinese dialect. Following the section on the sounds of Earth, there is an eclectic 90-minute selection of music, including both Eastern and Western classics and a variety of ethnic music. Once the Voyager spacecraft leave the solar system (by 1990, both will be beyond the orbit of Pluto), they will find themselves in empty space. It will be forty thousand years before they make a close approach to any other planetary system. As Carl Sagan has noted, "The spacecraft will be encountered and the record played only if there are advanced spacefaring civilizations in interstellar space. But the launching of this bottle into the cosmic ocean says something very hopeful about life on this planet."

Making of the Golden Record

Many people were instrumental in the design, development and manufacturing of the golden record. Blank records were provided by the Pyral S.A. of Creteil, France. CBS Records contracted the JVC Cutting Center in Boulder, Colorado to cut the lacquer masters which were then sent to the James G. Lee Record Processing center in Gardena, California to cut and gold plate eight Voyager records. Gold plating took place on August 23, 1977; afterward, the records were mounted in aluminum containers and delivered to JPL. The record is constructed of gold-plated copper and is 12 inches (30 cm) in diameter. The record's cover is aluminum and electroplated upon it is an ultra-pure sample of the isotope uranium-238. Uranium-238 has a half-life of 4.468 billion years. The records also had the inscription "To the makers of music – all worlds, all times" hand-etched on its surface.

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Golden Record
Music From Earth


The following music was included on the Voyager record.

  • Bach, Brandenburg Concerto No. 2 in F. First Movement, Munich Bach Orchestra, Karl Richter, conductor. 4:40
  • Java, court gamelan, "Kinds of Flowers," recorded by Robert Brown. 4:43
  • Senegal, percussion, recorded by Charles Duvelle. 2:08
  • Zaire, Pygmy girls' initiation song, recorded by Colin Turnbull. 0:56
  • Australia, Aborigine songs, "Morning Star" and "Devil Bird," recorded by Sandra LeBrun Holmes. 1:26
  • Mexico, "El Cascabel," performed by Lorenzo Barcelata and the Mariachi México. 3:14
  • "Johnny B. Goode," written and performed by Chuck Berry. 2:38
  • New Guinea, men's house song, recorded by Robert MacLennan. 1:20
  • Japan, shakuhachi, "Tsuru No Sugomori" ("Crane's Nest,") performed by Goro Yamaguchi. 4:51
  • Bach, "Gavotte en rondeaux" from the Partita No. 3 in E major for Violin, performed by Arthur Grumiaux. 2:55
  • Mozart, The Magic Flute, Queen of the Night aria, no. 14. Edda Moser, soprano. Bavarian State Opera, Munich, Wolfgang Sawallisch, conductor. 2:55
  • Georgian S.S.R., chorus, "Tchakrulo," collected by Radio Moscow. 2:18
  • Peru, panpipes and drum, collected by Casa de la Cultura, Lima. 0:52
  • "Melancholy Blues," performed by Louis Armstrong and his Hot Seven. 3:05
  • Azerbaijan S.S.R., bagpipes, recorded by Radio Moscow. 2:30
  • Stravinsky, Rite of Spring, Sacrificial Dance, Columbia Symphony Orchestra, Igor Stravinsky, conductor. 4:35
  • Bach, The Well-Tempered Clavier, Book 2, Prelude and Fugue in C, No.1. Glenn Gould, piano. 4:48
  • Beethoven, Fifth Symphony, First Movement, the Philharmonia Orchestra, Otto Klemperer, conductor. 7:20
  • Bulgaria, "Izlel je Delyo Hagdutin," sung by Valya Balkanska. 4:59
  • Navajo Indians, Night Chant, recorded by Willard Rhodes. 0:57
  • Holborne, Paueans, Galliards, Almains and Other Short Aeirs, "The Fairie Round," performed by David Munrow and the Early Music Consort of London. 1:17
  • Solomon Islands, panpipes, collected by the Solomon Islands Broadcasting Service. 1:12
  • Peru, wedding song, recorded by John Cohen. 0:38
  • China, ch'in, "Flowing Streams," performed by Kuan P'ing-hu. 7:37
  • India, raga, "Jaat Kahan Ho," sung by Surshri Kesar Bai Kerkar. 3:30
  • "Dark Was the Night," written and performed by Blind Willie Johnson. 3:15
  • Beethoven, String Quartet No. 13 in B flat, Opus 130, Cavatina, performed by Budapest String Quartet. 6:37

I went to college at a very small Bible college. There was a professor there who taught all of the science classes and stuff similar. He was one of the scientists who developed the fuel for the Voyager spacecraft. Was so smart he was dull. His son was around my age.

Interesting that the ONLY rock song on the above mentioned disc is JBG. everything else is symphony/classical/tribal styles...

BnB
 
The song “Thank You for Being a Friend” wasn’t the producers’ first choice for The Golden Girls TV Show theme song.

They approached the publishing company for Bette Midler's song, "Friends", but it was too expensive. One of the producers remembered Andrew Gold’s song, "Thank You For Being A Friend". They licensed it and hired a session singer named Cynthia Fee. Even though the recording session was slated to last for an hour, she did it in one or two takes—maybe 20 or 30 minutes—and planned on never thinking of it again. The irony is that thanks to unions, every time your song gets played, you get paid. So this job she did on a random weekday in 1985 has put her kids through college.

The original version by Andrew Gold was a hit in 1978. The other musicians who played on the song with Andrew Gold were Kenny Edwards (bass, backing vocals), Brock Walsh (backing vocals), Waddy Wachtel (guitar), & Jeff Porcaro (drums)

Additionally, the song was featured as a dedication to the host on Casey Kasem's final American Top 20/10, broadcast on the Fourth of July weekend in 2009.



 
Did we do this one yet:

A number of musicians guest stared on the "Highlander" TV show...Roland Gift (Fine Young Canibals), Roger Daltrey (The Who), Jim Byrnes (Canadian blues player), Joan Jett, Martin & Gary Kemp (Spandau Ballet), Sheena Easton, and Vanity are some of them.

The Daltrey ones were some of the best because he plays such a good...womanizer.
 
Did we do this one yet:

A number of musicians guest stared on the "Highlander" TV show...Roland Gift (Fine Young Canibals), Roger Daltrey (The Who), Jim Byrnes (Canadian blues player), Joan Jett, Martin & Gary Kemp (Spandau Ballet), Sheena Easton, and Vanity are some of them.

The Daltrey ones were some of the best because he plays such a good...womanizer.
Interesting you bring this up: We just found the Highlander series on Amazon and are going to watch it. When it was on TV, we would catch it when we could, but obviously missed episodes. I agree that Daltrey was great on that show.
 
The Beatles song "Dear Prudence" was written by John Lennon for Prudence Farrow, Mia's sister. She was with the group in Rishikesh studying transcendental meditation with the Maharishi Yogi, and after a paranoid episode, would not leave her bungalow. John supposedly played it for her to lure her out. "Dear Prudence / Won't you come out to play"...

And picking up on this theme, "Sexy Sadie" was originally written by Lennon as "Maharishi" and was a blistering take down of the guru ("Maharishi, what have you done, you made a fool of everyone...") after Lennon learned the guru attempted some "private instruction" with one of the woman in the Beatles' entourage. Lennon had to re-write the lyric to avoid legal action by the Maharishi.
 
Interesting you bring this up: We just found the Highlander series on Amazon and are going to watch it. When it was on TV, we would catch it when we could, but obviously missed episodes. I agree that Daltrey was great on that show.

The series is not perfect by any means but many episodes are good enough that it is hard not to watch it when it shows up. They often had very good casting.
 
And picking up on this theme, "Sexy Sadie" was originally written by Lennon as "Maharishi" and was a blistering take down of the guru ("Maharishi, what have you done, you made a fool of everyone...") after Lennon learned the guru attempted some "private instruction" with one of the woman in the Beatles' entourage. Lennon had to re-write the lyric to avoid legal action by the Maharishi.
According to the Barry Miles book "Many Years From Now", it was George who suggested to John to change the lyric to Sexy Sadie. George was still in support of the Maharishi and didn't believe the "private instruction" story, but did not stand in the way of a good song by John. Even when the Beatles were falling apart, they still supported each other for the most part.
 

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