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Unusual Rock Trivia?

Radio DJ and TV & Film Personality Wolfman Jack (Robert Weston Smith) was featured on several songs as well as inspired some songs. Jim Morrison's lyrics for "The WASP (Texas Radio and the Big Beat)" were influenced by Wolfman Jack's broadcasting. He is mentioned in the Grateful Dead song "Ramble On Rose". He furnished his voice in The Guess Who's hit song "Clap For The Wolfman". Todd Rundgren recorded the tribute "Wolfman Jack" on his Something/Anything album; the single version of the track includes a shouted talk-over intro by the Wolfman but on the album version Rundgren performs that part himself. The Stampeders did a hit cover of "Hit The Road Jack" in 1975 featuring Wolfman Jack.











 
"Let It Be" is the only Beatles song that Linda McCartney sang backup on.



Each of the Beatles had their wives/girlfriends sing on Beatles records:

Let It Be - Linda McCartney
Birthday - Yoko Ono, Patti Harrison
The Continuing Story of Bungalow Bill - Yoko Ono, Maureen Starkey
All You Need is Love - Patti Harrison, Jane Asher
Revolution 9 - Yoko Ono

Only Cynthia Lennon was left out of the fun.
 
And ... Wolfman Jack appeared as Cyndi Lauper's father in her "Girls Just Want to Have Fun" video -



Sorry, that is not Wolfman Jack in the Cyndi Lauper video. That was wrestler Captain Lou Albano.

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According to Mick Mars (Robert Alan Deal), the story of how Mötley Crüe got their band name goes like this. He remembered an incident that occurred when he was playing with a band called White Horse, when one of the other band members called the group "a motley looking crew". He remembered the phrase and copied it down as 'Mottley Cru'. The band members liked it and the spelling was changed to "Mötley Crüe" when Vince Neil suggested to add the two sets of umlauts, supposedly inspired by the German beer Löwenbräu they were drinking at the time. Metal bands used it to show boldness and strength, like Motörhead, Blue Öyster Cult, Queensrÿche, and others.
 
The story of how Bachman-Turner Overdrive came to be.

After leaving The Guess Who, Randy Bachman recalled that "nobody wanted to work with me". The exception was Chad Allan, former Guess Who lead singer who had left that band four years before Randy. The two decided to form a new band with Randy's brother Robin "Robbie" Bachman on drums and they named it Brave Belt. Brave Belt's first album, which had Randy playing both lead guitar and bass, did not sell particularly well. The record label still wanted Brave Belt to tour, so fellow Winnipeg bassist/vocalist C. F. (Fred) Turner was added to the lineup. Brave Belt had a few songs that made the Canadian charts but only one, "Crazy Arms, Crazy Eyes" made the Canadian Top 40.

Turner was soon asked to be a full-time member for the recording of Brave Belt II in 1972. Chad Allan appeared as a vocalist on two Brave Belt II songs, but left the band shortly after the album's recording. Another Bachman brother, Tim Bachman, was added as a second guitarist. Brave Belt II also failed to achieve any notable chart success.

According to Randy Bachman's autobiography, the seeds of the B.T.O. sound were sown at a university gig in Thunder Bay, Ontario, Canada shortly after Allan's departure. A promoter was not happy with Brave Belt's country-flavoured songs and decided to sack Brave Belt for the Saturday night show and bring in a more rock-oriented replacement from Toronto. When that didn't materialize, he begged Brave Belt to stay on and play a set of classic rock cover songs. As the band played songs like "Proud Mary", "Brown Sugar" and "All Right Now", the dance floor filled up and, according to Randy, "We instantly saw the difference between playing sit-down music people could talk over and playing music they would jump out of their seats and dance to."

After Reprise Records dropped Brave Belt from their label, Randy Bachman emptied his own bank account to finance another set of recordings with the Brave Belt II lineup, and began to shop around the next album. Said Randy in 1974, "I went to A&M, Epic, Atlantic, Columbia, Asylum – you name it. A week later, I’d get letters saying ‘Dear Randy, We pass.’ We’re thinking of calling our greatest hits album We Pass and printing all those refusals on the jacket. I’ve got all 22 of them."

The band eventually landed a deal with Mercury Records, one which Randy proclaimed as a pure stroke of luck. In April 1973, Charlie Fach of Mercury Records returned to his office after a trip to France to find a stack of unplayed demo tapes waiting on his desk. Wanting to start completely fresh, he took a trash can and slid all the tapes into it except one which missed the can and fell onto the floor. Fach picked up the tape and noticed Bachman's name on it. He remembered talking to him the previous year and had told Bachman that if he ever put a demo together to send it to him. Coincidentally, Mercury had just lost Uriah Heep and Rod Stewart to other labels, and Fach was looking for new rock acts to replace them. Fach called Bachman, and Randy describes the conversation from there:

I could hear "Gimme Your Money Please" playing in the background, and that was the first song on the tape. Back then, you sent out two 7+1/2-inch reels of your album, an A-side and a B-side, and that was side one, cut one. He said, "Randy, this is fabulous. Is the rest of the album like this?" And I said, "Yeah, it's all just good ol', dancing rock-and-roll." So he said, "Well, I have a meeting with my A&R people, but as far as I'm concerned, this is great and I want to sign it."

At this point the band's demo tape was still called Brave Belt III. Fach convinced the band that a brand new name was needed; one that capitalized on the name recognition of the band members. The band had already mulled over using their surnames. While on their way back from a gig in Toronto, the group had spotted a copy of a trucker's magazine called Overdrive while dining at the Colonial Steak House in Windsor, Ontario. Turner wrote "Bachman–Turner Overdrive" and the initials "B.T.O." on a napkin. The rest of the band decided the addition of "Overdrive" was the perfect way to describe their music.
 
Don't know if this tidbit has been posted yet, but:
Brian May (Guitarist for Queen) is an astrophysicist, who is actually actively working with the team that sent the probe to photograph Pluto and beyond.

He has a PhD (so is technically Dr. May, I guess). I heard an interview with him in which he described that his thesis was on how cosmic dust travels throughout the universe. I believe he's also a regent for an English university. The guy is a brainiac.
 
The song “Thank You for Being a Friend” wasn’t the producers’ first choice for The Golden Girls TV Show theme song.

They approached the publishing company for Bette Midler's song, "Friends", but it was too expensive. One of the producers remembered Andrew Gold’s song, "Thank You For Being A Friend". They licensed it and hired a session singer named Cynthia Fee. Even though the recording session was slated to last for an hour, she did it in one or two takes—maybe 20 or 30 minutes—and planned on never thinking of it again. The irony is that thanks to unions, every time your song gets played, you get paid. So this job she did on a random weekday in 1985 has put her kids through college.

The original version by Andrew Gold was a hit in 1978. The other musicians who played on the song with Andrew Gold were Kenny Edwards (bass, backing vocals), Brock Walsh (backing vocals), Waddy Wachtel (guitar), & Jeff Porcaro (drums)

Additionally, the song was featured as a dedication to the host on Casey Kasem's final American Top 20/10, broadcast on the Fourth of July weekend in 2009.




Waddy is currently in a band with bassist Lee Sklar who toured with TOTO after the band's bassist, Jeff's brother Mike had passed away. Lee was friends with TOTO's members before they hit it big. Wow, from Golden Girls to TOTO.
 
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"In The Summertime" by the British band Mungo Jerry is the 3rd best selling best-selling physical single recording of all time at over 30 million copies. It is behind Bing Crosby's version of "White Christmas" with over 50 million copies and Elton John's remake "Candle In The Wind 1997" which has sold over 33 million copies to date.

Another bit of unusual music trivia about "In The Summertime" according to Mungo Jerry singer/guitarist Ray Dorset about the "motorcycle" sound in the false ending in the middle of the song. He said, "We'll just get a recording of a motorcycle, stick it on the end of the song and then re-edit the front and then put the front off to the motorcycle so it starts up again. We couldn't find a motorcycle. Howard Barry, the engineer had a Triumph sports car, which he drove past the studio while Barry Marrit was holding the microphone. So, he got the stereo effects from left to right or right to left, whatever. And that was it."

 
Before they moved to California in the late 1950s to start their musical recording and songwriting careers, both Don and Dick Addrisi (The Addrisi Brothers) were members in their family's acrobatic group, The Flying Addrisis. At the behest of comedian Lenny Bruce, they moved to California and auditioned for parts in the Mickey Mouse Club, but did not make the final cut. They ended up signing a record contract with Del-Fi Records and recorded several singles. They did not have much chart success on their own until the 1970s; but, they scored a huge hit writing "Never My Love", which was released as a single for The Association (of course, the music was recorded by members of The Wrecking Crew studio musicians).
 
Eric Clapton has performed at The Royal Albert Hall in London, United Kingdom over 200 times since 1964. He has stated that performing at the venue is like "playing in my front room". In December 1964, Clapton made his first appearance at the Hall with The Yardbirds. It was also the venue for his band Cream's farewell concerts in 1968 and reunion shows in 2005. He also instigated the Concert For George, which was held at the Hall on 29 November 2002 to pay tribute to Clapton's lifelong friend, George Harrison. Clapton passed 200 shows at the Hall in 2015.
 
Eric Clapton has performed at The Royal Albert Hall in London, United Kingdom over 200 times since 1964. He has stated that performing at the venue is like "playing in my front room". In December 1964, Clapton made his first appearance at the Hall with The Yardbirds. It was also the venue for his band Cream's farewell concerts in 1968 and reunion shows in 2005. He also instigated the Concert For George, which was held at the Hall on 29 November 2002 to pay tribute to Clapton's lifelong friend, George Harrison. Clapton passed 200 shows at the Hall in 2015.
His live album 24 Nights was recorded there, also.
 
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There were two live albums that were mistakenly released as being recorded at The Royal Albert Hall in London.

A bootlegged concert by Bob Dylan recorded at the Free Trade Hall in Manchester, United Kingdom on 17 May 1966 was mistakenly labeled the "Royal Albert Hall Concert". In 1998, Columbia Records released an official recording, The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert, that maintains the erroneous title but does include details of the actual location. Recordings from the Royal Albert Hall concerts on 26–27 May 1966 were finally released by the artist in 2016 as The Real Royal Albert Hall 1966 Concert.

Another concert mislabeled as being at the Hall was by Creedence Clearwater Revival. An album by them titled The Royal Albert Hall Concert was released in 1980. When Fantasy Records discovered the show on the album actually took place at the Oakland Coliseum in Oakland, California, it re-titled the album The Concert.
 
I learn something new every day. Didn’t know there such a thing as “bass harmonica” until I was looking just now!

On the the theme song for Sanford and Son, I always knew there was a harmonica in it, learned that it was a bass harmonica. It was played by Tommy Morgan for the Quincy Jones recording (and therefore, the original theme song). The real name for the song is “The Streetbeater”.

I believe these are the players:
Quincy Jones, composer. Phil Woods & Ernie Watts (saxophones), Tommy Morgan (harmonica), David Walker (guitar), George Duke & Dave Grusin (keyboards & organ), Chuck Rainey (bass), James Gadson (drums), Bobbye Porter (percussion)
 
I learn something new every day. Didn’t know there such a thing as “bass harmonica” until I was looking just now!

On the the theme song for Sanford and Son, I always knew there was a harmonica in it, learned that it was a bass harmonica. It was played by Tommy Morgan for the Quincy Jones recording (and therefore, the original theme song). The real name for the song is “The Streetbeater”.

I believe these are the players:
Quincy Jones, composer. Phil Woods & Ernie Watts (saxophones), Tommy Morgan (harmonica), David Walker (guitar), George Duke & Dave Grusin (keyboards & organ), Chuck Rainey (bass), James Gadson (drums), Bobbye Porter (percussion)

For those not familiar with a bass harmonica, here is a pic of Tommy Morgan playing one...

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