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Wal Bass Club.

Finally got some downtime from grading papers, need a break, I figured I'd share my 'how I got my Wal' story here.

About 20 years ago, I was making that transition in terms of my abilities from amateur to semi-pro. I had an Ibanez (can't remember the model, now, bubinga body and a PJ setup), and although it served me well, I'd never been excited about it. One night I got invited to a party, and there was this young guy there, and he had a Wal 4 string. He let me play it, and it was the first time I'd ever played a bass that I could feel. I'm not kidding that I couldn't sleep that night, because I'd never had an instrument do that to me, before. Every note sounded and felt so present. It became an obsession. It kinda felt like the first time you had a great kiss.

Alas, I live in Vermont, and back then, as well as now, you simply don't have any stores up here that carry high end instruments, other than some acoustic guitars. You can find some of the high-end Yamahas, and a few other things, but all factory production stuff. Of course, at the time, I didn't realize that a Wal is generally something you're not going to walk into any place and find on the shelf (except for the occasional one at Bass Central). Ordering a new one simply wasn't in my budget at the time, but I ended up finding a 1990 Mark II 5 string on Ebay from Toronto for 1500 USD. Yeah, I know. Those were the days, right?

Took a gamble, got it, and it's outlived two of my marriages, it's still plays and sounds great. It starts conversations, and when I use it in the studio, the engineers are always shocked at how great it can sound going right into the board. I tell my wife I could be homeless, living in a shoebox, and I'll never get rid of this bass.

The only thing I'll say, in terms of the foibles of long term relationships is that, at 48, this thing is pretty damn heavy. I now know what Macca meant when he said it wore like a big log. That and occasionally that input jack gets lose (still trying to figure out the optimal way to tighten that thing, given the space restrictions). Anyways, if ya want a Wal, keep an eye out for my obituary some day, because I'll be buried with this thing!

Happy whatever-you-do-don't celebrate, folks.
 
The only thing I'll say, in terms of the foibles of long term relationships is that, at 48, this thing is pretty damn heavy. I now know what Macca meant when he said it wore like a big log. That and occasionally that input jack gets lose (still trying to figure out the optimal way to tighten that thing, given the space restrictions).

On the Mk2 5, the biggest difference to me was changing those heavy Schaller M4S tuners to the new M4S Lights. It does shave a 1/2 pound, but it's a 1/2 pound off the end of the neck you're trying to hold up with your fretting hand. From there the body actually has a nice center of gravity when the neck naturally points upward like it really should. Same footprint tuner bodies, so they are just a drop in.

The jack is easy: take out the two screws on the outside of the body, hold the internal part of the jack still with a pair of pliers, and rotate the external black jack body with your fingers. Run your screws back in, your done!
 
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On the Mk2 5, the biggest difference to me was changing those heavy Schaller M4S tuners to the new M4S Lights. It does shave a 1/2 pound, but it's a 1/2 pound off the end of the neck you're trying to hold up with your fretting hand. From there the body actually has a nice center of gravity when the neck naturally points upward like it really should. Same footprint tuner bodies, so they are just a drop in.

The jack is easy: take out the two screws on the outside of the body, hold the internal part of the jack still with a pair of pliers, and rotate the external black jack body with your fingers. Run your screws back in, your done!
You know, I never thought about that, probably because I want to keep this original. But same footprint, this might be worth doing. I do find most of my weight concerns are on the body, it seems to be a rather dense piece of mahogany.

Next time I have the bass open to change the battery, I'll do that, thanks.
 
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You know, I never thought about that, probably because I want to keep this original. But same footprint, this might be worth doing. I do find most of my weight concerns are on the body, it seems to be a rather dense piece of mahogany.

Next time I have the bass open to change the battery, I'll do that, thanks.

Well, it sort of is "original" or "OEM". If you order a new Wal bass these are the same M4S Lights Paul is now installing since the old M4S are discontinued.
 

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Just got my MK3 back from Glaser Instruments in Nashville, I dropped the Wal off in November for a Plek and a setup. My buddy was was visiting his parents and was very cool to pick it up for me. I specified I wanted the action very low, lets just say the guy who set it up idea of low action was very different from mine :D. I busted out the Allen Wrentch and the Wal plays like a dream very happy I got it Pleked!!
 
Talk about a very rare picture someone posted on FB; Mick playing a Mk2 5er.
Someone else commented it was for the Rain Tree Crow album Sylvian wanted it used on.


View attachment 3655495

Makes sense as that album was mostly
5 string IIRC. Though the 5 string Mick is most closely associated with was his Klein. It was stolen, some fans found it and “rescued” it for him.
 
Makes sense as that album was mostly
5 string IIRC. Though the 5 string Mick is most closely associated with was his Klein. It was stolen, some fans found it and “rescued” it for him.

I read in his book that he didn't like 5 string basses. So I guess he switched back to 4 after that album? I think that RTC album is the only album on which he used a 5 string? Or maybe also on one of his solo albums?
 
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I read in his book that he didn't like 5 string basses. So I guess he switched back to 4 after that album? I think that RTC album is the only album on which he used a 5 string? Or maybe also on one of his solo albums?

I am going to make an educated guess and assume he used it on other projects. I also read Mick's book and he made it clear that he made his living from session work which paid him far more money than Japan ever did. And IIRC his Klein went missing in 1992 though RTC finished recording in early 1990 and I don't believe they ever played live.

So if he had the Wal and another 5er odds are they were for the odd call when low B was needed.

Again just a guess but it makes sense. I only wish Mick were still among us to set the record straight!
 
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If a Jazz Bass and a Wal had a baby...

It would probably look a lot like this:

498D0453-4C8C-443F-93A1-E63DAB7E70F7.png


I’m not trying to start a bitch-fest about copycats - I just randomly came across a fretless Form Factor Audio bass in my eBay feed and immediately noted the Wal similarities (and yes, if you do an internet search you’ll find several FFA basses that are even more similar).
 
They say that imitation is the sincerest form of flattery and FFA obviously like both Wals and Jazz basses. The real thing is better ha

If a Jazz Bass and a Wal had a baby...

It would probably look a lot like this:

I’m not trying to start a bitch-fest about copycats - I just randomly came across a fretless Form Factor Audio bass in my eBay feed and immediately noted the Wal similarities (and yes, if you do an internet search you’ll find several FFA basses that are even more similar).
 
If a Jazz Bass and a Wal had a baby...

It would probably look a lot like this:

View attachment 3657829

I’m not trying to start a bitch-fest about copycats - I just randomly came across a fretless Form Factor Audio bass in my eBay feed and immediately noted the Wal similarities (and yes, if you do an internet search you’ll find several FFA basses that are even more similar).

That's Fugly!!
 
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