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Even if they don't have it, you can send them your tuner and they'll make a D-Tuner out of it, IIRC.
Even if they don't have it, you can send them your tuner and they'll make a D-Tuner out of it, IIRC.
OK, here is a real honest-to-goodness update! Complete with pictures 'n' stuff. (Actually, that's all it is.)
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That last one includes the humble beginnings of my future thumbrest.
Thanks guys, I'll check it out.
Why, oh why on Earth Warmouth put front routs on these beauties is beyond me! The flame on that trans-black with faux binding is effing killer, but no one would ever see it under the PG!! I probably would have snapped up all three of these today had they had rear routs! What a shame. Hipshot is the balls! Best customer service going!
BTW, I cried a little when I saw these latest offerings in the showcase this morning.Why, oh why on Earth Warmouth put front routs on these beauties is beyond me! The flame on that trans-black with faux binding is effing killer, but no one would ever see it under the PG!! I probably would have snapped up all three of these today had they had rear routs! What a shame.
You'd also need to surround the PUP as well.Maybe someone can do a tiny little minimal pickguard or something...
Nope. One of the things I absolutely hate about strats is the lack of ability to get all three pickups on at the same time. (The other thing is the single coil noise. Other than that, they are great guitars.) There are no switches on the bass, other than a single rotary switch.
Here's what you're looking at:
In line are four concentric controls. A volume/tone for each individual pickup, and a master volume/tone (closest to the jack). The pickup tone controls are only to take the edge off the highs, they don't have the full range of a standard tone control.
The other control is a 6-way selector switch. In the first position, I have manual control over all pickups with the individual volume/tone controls. If I want one or two or three pickups, I use the individual pickup volume to select/drop/mix each pickup, then I use the master volume/tone to control the mix.
The other five switch positions are tone presets. They are:
P-bass
J-bass
Ric
T-bird
Overdrive
When using any of the presets, the individual pickup controls are bypassed and only the master volume/tone have any effect.
Note: Apparently, under normal circumstances, it is a bad idea to have two tone controls in-line. (I say "apparently" because I am not an electronics guy, but I am told this by electronics guys.) However, Michael developed a proprietary solution based on what I wanted. It (the bass) is undergoing final assembly and testing right now. Upon successful test completion, he will be adding a signature tone option to his lineup, and I will become an endorsing artist.![]()
Whats the most aggressive 2 pickup preamp combo you can get in a warmoth build? I was on the site all day today & get a good feel for that. I'm looking for clarity, aggression, big in the mids, NOT warm at all
Hipshot is the balls! Best customer service going!
BTW, I cried a little when I saw these latest offerings in the showcase this morning.Why, oh why on Earth Warmouth put front routs on these beauties is beyond me! The flame on that trans-black with faux binding is effing killer, but no one would ever see it under the PG!! I probably would have snapped up all three of these today had they had rear routs! What a shame.
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What you describe sounds a lot like the EMG setup I have in my Gecko. EMG 40P's with the 3-band BQS preamp. This setup, along with the ash body, maple/purpleheart(?) 5-piece neck and ebony board... Speaks clearly with TONS of bite and aggression, not "warm and vintage" AT ALL. Totally spanks, great for slap/pop!
5sg.