btw. this is from another John Mclaughlin interview from All About Jazz:
So, anyway, my manager had heard about this kid and we were speaking one day and he said, You know Ive heard this bass player, and my antenna went up, and I said, Let me hear him, whatever hes got, and he played me something that was just rough, a demo. I called him right away and said, Listen, come down here, Im in the middle of recording, and theres this tune you have to play on. Id already written For Jaco, and I didnt even know who was gonna play on it, I really didnt. But this tune was so much for Jaco and it couldnt have been more timely. I heard this kid play, I couldnt believe it, so I got him down, and we played and we recorded and, for me, hes the new Jaco [Pastorius]. Hes twenty-two now, its terrible! And he doesnt even read music, but hes got amazing ears. Harmonically, I say, Do you know this chord? and he says, Yeah, yeah, yeah, or Let me hear it, and boom! hes got it. Amazing, like Wes Montgomery. Incredible.... "
what ever happened with the band afterwards and why they changed bass players, is another story... but getting these words of praise from John Mclaughlin, who played with the best of the best bass players, shows that he is aware of Hadrien's talent. I wish more people were as well, and instead of always criticizing and teaching about the righta and wrongs (as is music was an exact science), would look for the diversity and beauty in music and its players.
Being aware of his talent makes it all the more puzzling that he could end up in the same soup that many local players find themselves in. I've run into quite a few musicians who, even after they were fired, didn't really understand why they were fired
That ain't rocket science and unlike some I don't think it's hating on someone to point that out, in fact it's a pretty high level cautionary tale for folks in similar situations IMO... if he could get fired, what makes you think you're so special?
