My Squier CV 60's J is Chinese-made, and plays & sounds great. That said, I would, as a middle-aged patriotic American, and longtime Fenderphile, be reluctant to buy something with a Fender nameplate on it that was not made in the USA. That includes the Mexican-made stuff. I also have an Indonesian-made Squier Jaguar that plays & sounds great. These are my "beater basses." I would even argue that the quality and success of the Jag were catalysts in getting the Modern Player series branded as Fender, since the MP Jag is very close to the Squier, in terms of features and layout, albeit with a heavier body, and slightly different pickup placement.
Earlier in the thread, someone mentioned that they knew of one company that did setups of their import basses here in the States. I know G&L, when I see it referred to obliquely. My first G&L was an Indonesian Tribute model. I later got into American specimens of the same model, and enjoyed the differences that a reinforced, PLEK'd neck made to the overall fit and finish. Would I own another Tribute model? Yes, in a heartbeat, but I would prefer to save up my extra money for a little while longer to get an American instrument, because it IS better, and to support American jobs.
Count me among those who think that the Modern Player series should have been Squier-branded, simply because I am old enough to remember when Fender meant American-made. You can also count me among those who applaud the massive turnaround in QC and reputation that Squier has made, over the past 5 years. I won't go out of my way to hate on Chinese Fenders, since I technically own one; the CV 60's J has "designed and backed by Fender" on the headstock, after all, and the neckplate has "Squier by Fender." I proudly rock this bass at a good number of gigs in tight places, or without raised stages. My G&L and German-made Warwick come out for the bigger gigs and stages, and I am happy with all of that. Hatred just wastes energy...but I am disappointed, just as the OP is.
Earlier in the thread, someone mentioned that they knew of one company that did setups of their import basses here in the States. I know G&L, when I see it referred to obliquely. My first G&L was an Indonesian Tribute model. I later got into American specimens of the same model, and enjoyed the differences that a reinforced, PLEK'd neck made to the overall fit and finish. Would I own another Tribute model? Yes, in a heartbeat, but I would prefer to save up my extra money for a little while longer to get an American instrument, because it IS better, and to support American jobs.
Count me among those who think that the Modern Player series should have been Squier-branded, simply because I am old enough to remember when Fender meant American-made. You can also count me among those who applaud the massive turnaround in QC and reputation that Squier has made, over the past 5 years. I won't go out of my way to hate on Chinese Fenders, since I technically own one; the CV 60's J has "designed and backed by Fender" on the headstock, after all, and the neckplate has "Squier by Fender." I proudly rock this bass at a good number of gigs in tight places, or without raised stages. My G&L and German-made Warwick come out for the bigger gigs and stages, and I am happy with all of that. Hatred just wastes energy...but I am disappointed, just as the OP is.