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What is the absolute bare minimum you can get by with ?

I only own 4 basses, and my new Maruszczyk would be the last to go.
It's my most versatile bass (active/passive, Series/Single Coil/Parallel capabilities, perfect balance, great weight and great tone).

Oh yeah, and it PURDY too! :smug:
 

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No doubt about those Lulls…:D
That teal M5V is equipped with Nord Vintage 70s wind pups and a John East J Retro preamp, both installed later after I bought it. Man, my holy grail of Jazz bass tone.

I also have a P5 with the Duncan custom- wound P pup. It’s totally stock with the passive electronics. And it’s the loudest, gnarliest P-style bass I ever heard! Almost hard to listen to when practicing alone, but mixes perfectly with the band or recorded. Love it!

Sorry for the topic detail! Now back to the regularly scheduled program!…:D
Great insight on why you love your keeper basses!
 
I also have a P5 with the Duncan custom- wound P pup. It’s totally stock with the passive electronics. And it’s the loudest, gnarliest P-style bass I ever heard! Almost hard to listen to when practicing alone, but mixes perfectly with the band or recorded. Love it!
Cool, mine has the Nordstrand Pickup, & it sounds great, but I wouldn’t mind trying a Duncan in it one day- I do like a gnarly,growly P bass tone- like Dave hope (from Kansas’s) Song for America album ! Thanks for the info on the Lull!
 
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Interesting question. Most people seem to have answered with which bass/es they'd hold onto for as long as is possible. But, the question is:

What's the absolute minimum you can get by with?

So, if times got really hard I guess I could sell the wireless system and go back to cables, the 5 string next probably. Be sad to see it go but still got two more gigable basses in my weaponry. After that would be the 115 cab, got a 115 Ashdown combo that I could potentially use unhooked as a second cab if I needed too.

The ABM 300 head would go next in extreme circumstances meaning I could d.i. Out the combo and 210 to a desk if absolutely necessary.

I'd probably loose the Octave off my board next, got a sub octave switch on the Ashdown, yeah it would be a pain having to remember to switch on and off during set but, needs must. Similar for my compressor, if I'm going through the desk and pa anyway I'm sure I can set a sound negating this if things get really tough.

The Big Muff would be next. Currently it's only used in about 3 songs we play but it's there, could get around it if necessary.

In dire circumstances I'd loose the 210 next and just have a 115 combo and then probably the Thunderbird would go meaning the minimum I could get by with would be:

Ashdown EB 180 115 combo
Tuner
Soul food OD
Behringer BDI 21
Parts P Bass.
 
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Currently a Fender CS, which isn't actually my best bass in terms of build, but I've swapped out hardware etc, which was 'poor' and got it working well.
I have in mind to plek it but for feel and sound, it is currently 'there' atm.