A couple of pertinent things really got me going.
First, the Johnny Smith guitar method published by Mel Bay. It was the first time anyone discussed seeing chords within chords and how triads stack to make chords. Huge impact on understanding harmony.
Second is a Jerry Jemmott study method that teaches you to not just play a scale, arpeggio, etc. but rather to "hear, speak, play". Instead of just ripping the scale, you slow way down and say "A the first note, sing the A, and then play it; then "B, the second", sing it, and play, etc. Connects the ear with the fingers.
Carol Kaye's and Howard Roberts' columns in Guitar Player Magazine (way before there were any bass rags...). Both emphasized knowing chords, how they're built, how they are derived from harmonizing the scale, how they relate to each other, and how they are the root of harmony.
John
First, the Johnny Smith guitar method published by Mel Bay. It was the first time anyone discussed seeing chords within chords and how triads stack to make chords. Huge impact on understanding harmony.
Second is a Jerry Jemmott study method that teaches you to not just play a scale, arpeggio, etc. but rather to "hear, speak, play". Instead of just ripping the scale, you slow way down and say "A the first note, sing the A, and then play it; then "B, the second", sing it, and play, etc. Connects the ear with the fingers.
Carol Kaye's and Howard Roberts' columns in Guitar Player Magazine (way before there were any bass rags...). Both emphasized knowing chords, how they're built, how they are derived from harmonizing the scale, how they relate to each other, and how they are the root of harmony.
John