I like the width of the 4 string neck, but 5 strings with super tight spacing. Works much better for my style of playing.
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Here we go-
B-20 stage #833810
Force 40 BBR #842402
Force ABT B-10 #8002432
Axxess X-5 #9060599
XB-Mystery #S6013218
Thanks very much!! Three things-
(1)We did not have you up for a Force ABT B-10 (nor anyone else), so I added it and you with it as a 1988, right? Gives us 78 models now btw.
(2) re your XB-Mystery----we had it as XB-100 on initial listing. I put the serial number on that then, and as a 1996 per SN. Do you think it may not be? If so please post/re-post pictures and I'm sure it can be figured out
(3) I put the X-5 as a 1999 per the SN.
Maybe SP_EB4L can confirm that for us on these 3 basses as he is very well versed in these series?
I like the width of the 4 string neck, but 5 strings with super tight spacing. Works much better for my style of playing.

Not sure if we have the same friends here as on the Washburn thread, but I am looking for a wiring diagram for a RB-2002, RB-2502 or RB-2602. They are all the same wiring
Hi Guys!
ABT B-10 1988 it's right,
XS-5 is not 1999 but 1989 (introduction year that include the last year of Force ABT series),
XB-100 1996 it's right also (introduction year for this model, in 1994 and 1995 the bottom line model was the XB-200).
Thanks! I did have 1989 on the XS-5 though. Which do you like best: XB series or XS series?
Thanks very much!! Three things-
(1)We did not have you up for a Force ABT B-10 (nor anyone else), so I added it and you with it as a 1988, right? Gives us 78 models now btw.
(2) re your XB-Mystery----we had it as XB-100 on initial listing. I put the serial number on that then, and as a 1996 per SN. Do you think it may not be? If so please post/re-post pictures and I'm sure it can be figured out
(3) I put the X-5 as a 1999 per the SN.
Maybe SP_EB4L can confirm that for us on these 3 basses as he is very well versed in these series?
I can only compare the XS5 (BTW: owe you the S/N: 9050683) against my G&L L2500: the XS5 is unique in its own right caused by 15mm string spacing (nut width: 46mm). You have to really concentrate on the right hand while ease of action on the left is unmatched, at least from my experience. I can only agree, the neck is really stable, lots of headroom in the truss rod. Very low action and stable tuning also. I also think that the headstock shape is simply beautiful. Sound is on the bright side, but she does make herself heard. Hums like a bee though. Noise gate is recommended. Internally I call her The Princess, cause there's something distinctly elegant about her, while the L2500 is The Beast.
I guess that the XS5 is WB's first five string, so given from the string spacing they simply took an XS4 and added one string (OK swapped the bridge P against a second J). IMO WB just wanted to throw a quick me-too on the market.