First one in 91, second one in 96, both made by a local place called the Guitar Factory, who are two guys who used to work with Michael Tobias when he lived in Orlando. Excellent basses in that neck-thru active style. One's a 5, the other a 4 with a Kahler whammy. Both have EMG active PJ's and BQC preamps. Still have them, too. Weren't all that expensive as customs go, either. I could have made them a lot more expensive had I gone for more exotic woods than mahogany. Very easy to play and killer tone very much in that Fodera Monarch/Spector NS-2 tonal family. You asked if there was a defining moment about how we knew it was time in our development to get customs, and there was a big one for me...getting approved for student loans after I finally decided to go to local college, and finding out they could make me a bass and still leave me some money to bank!
But every time I used a Fender with the bands I was working with, no matter what band it was, it just sounded and felt right, whereas I was doing a lot of stuff that the GF's were unsuited for. Tried to fight it for years...my only good bass (and most of the time my only bass) for like 15 years was a Fender and I kind of resented not being able to afford some really cool different basses that I could use instead. After the GF's I even bought a few other vintage and vintage style basses I thought would work as well as a Fender...they were very nice, too, although much cheaper than the GF's. But none of them worked like a Fender P or J where I could use them on everything and sound right with every band. But I keep them because they might be good for certain things I might do in the future, and even though it's been probably twice in the last 15 years that someone requested it, it's not a bad idea to keep a 5-string around.
Here they are with Buffy:
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