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Who else cannot stand jazz basses?!

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Only limited experience, but had to use a rented 5-string Jazz w/ active electronics - didn't much care for it at all. The Schecter 5 that replaced it was far superior for my hands and sound preferences. It just felt all around better to me.
 
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I play fivers, so I think the Jazz and P necks are the same, and I like how they feel. A four-string would probably give my hands cramps.

What I don't like about the Jazz is the scooped sound with the the two pups up,

but mine have those quarter-pounders on there and I can solo (or strongly-favor) either and avoid that issue.
 
I have both J's and P's and other types of basses for the sounds they deliver but I'm sort of with the OP, I much prefer p's and other basses as I come from an background of playing a lot of Upright bass and the necks sometime feel too small if I have a 4 string jazz on a doubling gig.

I really like the in between jazz nut sizes like 1.55, 1.58 compared to the 1.5.

I've never really had a problem playing between the pick ups or not getting a good sound with one though
 
Hopefully I am not the only one, but I CANNOT stand the feel of a jazz. I love the sound, but the neck always feels a bit funny to me, I have never played one with low action, and I cannot stand playing on the pickups. Who else is with me?
You don't specify "Fender" so I'll point out that not all Jazz style basses have the same necks - especially once you get into 5 string models. Having said that, I've always preferred the necks on Fender Jazzes to the necks on Fender Precisions - even if they do look like toothpicks up by the nut.
 
I might be a little late to the party but I am with the OP. The P neck is just right for me. The Jazz feels frail in comparison. I own one, but it has been in its case for 3 years. To me, anything but both pickups all the way up on a jazz just sounds weak and lacks the meat that makes the P oh so delicious.
 
I might be a little late to the party but I am with the OP. The P neck is just right for me. The Jazz feels frail in comparison. I own one, but it has been in its case for 3 years. To me, anything but both pickups all the way up on a jazz just sounds weak and lacks the meat that makes the P oh so delicious.
I've always played my Jazzes with both pickups on full. I can get as much tonal variation as I need by moving my plucking hand.
 
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Perhaps it depends on your hands.

When I first started playing my P, I kept catching my wedding band on the edge of the neck. So I got a Jazz. Now when I play my P, the ring no longer catches. Must be magic.

Or, maybe my playing has merely improved.
 
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I've always played my Jazzes with both pickups on full. I can get as much tonal variation as I need by moving my plucking hand.
I agree. I feel the same way about the P. I get all I want and more out of it by making small changes. I recently (over the last 3 years) settled on a P. I am getting old so maybe the inherent simplicity of the P is appealing. All I know is that I prefer a P bass and there is nothing I can do about it.
 
I agree. I feel the same way about the P. I get all I want and more out of it by making small changes. I recently (over the last 3 years) settled on a P. I am getting old so maybe the inherent simplicity of the P is appealing. All I know is that I prefer a P bass and there is nothing I can do about it.
Whatever works for the individual. Different players, different hands and different ears. We're lucky to have so many great basses to choose from.
 
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