Groove Master
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- Apr 22, 2011
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- Author of Groove 101, Slap 101 and Technique 101
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Who here plays in MODES ??
- Thread starter mike buzzetti
- Start date
The diagram is right. The darkened dots represent the tonic of the parent Major scale, not the finals of the modes.
Groove Master
Commercial User
- Apr 22, 2011
- 1,808
- 1,291
- Disclosures
- Author of Groove 101, Slap 101 and Technique 101
Too easily done - I know as I do it all the time. But in an odd way it highlights the fundamental 'gotcha' with how modes are percieved. If one is always thinking or visualising in relative terms by reference to that same parent scale and key note, to my mind that is not thinking in a modal way.
The sound of feel of a mode stems from the absolute intervallic structure with respect to the 'final' as home, not to the tonic of the relative major key. In much the same way as the minor key. Nobody thinks C major when playing in A minor, do they?
That is not to say the other way of thinking is wrong - it just serves a totally different, but equally valid and seemingly more common purpose.
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Yeah. I think people make it way harder and more mysterious than it really is.
SICK ! Sounds killer !
What mode is that ? Gotta bring it back around.
I have no idea what it sounds like, but if you like it you could say it's got the modejo.
I have no idea what it sounds like, but if you like it you could say it's got the modejo.
Clever are you! (Channeling my best Yoda)
Being a pattern person I appreciate your post. Need to dust off my modes, been too long.
Thanks, I needed this.
You are playing in modes whether you know it or not. No big.
If you learn them, you know 'em. If ya don't, ya don't.
Might as well learn 'em.......
or not.
Harmony by Walter Piston
If you learn them, you know 'em. If ya don't, ya don't.
Might as well learn 'em.......
or not.
Harmony by Walter Piston
They're fun. They're expressive. It's a valid way to think.
Modes = moods.
Ionian - straight on, positive, right down the middle, the center
Dorian - minor but with major aspirations (the major 6)
Phrygian - minor with EXTRA spiciness (the b9)
Lydian - major, but with that sassy twist (#11) (you could learn a lot from Lydian*)
Mixolydian - so danged dominant, so forward-leaning & with that great tritone built in. Wow, man.
Aeolian - the purest minor, melancholy & the looking glass of Ionian
Locrian - so sad, so discordant, yet it brings us back to...
Do!
*see George Russell.
Modes = moods.
Ionian - straight on, positive, right down the middle, the center
Dorian - minor but with major aspirations (the major 6)
Phrygian - minor with EXTRA spiciness (the b9)
Lydian - major, but with that sassy twist (#11) (you could learn a lot from Lydian*)
Mixolydian - so danged dominant, so forward-leaning & with that great tritone built in. Wow, man.
Aeolian - the purest minor, melancholy & the looking glass of Ionian
Locrian - so sad, so discordant, yet it brings us back to...
Do!
*see George Russell.
If you can play the Major scale in all positions you are playing in modes. Modes as thing unto themselves matter mostly in Modal music, where you need to know what positions are not just Major, but the particular mode or modes the piece is written in. In the same way if you play altered scales in all positions you are playing through the modes of that scale. All a mode is is a particular scale played/ended on a note (the same note first and last), other than the starting note of the original scale.
