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Who's kicking off 2023 with new strings?

Not in general, but I am trying new strings on my co-number one bass. My 2007 SR5HH has had Chromes on it for about four years (IOW, they're just starting to hit the sweet spot :D) and before that it most often had DR nickel Lo Riders. But I just took a couple of basses to a the guitar guy I use to give them their occassional "check up" and pro set up and he's replacing the Chromes with a set of Elixir Nanowebs.

I bought a 2019 Stingray Special 5HH (my other co-number one) last spring and the previous owner had just put Nanowebs on it before I bought it. Since I never tried them before, I decided to leave them on and see what I thought of them over time. They're a little more flexible than I prefer but not so flexible that I can't adjust (for contrast, I did NOT like the extremely flexible feel of TI Jazz Flats at all), and I've been quite happy with the tone of that bass. So I decided to give the Nanowebs a try on my older Stingray and see what happens.

Should be an intersting test. I've had that set of flats on it for quite a while so they're well broken in. Also, the 2007 is noticeably more aggressive sounding than the 2019 so, even though the Nanowebs are a fairly warm sounding roundwound, I'm expecting a significant change in tone.
Experimentation is good. We have no shortage of options in the string market and sometimes you land on something awesome. I tried so many different strings and most recently heavier strings. It proved to be too much thump on my main bass. Warwick Corvette and so I put these on my Ibanez and it's more suited for it tonally but I'm still not getting the best sound compared to other strings I've been through. Funny thing is that these were heavy gauge Warwick black label strings and when paired with a Warwick bass it was actually worse than on another bass. I went on that adventure to see if I'd like the b string tension better than my usual gauge but aside from a stiffer b string it didn't really sound better. If anything just muddier and not as crisp and rich sounding across the strings.
 
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I got 2 sets of strings. Rotosound BS66 for my gt4 and Rotosound sh77 for my squire j bass. Unfortunately I wasn't paying attention and cut the g string on the sh77 too short. Luckily im good with knots from fishing and was able to cut some of the old string off and have enough to use it.
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Trying out Sadowsky Blue Flats on a Tobias

Have my last set of Sabowsky Black Flats on a MTD. It’s a pity the B string don’t fit. I use a Chrome B instead.

I hope these new Blues are as good as the old Blacks

In my opinion, you will not find a better flat than the discontinued Sadowsky Black Label flats. The succeeding Sadowsky flats did not not “incorporate the best qualities of the original black label” flats, despite the stated intent in the press release from 2018. Perhaps they achieved “improved consistency”, which was a stated goal, but not the tone or feel of the blacks.
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I got 2 sets of strings. Rotosound BS66 for my gt4 and Rotosound sh77 for my squire j bass. Unfortunately I wasn't paying attention and cut the g string on the sh77 too short. Luckily im good with knots from fishing and was able to cut some of the old string off and have enough to use it. View attachment 4925984 View attachment 4925985 View attachment 4925984 View attachment 4925987 View attachment 4925986 View attachment 4925984 View attachment 4925984 View attachment 4925985 View attachment 4925986 View attachment 4925987
Is that a “Blood Knot”?
 
Just got a Sire D-5 and put TI jazz flats on it. To my knowledge, Rounds didn't even exist until the '70's?? Perhaps someone here knows exactly when they became available. I had a '63 Fender Jazz with the original strings on it until one broke in '81 (flats, of course). I was SO bummed out. Couldn't find any flats at the time.
Rotosound Swing Bass set were made available in 1966 thanks to John Entwistle!
 
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To my knowledge, Rounds didn't even exist until the '70's?? Perhaps someone here knows exactly when they became available.
Rotosound Swing Bass set were made available in 1966 thanks to John Entwistle!
^ This statement is correct, so what follows is just a wider context:

1- all guitar-like bass string instruments invented before the 20th century
(the Mexican guitarrón; the Balkan contrabass tamburitza a.k.a. berda/berde/tamburaški bas/begeš; the Portuguese violão baixo/viola-baixo; the Italian chitarrone moderno; possibly others)
have traditionally come with roundwound strings, simply because that's all there originally was
(flatwounds were invented by Dorchester, MA -born Alpheus Babcock, who used them on his early 19th century pianos, of all instruments; after decades of oblivion, flats were patented in 1975 by a fellow named Hamilton, and gradually adopted for bowed string instruments);
of course, come the 1900s, it is possible and even probable that some of the aforesaid acoustic bass guitars, and others introduced in the meantime
(the bass mandolin; American upright figure-eight basses like the Regal BassoGuitar; the Russian contrabass balalaika and, later, the Ukrainian contrabass domra),
were occasionally equipped with flatwound double bass strings;

2- the first ever electric bass guitar, Seattleite Paul Turmarc's "Audiovox Model 736 Bass Fiddle" (1936), came with rounds, and so did its late-1940s revisitation by his son Bud, the "Serenader Bass";

3- throughout most of the '50s (first appearance of their Mastersound Flatwound line is on their 1959 catalogue), the sole bass guitar strings sold by Fender were their no. 90 Pure Nickel Wrap set.
Three years ago, Fender historian Terry Foster posted a picture of their packet sleeve on Instagram with the hashtag #notflatwound:

Now, I don't do Insta so comments and Foster's replies are invisible to me
(a propos of which, should anyone be so kind as to screenshot and post them here, I would be forever grateful),
but I've read the gist summarised as those no. 90 strings being some sort of modified roundwounds aka groundwounds, not unlike present-day D'Addario Half-Rounds;

4- other early bass guitars like the Höfner 500/1 (Paul McCartney's famous hollowbody violin bass aka "Beatle bass") came with flats all right, probably from the get-go (the Höfner and Pyramid Strings plants, makers of the Pyramid Gold chrome nickel flatwound line to this day, were neighbours in Bubenreuth, West Germany)

4- Danelectro basses (starting from their 1956 UB-2, the first short-scale 6-string bass - a type of instrument now commonly known as the "tic-tac bass" in Nashville recording studios, or "bass VI" after Fender's 1961 answer to it - and the precursor to the baritone guitar) came with roundwounds, made by Black Diamond, which a couple sources describe as polished i.e. ground (down to which extent is not known to me: half-rounds, in D'Addario parlance? quarter-rounds, as La Bella used to make?), and which were also available as replacement sets in US stores;

5- UK string manufacturer James How &Co., either as a NOS supplier for Burns of London and Vox, or under the marques "Top Strings" and "Rotop", later to become "Rotosound", started making stainless-steel bass roundwounds in 1962, probably with no fanfare and little impact on the market. They also wrapped them in a black nylon tape, at first selling them under the Burns label (they also came stock on some Burns bass models);

6- the Who's John Entwistle bought a Danelectro Longhorn bass in 1965, fell in love with it and its strings, tried to record the bass solo in "My Generation" with it but broke one string, couldn't find a similar string set in London musical instrument stores so bought one then two replacement Longhorns, kept breaking strings before one good take could be completed, the shop ran out of Danos to sell him, so he first finished the song with a Fender Jazz Bass with "tapewounds" (at the time in the UK it could mean *both* black-nylon wrapped, as mentioned above, *and* also regular metal flatwounds), then he learnt of Rotosound producing rounds, tried them, approached the company, worked with Mr. How in order to tweak the formula to his liking (this entailed a bigger core for the low E and A), and signed an endorsement deal that got him a lifelong supply of Swing Bass sets in exchange for his becoming the face (Mod pun intended) of the product. A Rotosound advert even appears in 1967's The Who Sell Out album. The Ox's high profile as an influential bassist, along with other prominent adopters (Noel Redding, Chris Squire), ensured the success of the Swing Bass strings, later to be called "Swing Bass 66" in memory of the Roto/Entwistle connection, and in time the establishment of roundwounds as the now-undisputed standard for bass guitar.
 
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^ This statement is correct, so what follows is just a wider context:

1- all guitar-like bass string instruments invented before the 20th century
(the Mexican guitarrón; the Balkan contrabass tamburitza a.k.a. berda/berde/tamburaški bas/begeš; the Portuguese violão baixo/viola-baixo; the Italian chitarrone moderno; possibly others)
have traditionally come with roundwound strings, simply because that's all there originally was
(flatwounds were invented by Dorchester, MA -born Alpheus Babcock, who used them on his early 19th century pianos, of all instruments; after decades of oblivion, flats were patented in 1975 by a fellow named Hamilton, and gradually adopted for bowed string instruments);
of course, come the 1900s, it is possible and even probable that some of the aforesaid acoustic bass guitars, and others introduced in the meantime
(the bass mandolin; American upright figure-eight basses like the Regal BassoGuitar; the Russian contrabass balalaika and, later, the Ukrainian contrabass domra),
were occasionally equipped with flatwound double bass strings;

2- the first ever electric bass guitar, Seattleite Paul Turmarc's "Audiovox Model 736 Bass Fiddle" (1936), came with rounds, and so did its late-1940s revisitation by his son Bud, the "Serenader Bass";

3- throughout most of the '50s (first appearance of their Mastersound Flatwound line is on their 1959 catalogue), the sole bass guitar strings sold by Fender were their no. 90 Pure Nickel Wrap set.
Three years ago, Fender historian Terry Foster posted a picture of their packet sleeve on Instagram with the hashtag #notflatwound:

Now, I don't do Insta so comments and Foster's replies are invisible to me
(a propos of which, should anyone be so kind as to screenshot and post them here, I would be forever grateful),
but I've read the gist summarised as those no. 90 strings being some sort of modified roundwounds aka groundwounds, not unlike present-day D'Addario Half-Rounds;

4- other early bass guitars like the Höfner 500/1 (Paul McCartney's famous hollowbody violin bass aka "Beatle bass") came with flats all right, probably from the get-go (the Höfner and Pyramid Strings plants, makers of the Pyramid Gold chrome nickel flatwound line to this day, were neighbours in Bubenreuth, West Germany)

4- Danelectro basses (starting from their 1956 UB-2, the first short-scale 6-string bass - a type of instrument now commonly known as the "tic-tac bass" in Nashville recording studios, or "bass VI" after Fender's 1961 answer to it - and the precursor to the baritone guitar) came with roundwounds, made by Black Diamond, which a couple sources describe as polished i.e. ground (down to which extent is not known to me: half-rounds, in D'Addario parlance? quarter-rounds, as La Bella used to make?), and which were also available as replacement sets in US stores;

5- UK string manufacturer James How &Co., either as a NOS supplier for Burns of London and Vox, or under the marques "Top Strings" and "Rotop", later to become "Rotosound", started making stainless-steel bass roundwounds in 1962, probably with no fanfare and little impact on the market. They also wrapped them in a black nylon tape, at first selling them under the Burns label (they also came stock on some Burns bass models);

6- the Who's John Entwistle bought a Danelectro Longhorn bass in 1965, fell in love with it and its strings, tried to record the bass solo in "My Generation" with it but broke one string, couldn't find a similar string set in London musical instrument stores so bought one then two replacement Longhorns, kept breaking strings before one good take could be completed, the shop ran out of Danos to sell him, so he first finished the song with a Fender Jazz Bass with "tapewounds" (at the time in the UK it could mean *both* black-nylon wrapped, as mentioned above, *and* also regular metal flatwounds), then he learnt of Rotosound producing rounds, tried them, approached the company, worked with Mr. How in order to tweak the formula to his liking (this entailed a bigger core for the low E and A), and signed an endorsement deal that got him a lifelong supply of Swing Bass sets in exchange for his becoming the face (Mod pun intended) of the product. A Rotosound advert even appears in 1967's The Who Sell Out album. The Ox's high profile as an influential bassist, along with other prominent adopters (Noel Redding, Chris Squire), ensured the success of the Swing Bass strings, later to be called "Swing Bass 66" in memory of the Roto/Entwistle connection, and in time the establishment of roundwounds as the now-indisputed standard for bass guitar.

And the rest is history HaHa!! Well said!!
 
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New GHS Balanced Nickels for the Nordy Cat are on hand on New Years Day ... and decide not to install them just yet.

For two months ago, on a whim and a hunch, installed white DR Neons. It's been five years since I played a set of Neons, and forgot just how tasty they are. With hours remaining in 2023, make the executive decision to keep the Neons for now. Getting some great tones up there in 12th Fretland. And they look GR8 on the Cat

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The Balanced Nickels are at the ready, and are my go-to strings for this bass. But not right now. Too much fun with the Neons.
 
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I kept both sets on for the whole year!

1. GHS precision 3050 flats on my USA P bass. These strings are absolutely beautiful for jazz, blues, swing, and classic rock & roll.

Switched back to a burly and brighter set of Roto 77 45s as I’ll be playing a bit more rock on it this year. Not sure I love the 45s, I might order a set of 40s as I remember they were a better fit for this bass.

2. My Lakland Skyline jazz 5 wore a set of DR Hi Beam steels that performed flawlessly. I almost wanted to keep the set on as they’re perfect, but I probably had around 40 gigs on them plus hours of practice so it’s more insurance against breakage for the upcoming season.

We’ll check in next year goodlordwillin’!
 
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Starting this year with new strings for two of my basses. Some D'Addario strings should be arriving shortly!

I have a set of EXL160BT coming for the P-bass that I'm excited to try. I keep this bass in D standard and occasionally flick the Xtender for Drop C. I've been using DR DDT 55-115, but that .115 just doesn't do it for me when I drop to C. Here's hoping that .120 does the trick.
 
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Just for fun I wonder if anyone else has spent Jan 1st stringing up a fresh set to start the year. I oiled my fretboard and tried SIT strings for the first time. The jury is still out on how I'm going to like them vs my standard go to strings but they did settle in very fast and held pitch much better than most strings when new. But who else has new strings for '23?

I have a set of SIT Silencers on the way, looks like 4 years was about it for lifespan on the fretless the old set is on.
 
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For me it was about 3 weeks. I'm thinking about trying foundation stainless and if i don't get wowed by them then probably no more sit for me. The ones i tried weren't bad but nothing really awe inspiring.

I've never tried any of their roundwounds, but the pressurewounds are absolutely my favorite strings for fretless BG, full stop. T-I Jazz flats generally lasted me about five years, never sounded as good, and cost 3-4X as much, FWIW.
 
I've never tried any of their roundwounds, but the pressurewounds are absolutely my favorite strings for fretless BG, full stop. T-I Jazz flats generally lasted me about five years, never sounded as good, and cost 3-4X as much, FWIW.
You know, i did recently get back into fretless. Im using some worn in LaBella rx right now but i can see Silencers or other compressor wound working great too. I like some brightness on fretless.
 
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