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Why can't I play neck-through basses? w/ Poll

Neck-through Basses

  • I play exclusively.

  • I'll play them / doesn't make a difference.

  • I will not play them.

  • I'd prefer a NT.


Results are only viewable after voting.
All of the 3 basses I own are through neck's, mainly as they're basically the same instrument (one is slightly different from the other 2, but only slightly!).

I've owned & played bolt necks & set necks, as well as the through necks. Though I like the through neck's, because they're not quite as "bulky" as the bolt & set neck basses.
 
If there ever was a "To each his own" subject, it is this one. I think what it really boils down to is finding the basses that truly are the better ones and which are set up correctly. My preference is neck through, but I own great examples of both. No doubt the sustain is generally better in a neck through, but a great bolt on can rival it and certainly surpass a poorly set up neck through. I have been playing Alembic and Smith neck throughs for so many years, that I find a bolt on with a lot of space between the string and top to be difficult to get used to. I like the string to be closer to the top of the bass so that when I go to pop the higher strings, I have the top of the bass to wedge against for leverage. If the fingerboard and strings are too tall, I lose that mechanical advantage as well as a sense of where I am in relation to the fingerboard. That being said, a poorly set up bass of any neck design will create this issue for me, so once again, a dialed in setup is critical. I have a couple of Fenders and a Carruthers bolt on that are set up with slammed action and which do not feel like the strings are too tall from the pickguard. Then again, I have played some neck throughs with extreme neck angles that had huge gaps between the strings and top. That is usually a sign of a poor design and construction, but if you like the gap, we are full circle back to "To each his own".
 
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I have two Carvins; a bolt on Jazz Style Fretless four banger and a NT 5 string Brian Bromberg. I love both for different reason (sound) and think that, depending one what the genre they both have applications that the specific sound and feel excel in. So I s'pose you could call me a bit neurotic about my preference
Carvin 5 Strng Brian Bromberg S# 114533F.jpg
Carvin Fretless 4 Ser # 94911F.jpg
Carvin Fretless 4 Ser # 94911F.jpg
for one over the other. (smile)
 
I like a NT guitar when I'll be playing a lot above the 15th fret. Quite frankly I rarely play above the 15th fret on a bass so a bass NT has no appeal to me. I believe someone once said that all the money made playing guitar is on the first three frets. Perhaps something similar could be said about the bass.
 
I like a NT guitar when I'll be playing a lot above the 15th fret. Quite frankly I rarely play above the 15th fret on a bass so a bass NT has no appeal to me. I believe someone once said that all the money made playing guitar is on the first three frets. Perhaps something similar could be said about the bass.
I dunno about that, but the person who had Grammys in the most different categories got them by using every fret on his instrument.
 
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OH, and hey @II Rip II, that bass you guys are having built looks to be a wicked rippa'! Do tell what the body woods and the inlays are? That's going to be beautiful. Who's the builder? And do you have a build thread?
Its made of box elder (top, headstock, inlays), rainbow alder (back), and maple/red heart (neck). Mine hasn't been started, but i can definitely post pics when available. The builder is Shawn May of May Custom basses. Btw, pops said it was one of the lightest he's handled.
 
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I don't have any preferences in terms of playability .

I'm much more concerned about the notion that if something goes wrong with the neck you can pretty much throw the bass on your next bonfire. That's the most tweaky part of the instrument and most likely to go south.
 
I don't have any preferences in terms of playability .

I'm much more concerned about the notion that if something goes wrong with the neck you can pretty much throw the bass on your next bonfire. That's the most tweaky part of the instrument and most likely to go south.

I guess that's why most NT are laminated necks - I've had mine from 1980, 1982, 1990 and all 3 are fine. I know people have different experiences but 3/3 for me at around 28 - 38 years old (the basses) - I'm somewhat older and could probably use a new neck :bassist:
 
I guess that's why most NT are laminated necks - I've had mine from 1980, 1982, 1990 and all 3 are fine. I know people have different experiences but 3/3 for me at around 28 - 38 years old (the basses) - I'm somewhat older and could probably use a new neck :bassist:

I stay with my multi-lam bolt ons. ;)
 
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I've been playing bass for 12 years now, and started on cello 17 years ago. I mention the cello, because that's a set neck, and you wanna talk about tone wood... BUT every neck-through electric bass I've ever picked up has really and I mean REALLY disagreed with me. This is no matter what the headstock or price tag said. I'd appreciate your thoughts and/or anecdotes! Cheers!