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Why do, if you do, prefer one fingerboard material over the others?

Im in the same boat in regards to the "brown" woods. I traditionally was more of a JBass style with maple fretboards, i wanted to switch it up completely and get a P but with almost the inverse. My original laklad skyline Joe Osborn (Jbass) was black with black guard and maple fretboard with black dots.. so i wanted White... long story short they messed up my order.. i returned it but then stumbled across this limited edition in a local store when i was looking at others of the same model.

Normally im not a huge rosewood fan... but the grain on this is so consistant and dark, its like a step away from ebony IMO and i actually love it. Not a huge fan of pau ferro, especially the orangy looking stuff or streaky or lighter rosewood.
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That's dark like ebony. Great looking bass.
 
I always liked a board that was interesting - not all black or monolithic brown. But recently, I've come to appreciate a roasted maple board because....if the whole neck (neck and fretboard) is roasted maple (all my necks are roasted maple at this point), the neck is incredibly stable. If you make a neck with two kinds of wood, it will want to warp over humidity changes. Living in an area where we have lots of humidity swing, this is a big concern.
 
I see several people referring to the feel of fretboard wood and I need this one explained to me. How are you feeling the fretboard wood? Is it the edges people are talking about or the wood under the strings? I've owned basses with rosewood, maple, ebony, wenge, cocobolo, pau ferro and phenolic fretboards and I have never been aware of any difference in the feel of the wood while playing.
 
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My fret/fingerboard wood preferences are relative. That is, I have a strong opinion, but it depends on the look of the rest of the bass. I'm rosewood or ebony in my current lineup, but I could see maple with the right bass.

And I greatly prefer no inlays.
 
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purely visual why i like rosewood, just seems to go with anything like black ...I really like the look of wenge necks as the color goes all the way thru to the headstock....maple is cool too, but imo only on particular colors.
 
There was a time you couldn't have GIVEN me a bass with a maple 'board; I just loathed the looks of 'em. Over the years I have done a complete 180, and maple is now my fretboard wood of choice.

But there is a caveat: I'm talking FRETTED basses. If I were to delve into blank-plank fretless tomorrow, I'd be wanting, as first choice, an ebony 'board, and after that, probably rosewood. I find blank-plank maple weird looking.
 
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aesthetically - I like a dark board with a light colored bass.
Like natural finish with a dark rosewood board, sonic-blue with an ebony board, etc...

Currently all my basses have rosewood boards, and one has a solid rosewood neck.
I think the board / neck has an effect on tone, and I think maple brings the snap and rosewood brings the thump.