Rickett Customs
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Yeah yeah, so I'm lazy, sue me.
I'm with you on that, I wish more folks could be open-minded. I'm a weekend warrior (hell, a wannabe right now) who digs vintage tone--but If I had a lot more dedication, talent and gigs, like you, I'd likely embrace it all as well.For sure.
But I hate that there are two ends of the spectrum, you know. Like I said earlier, I play old P basses and new multi-string boutiques. I love them all.![]()
big hands w/long fingers. I am a newbie, but from the start 4 stringers felt too small and narrow in my mitts. fives feel just right, plus I am only interested in the lower notes, not the higher ones so no six.
I've read all that here, too, for sure. But it's also very clear that a huge number of players here (maybe half?) play 5 or more, use active basses, regularly buy higher-end basses, etc.
I've also read posts that preach just the opposite of the things you list. Hey, I understand the defensiveness of some of the ERB guys here. But TB has its share of snobbery and ignorance on both ends of the spectrum.
I could name a regular slagger or two (not just of Squiers, but four-stringers in general), but I have no intention of causing a ruckus. Just saying I've seen it.you know, i hear this a lot, that there's "snobbery on both ends of the spectrum" implying that folks on the high end, boutique erb side of things spend equal time slagging instruments like old squier p-basses, but i have never seens such behavior as long as i've been here.
I could name a regular slagger or two (not just of Squiers, but four-stringers in general), but I have no intention of causing a ruckus. Just saying I've seen it.
I could name a regular slagger or two (not just of Squiers, but four-stringers in general), but I have no intention of causing a ruckus. Just saying I've seen it.
i guess it's a question of degrees, then. the -degree- to which erb's are slagged is substantially higher than the degree of disrespect going in the other direction.
there are many threads expounding on the benefits and beauties of the p-bass above all other instruments here at talkbass. share an opinion in those that does not follow the party line, and be prepared to be mass-attacked.
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I like jamming in E without using open strings or high notes![]()
Ok, we all know Jaco.
Wooten: He owns a fretless Compito 5 (used in Big Country) as well as a Compito fretted 6, along with some Fodera 5 strings.
Billy Sheehan has a Yammy 6er, used in Mr. Big's Just Take My Heart.
Stu: Has a Fender Custom Shop Urge 5 string, used on tour with Joe Satriani.
Les Claypool: already covered.
Even though Manring mostly uses the Hyperbass 4, I thought he had a fretted Vinny 5. The Hyperbass is just a 4, but can utilize an expanded range that most basses can't do.
Listening to some Marcus Miller tones, occasionally, I think I hear a low C or D sometimes.
Pretty sure Flea has used a 5 a few times. I've seen tabs back in the day that stated so and sounded correct.
As for being the "best" in any genre. Why does something need to be the best? What are the qualifications?! Why do musicians try to turn things into a competition. Art is art, leave the competition to shredders and athletes. The low B is definitely prominent in modern gospel and modern country.