When I first heard of Dean Markley's Blue Steel strings, they seemed so cool, with that cryogenic jargon and awesome packaging. So I used those strings exclusively for a couple years in the 90s, until I really listened and realized how lifeless they sounded and started wondering why my strings died so quickly.
I tend to give strings a beating anyway due to playing style and hand moisture, so I've had better luck with Elixirs and Super Slinky's. Basically, strings that are built to retain tone for eons work better than strings that sound great when new and then can get their tone slaughtered in a gig.
Logic dictates that I should pay attention to what other sweaty bassists such as Stu Hamm and Billy Sheehan use (besides wristbands), but they can also afford to have their strings changed after every show, so I take that with a giant helping of salt.
I tend to give strings a beating anyway due to playing style and hand moisture, so I've had better luck with Elixirs and Super Slinky's. Basically, strings that are built to retain tone for eons work better than strings that sound great when new and then can get their tone slaughtered in a gig.
Logic dictates that I should pay attention to what other sweaty bassists such as Stu Hamm and Billy Sheehan use (besides wristbands), but they can also afford to have their strings changed after every show, so I take that with a giant helping of salt.
