I may have mentioned once or twice we have eight dogs.
A Rottweiler/Shepherd mix.
A Shepherd/Wolf/Australian Cattle Dog mix.
A Boxer.
A Malti-Poo
A Poodle
A Teacup Maltese
A Chihuahua
A Teacup Chihuahua
So, at times, we have to do various grooming and medical procedures on them. And when you want a dog to be calm, it helps to sing to them. It also helps if the dog is depressed, or "down," and won't eat, or various other dog troubles.
When writing a song for a dog, I find the most important thing is to use the dog's name quite a bit in the song. Dogs seem to like their name, for some reason, unless you have chosen poorly, but that's on you. Let's take Gunnar, the Rottweiler/Shepherd mix, for example.
I called his song, "Gunnar," and it goes something like the tune of "Onions, Onions, Yeah Yeah Yeah," during the chorus:
Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar
Gunnar Gunnar Gunnar Gunnar Gunnar
Then the verses are something like:
Gunnar is a dog
He is not a frog
He likes to wag his tail
He doesn't drink Ginger Ale
and then the chorus again, and more verses. I tend to make up the verses on the spot, sometimes about whatever we're doing
For Gunnar, (and most dogs,) you have to sing in a fairly LOW voice. He doesn't like high notes at all, and finds them very unsettling. Low notes please him, and the more you say his name, the happier he is.
For an extreme example, let's look at the Baby song. Baby is the teacup Chihuahua. She is well under two pounds, maybe more like one. She is beyond frail. You could kill this dog by looking at her wrong. If she misses a meal, she could go into seizures. Baby is eight years old.
Imagine a jazz melody on a double bass ascending, and then descending:
Baby Baby Baby Baby Baby Baby Baby Baby (ascending)
Baby Baby Baby Baby Baby Baby Baby Baby (descending)
Lots of emphasis on the "B" sound. In fact, I try to sound a lot like a double bass when I sing it. I have tried putting other words in there, but she is most calm when I stick to her name.
So I think the biggest key to writing a song for a dog is to use the dog's name almost non-stop throughout the song. This, of course, limits your market in each song to dogs with that specific name. Furthermore, I think you will find different dogs have different tastes, limiting you even further, but there's a bright side.
Dogs have little to no disposable income, so as consumers, they are about useless, anyway. You would have to appeal to their owners, and let's face it, most times you sing to a dog, you are going to BE the owner. So I don't think there's much hope of a profitable radio station for dogs, even on satellite.
I do believe, with the amount of experience I have, I may possibly be one of the premier writer of songs for dogs in Northern Indiana. I am not aware of any real competition, however I'm not sure dog songwriters have the best publicists.
A Rottweiler/Shepherd mix.
A Shepherd/Wolf/Australian Cattle Dog mix.
A Boxer.
A Malti-Poo
A Poodle
A Teacup Maltese
A Chihuahua
A Teacup Chihuahua
So, at times, we have to do various grooming and medical procedures on them. And when you want a dog to be calm, it helps to sing to them. It also helps if the dog is depressed, or "down," and won't eat, or various other dog troubles.
When writing a song for a dog, I find the most important thing is to use the dog's name quite a bit in the song. Dogs seem to like their name, for some reason, unless you have chosen poorly, but that's on you. Let's take Gunnar, the Rottweiler/Shepherd mix, for example.
I called his song, "Gunnar," and it goes something like the tune of "Onions, Onions, Yeah Yeah Yeah," during the chorus:
Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar Gunnar
Gunnar Gunnar Gunnar Gunnar Gunnar
Then the verses are something like:
Gunnar is a dog
He is not a frog
He likes to wag his tail
He doesn't drink Ginger Ale
and then the chorus again, and more verses. I tend to make up the verses on the spot, sometimes about whatever we're doing
For Gunnar, (and most dogs,) you have to sing in a fairly LOW voice. He doesn't like high notes at all, and finds them very unsettling. Low notes please him, and the more you say his name, the happier he is.
For an extreme example, let's look at the Baby song. Baby is the teacup Chihuahua. She is well under two pounds, maybe more like one. She is beyond frail. You could kill this dog by looking at her wrong. If she misses a meal, she could go into seizures. Baby is eight years old.
Imagine a jazz melody on a double bass ascending, and then descending:
Baby Baby Baby Baby Baby Baby Baby Baby (ascending)
Baby Baby Baby Baby Baby Baby Baby Baby (descending)
Lots of emphasis on the "B" sound. In fact, I try to sound a lot like a double bass when I sing it. I have tried putting other words in there, but she is most calm when I stick to her name.
So I think the biggest key to writing a song for a dog is to use the dog's name almost non-stop throughout the song. This, of course, limits your market in each song to dogs with that specific name. Furthermore, I think you will find different dogs have different tastes, limiting you even further, but there's a bright side.
Dogs have little to no disposable income, so as consumers, they are about useless, anyway. You would have to appeal to their owners, and let's face it, most times you sing to a dog, you are going to BE the owner. So I don't think there's much hope of a profitable radio station for dogs, even on satellite.
I do believe, with the amount of experience I have, I may possibly be one of the premier writer of songs for dogs in Northern Indiana. I am not aware of any real competition, however I'm not sure dog songwriters have the best publicists.
