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I appreciate the feedback and direction.Since you have an Ampeg, which has a pretty "flat" preamp with everything at noon, maybe a preamp with a Fender-type EQ preamp might give you some different flavor than anything you currently have (personally I moved on from my SVTs when I played my first Mesa Bass 400, which has a Fender-type EQ that was more what I wanted to hear). With a tube amp, my personal approach is usually to use fairly light drive levels and get increased drive flavor from extra volume hitting the amp's own preamp tubes harder- that is a little tougher from a Heritage SVT though since you don't have a Master Volume so you can't push the preamp into saturation without also making the amp dumb loud! So you'll have to find a preamp that has decent sounding drive of its own (though the SVT character should still smooth it out a bit) unless "dumb loud" is your typical volume..
Some popular Fender-type preamp pedals that can drive are the Shiftline Olympic, Sushi Box Underground Accelerator, and Origin Bassrig Black Panel '64 (there are a number of others too, but that's a start to sniff around with if you want!)
That is so rad. I'm glad you got it. Now be sure and tell us all about your adventures with it here ...Hi everyone. Thanks to @murphy 's providential intervention and awesome help I've finally got my big clumsy dude cruiser skateboard contraption.
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All I have to say is I feel blessed to be a part of this community full of wonderful generous people and fellowship. Eternal thanks to @murphy for making this possible (we have dinner pending, already planning a trip there next summer), and thank you all guys![]()
Yeah, the lack of more bass stuff has kept me away, despite being able to do NAM and IR. was just going to be a headphone practice device. Would be perfectly happy with something cheaper that doesn't do the effects but does NAM and Bluetooth. Would make a really nice portable practice headphone amp.So, I gave it a test drive. It's functional, has some interesting capabilities for a small, not expensive device. But - I'm returning. In my post-retirement, zero income universe, it didn't meet minimum requirements for the $65 expenditure. I'm in the minority, I'm sure, because of my current and permanent financial situation. It's a decent pedal - just not for me. I didn't find it bass centric enough, either. Advertised for guitar And bass, but 95% of the presets are for a guitar.
They vary now and always did. Any day of the week, 365 days a year, you can source any current Fender model bass under 9 lbs in under 10 minutes online.I mean, to you, no? But I don’t feel like proving anything to you.
I worked in a high volume shop pretty recently and all the non chambered fenders were above 9 pounds. Even the guitars. I weighed them.
I have not played an american Fender from 2012-2017 that I thought was bad.
Only basing my opinion off of the literal thousands of fenders I’ve taken out of boxes.
I have one!You would probably like that Reverend, with 3 passive p'ups and crossover/blend switch. I wouldn't mind getting my hands on one, but they are never in stores.
This is a really impressive record. He takes some interesting arco solos and his time feel is really beautiful!
https://www.discogs.com/master/631739-Ira-Sullivan-And-The-Chicago-Jazz-Quintet-Bird-Lives
I”m not exactly sure you can get exactly equal volume across each string. Gain maybe with much work. But volume once the signal leaves the instrument is at the mercy of your rig, EQ, room acoustics, and speaker cab.I've researched this a bit and I try to get equal distance between pickup (poles) and string by angling the pickups. I've adjusted bridge saddle height for the action I like (close to neck but without string buzz), my intonation is good (open and 12th fret are tuned well), everything seems right. However, I like light strings and typically use 40 - 100. But when I use them, the G and D are low volume. So I switched to custom gauge with 45 - 65 - 80 - 100 hoping that it would fix the problem, but now my E string is super low volume. It feels like a losing battle. To all the Jazz bass players (and hopefully guitar techs/luthiers), how do you setup a Jazz bass so that the volume is equal across strings? I'm also wondering if I've just had bad luck with the strings themselves. Right now, I'm using EB Super Slinky custom gauge. I've tried Dunlop Super Bright (40/100), DR Sunbeams (40/100) and Fender Super 7250s (40/100). The Super Slinkys are a bit weird because the E string feels lower tension than the rest of the strings (a bit wobbly), so that could be an issue. But I haven't been able to make it work with any of them. I think the most balanced I've gotten is with the Fenders, but even they have a lower volume G string. So frustrating!