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Ambient/Post-Rock/Textural bass playing thread

I have figured this out in VCV Rack. Audio amplitude is controlling the level of pan and transients are triggering an inverter, thus changing the left/right direction. Cool effect, now that I've heard it, I think I have a song I'll use it on.

To adjust the
  • level of pan = CV on the mixer
  • threshold of transients that trigger the flip = threshold
  • how fast the flip happens = rise/fall



All done in free modules. DM me and I'll send you the patch if you like.

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26595069[/URL], member: 37282"]Nice one @Scott!



I always say that crap is the price we pay for culture. For instance, @ugly’s complaining about crap very much fits my definition of “culture,” which would be impossible without crap. :)

In other thread news, I was confronted by this water dispenser yesterday.

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oh, I agree that one must have absolute garbage in order to have genius level in culture.
like we say in french:
« ça prend de tout pour faire un monde. »

Thank you Stevie Wonder blasting on the stereo to keepme from going loco!!
 
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I always say that crap is the price we pay for culture. For instance, @ugly’s complaining about crap very much fits my definition of “culture,” which would be impossible without ]

pretty sure it was ever thus.

we only see the “successes” of culture—the beethovens (or put in your fave instead). there was probably a ton of not of not so great composers/players in those days. of course, nowadays we have our noses rubbed in it every time we go on youtube or what have you.

and a lot more people, so more of the “failures.”
 
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oh, I agree that one must have absolute garbage in order to have genius level in culture.
like we say in french:
« ça prend de tout pour faire un monde. »

Thank you Stevie Wonder blasting on the stereo to keepme from going loco!!

My wife is a big time museum curator. Some of her colleagues were not amused with my theory that certain quintessential artists are people that perfected a certain niche of crappy style.

I don't mean that as a derogative. Really. Some of my absolute top ten favorite artists fit in this. e.g. I think Basquiat, certainly in my top five favorite artists, can be seen in an historic human sense of being the perfection of drawing like a child. There is a purity of only the necessary lines to convey the subject and emotion. Likewise, I think Mike Ness is the perfection of music that is supposed to be played with jeans, slicked back hair, and a pack of cigarettes rolled into your sleeve.
 
My wife is a big time museum curator. Some of her colleagues were not amused with my theory that certain quintessential artists are people that perfected a certain niche of crappy style.

I don't mean that as a derogative. Really. Some of my absolute top ten favorite artists fit in this. e.g. I think Basquiat, certainly in my top five favorite artists, can be seen in an historic human sense of being the perfection of drawing like a child. There is a purity of only the necessary lines to convey the subject and emotion. Likewise, I think Mike Ness is the perfection of music that is supposed to be played with jeans, slicked back hair, and a pack of cigarettes rolled into your sleeve.
when can hang

: pays virtual drink of choice :
 
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oh, I agree that one must have absolute garbage in order to have genius level in culture.
like we say in french:
« ça prend de tout pour faire un monde. »

Thank you Stevie Wonder blasting on the stereo to keepme from going loco!!
So we have to suffer through Kid Rock so we can have the occasional genius. Given the direction of culture nowadays, that's becoming an increasingly hard sell.
 
My wife is a big time museum curator. Some of her colleagues were not amused with my theory that certain quintessential artists are people that perfected a certain niche of crappy style.

since you seem to live in maryland, i'm trying to figure which museum that would be.

anyway, that must have been a fun conversation to eavesdrop on.

as much as i *love* art, i have to say that the art world seems to be overrun by people who are more concerned with the "prestige" rather than the art. the broad here in l.a. has a ton of jeff koons stuff, which i find horrible (i know that other people love it) and more an example of a guy who figured out collectors than anything. i can't remember the name of it, but there was a documentary about the collector/museum/gallery combine and how it drives this stuff (and, eventually, art history, imo).
 
since you seem to live in maryland, i'm trying to figure which museum that would be.

anyway, that must have been a fun conversation to eavesdrop on.

as much as i *love* art, i have to say that the art world seems to be overrun by people who are more concerned with the "prestige" rather than the art. the broad here in l.a. has a ton of jeff koons stuff, which i find horrible (i know that other people love it) and more an example of a guy who figured out collectors than anything. i can't remember the name of it, but there was a documentary about the collector/museum/gallery combine and how it drives this stuff (and, eventually, art history, imo).

One of them Smithsonians. I'm in Maryland, but I'm just a km from the D.C. border.
 
My wife is a big time museum curator. Some of her colleagues were not amused with my theory that certain quintessential artists are people that perfected a certain niche of crappy style.

I don't mean that as a derogative. Really. Some of my absolute top ten favorite artists fit in this. e.g. I think Basquiat, certainly in my top five favorite artists, can be seen in an historic human sense of being the perfection of drawing like a child. There is a purity of only the necessary lines to convey the subject and emotion. Likewise, I think Mike Ness is the perfection of music that is supposed to be played with jeans, slicked back hair, and a pack of cigarettes rolled into your sleeve.
I dig your theory…. and agree. I’d throw the cubists and surrealists in that mix. (I love cubism and surrealism.)
 
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