In fairness, my Steinberger L-2 that I got brand new in 1982 has been 100% without issue...indestructable. (That's the bass you want to bring to a bar fight.) So not all carbon fiber/graphite/composite is destined to turn-to-poo.
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It would need to have some body wings.In fairness, my Steinberger L-2 that I got brand new in 1982 has been 100% without issue...indestructable. (That's the bass you want to bring to a bar fight.) So not all carbon fiber/graphite/composite is destined to turn-to-poo.
It would need to have some body wings.
My right hand technique require my for arm to rest on the side of the body, I can’t do the « floating arm » thing.
Man that thing looks cool!!1980's Steinberger XM 2 Bass Guitar (Richmond, VA) | Reverb[/URL], member: 17475"]there might be some out there (don’t know the materials).
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Since I've been hitting walls for months trying to do something different, did some work on my "Music Concrete" piano approach to the Lyra 8. I hope this doesnt get redundant, I always strive for fresh and progressive musical expressions.
Was thinking about selling it for a while......anyways forward we go.
Here is one of my many takes from the past few days:
Since I've been hitting walls for months trying to do something different, did some work on my "Music Concrete" piano approach to the Lyra 8. I hope this doesnt get redundant, I always strive for fresh and progressive musical expressions.
Was thinking about selling it for a while......anyways forward we go.
Here is one of my many takes from the past few days:
27126602[/URL], member: 340182"]Don't sell the Lyra. It seems like you really gel with it, and I suspect that it's a future classic instrument.
Thanks for taking the time to listen, always very much appreciated.27126808[/URL], member: 190717"]That's freaking awesome. Has a beyond cyberpunk feeling to it. Reminds me of some of the stuff Forma Tadre has done, without actually sounding like Forma Tadre. Puts similar imagery in my head.
For Jamuary 7 I finally fired up the Miezo. (Through Ruina, Bitwig Harmonic Split with different delays/reverbs on the splits, and then Raum and Valhalla Delay.) Also a few notes from Dawesome Kult, and a sequence on Synchrodyne through Hinder delay, sampled and looped.
Was it discovered in Van Nuys lodged against an abutment?Update on the car situation. It was found. Stereo stolen. Some interior damage done. Not sure if it’s enough to get a payout as a total. Mixed blessing I guess.
did some work on my "Music Concrete" piano approach to the Lyra 8.
Since I've been hitting walls for months trying to do something different, did some work on my "Music Concrete" piano approach to the Lyra 8. I hope this doesnt get redundant, I always strive for fresh and progressive musical expressions.
Was thinking about selling it for a while......anyways forward we go.
Here is one of my many takes from the past few days:
Jam #3:
Since I've been hitting walls for months trying to do something different, did some work on my "Music Concrete" piano approach to the Lyra 8. I hope this doesnt get redundant, I always strive for fresh and progressive musical expressions.
Was thinking about selling it for a while......anyways forward we go.
Here is one of my many takes from the past few days:
Wow, that you so much for your kind words!my goodness. That’s beautiful
Great sounds as always @Starthief !
You seem made for the Lyra @uglybassplayer -- I vote keep it and make music.
@monsterthompsone like the music but the performance isn't the best.
For today, I went back down the Radigue rabbit hole, as I've been reading up on pole mixing to achieve the filter effect I was getting from the Filter 8's Band Boost + Notch output. My goal is to be able to fade between different harmonics, which means more filters. Beads is making some noise too. Not totally sure about that yet.