High pass at 200hz on the input to the reverb will get you there. I like Neunaber wet because it can get ambient or be subtle. Hall setting on my Eventides also works. I found Nimbus a bit dry. Add a little predelay if you need more clarity.
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Had the Wet but dumped it since there was a noticeable volume drop when engaged regardless of setting, so it was a no go live.High pass at 200hz on the input to the reverb will get you there. I like Neunaber wet because it can get ambient or be subtle. Hall setting on my Eventides also works. I found Nimbus a bit dry. Add a little predelay if you need more clarity.
predelay
I know the process but 200hz filter live is gonna be a freakin tap dance routine for settings.High pass at 200hz on the input to the reverb will get you there. I like Neunaber wet because it can get ambient or be subtle. Hall setting on my Eventides also works. I found Nimbus a bit dry. Add a little predelay if you need more clarity.
I know the process but 200hz filter live is gonna be a freakin tap dance routine for settings.
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I know the process but 200hz filter live is gonna be a freakin tap dance routine for settings.
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didnt they stop at immerse mkii ?Not with the Neunaber. At least with my Immerse mk3, you just set the tone knob at about 11am (or wherever you like it) and forget about it. I don't ever need more low end on reverb live on bass.
Asking the council:
Any one here have any suggestions for a reverb pedal that doesn’t get muddy down low.
I have a composition that has tight dissonant clusters of chords down low.
Intentionally voiced lower to attain the “mood and tone” I want.
This part could benefit from reverb but atm I use delay.
The Nimbus is a high quality reverb designed specifically for bass and baritone instruments.
It allows for deep and powerful reverbs to be created, with a built-in highpass filter on the reverb signal to keep the instrument’s low end intact without introducing muddiness, as well as a lowpass filter for creating darker timbres.
The Nimbus has a simple interface which allows the user to sculpt complex reverb sounds in an intuitive way, rather than being locked to presets or pre-defined tonalities.
Decay times up to several minutes are possible, so the Nimbus can be used to create ambient drones with any instrument.
Unobtainium, so it’s a no go.
As previously mentioned, I had the Wet v3 and sold it since it always had a slight volume drop when engaged making it unusable (for me) in a live situation. Shame because I really liked the sound of that one.Oh maybe. I just know mine isn’t mk1. In your case the Wet pedal would be fine.
Hard times ftw!!!!I’m just going to leave is totally unrelated headline here for no particular reason.
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Can't be worse than the person that can only play barre chords...I’m just going to leave is totally unrelated headline here for no particular reason.
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As previously mentioned, I had the Wet v3 and sold it since it always had a slight volume drop when engaged making it unusable (for me) in a live situation. Shame because I really liked the sound of that one.
Can't be worse than the person that can only play barre chords...
I’m just going to leave is totally unrelated headline here for no particular reason.
Or heavy dirt to hide the fact that as a young @$$hat that didn’t play with a pick and started practicing it at 35 and suck at it.You could just write the company and see if that's also an issue with the latest Wet pedal. They're up to V5.
I think those people get an overdrive or a compressor.
Waaaaiiiiiittt a minute! The actual story contains links to actual reverb pedals. I don't know how I feel about that.
In other news, some of you should check your private messages, but here are some things: