Phone recording doesn't do it justice, but here's what I've been playing with using the new Malekko VCA and the Erica Octasource.
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25256979[/URL], member: 28205"]Quick post of an idea - recently been recording little videos, partly inspired by Damian Erskine's Bass Education community, like this one:
Just little improvised snippets, sometimes with different effects, or Moog bass underneath, etc. One person commented, "I could listen to that all day" - which made me think - that would be a cool project - different atmospheres, with bass as (one of?) the main instruments. Thought I'd share here, then had a brief thought, "hey, shouldn't give my idea away!" with a following thought, "Of course I should give my idea away!" In fact, it could be the basis for a collaboration - one person record a "background" or just something that someone else overdubs something on top of, then continue past it into a new background/base that the next person adds to. Doing it by myself actually sounds more manageable lol!
That has actually been a long-time idea for me - an ambient project with bass as one of the main elements - but I have never taken the step to try and make it happen. That's partly why I'm interested in the DFAM/Subharmonicon combo, to begin making some of these "backgrounds" - or maybe I should call them bases? Though of course anything can serve.
Quick post of an idea - recently been recording little videos, partly inspired by Damian Erskine's Bass Education community, like this one:
Just little improvised snippets, sometimes with different effects, or Moog bass underneath, etc. One person commented, "I could listen to that all day" - which made me think - that would be a cool project - different atmospheres, with bass as (one of?) the main instruments. Thought I'd share here, then had a brief thought, "hey, shouldn't give my idea away!" with a following thought, "Of course I should give my idea away!" In fact, it could be the basis for a collaboration - one person record a "background" or just something that someone else overdubs something on top of, then continue past it into a new background/base that the next person adds to. Doing it by myself actually sounds more manageable lol!
That has actually been a long-time idea for me - an ambient project with bass as one of the main elements - but I have never taken the step to try and make it happen. That's partly why I'm interested in the DFAM/Subharmonicon combo, to begin making some of these "backgrounds" - or maybe I should call them bases? Though of course anything can serve.
this hurt my feeling
View attachment 4266601
i want to juxtapose his different faces with the woman yelling and the white cat being non-plussed.
Sandberg Terrabass into Markbass Compressore v.1 - Eventide H9 - Strymon Big Sky. Mic'd with a Zoom H8. GK RHB 15 stack bi-amped.cool. double-course bass?
Thank you! I am glad to hear it.I really like this. Same question as @steubig : double course bass or something else?
Thank you! I am glad to hear it.
I do not play course basses. Today i play with two basses: Sandberg Terrabass and Warwick Dolphin Custom. Sure i do use some effects with them. But picking technique is the main factor, too.