Interesting story. David Bowie wanted Stevie Ray Vaughn to play on his album. When they got Stevie over to record the songs they discovered he couldn't read music. Yet who was the musician that was most memorable on that Bowie album? It was Stevie. He was only one of the greatest blues guitarists of all time!
I played with a guitarist who loved music but struggled with timing. It is something he will never totally get a handle on. Should I call him a "cheap" guitarist because his timing was off once in awhile? I really enjoyed playing with him, because he loved music, even though I had to get him back into the pocket at times.
Your comments were mean spirited and arrogant. Denigrating a guy who is working full time at a "degrading" job in your estimation at an ice cream shop, and doesn't have all the time in the world to practice. Sheesh!
What about the guys who just like to play 3 chord johnny songs for family and friends, and maybe at the local pub or bar? Do we consider them cheap musicians too?
I guess I will never know what it is like to sit in an ivory tower and look down at the unwashed masses and find comfort in my unsurpassed virtuousity and bask in the glow of my own brilliance.
Signed,
An unwashed, cheap musician!
Hardly. I'm not a virtuoso nor do I hold an exalted position, but I practice for that goal, so at the very least I'm not a burden to those who I play with, regardless of what price tag came with the bass (which by the way is the topic of this thread that the OP started--I brought up the player side of bass playing because gear has been inextricably combined with player ability and often confuses the "value" of an inexpensive bass). Did I say "cheap musician?" No I did not. YOU said "cheap musician." Every musician can become good at their instrument, but they have to commit time to practice and sense to learn, so they can play it properly (regardless of the price tag of the instrument in their hand). When that happens, amazing music happens with a "cheap" bass and the "cheap" bass doesn't sound so "cheap" anymore.
When one gets to the celebrity status of Stevie Ray Vaughn, you can do whatever the heck you want to, including making producers, session musicians, engineers, arrangers accommodate the shortcomings of the celebrity, in order to leverage and integrate the unique and compelling value of a particular artist (like Steve Ray Vaughn) into a recording project. But these outlier musicians can't be generalized into norms for everyone else who isn't Steve Ray Vaughn. I'm sure Stevie Ray Vaughn practiced a lot (regardless of what gear he used). He focused on a narrow niche where he excelled and pretty much cornered the market, but to say that his experience translates to a norm for musicians in general? That's quite a leap that you have made.
Signed,
Also a cheap, unwashed musician because the more I practice and learn, the more I know I have a long ways to go

