- Nov 24, 2008
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- Disclosures
- Owner & designer, AudioKinesis; Auth. mfg, Big E (Home Audio only)
Don't you want/need the 3" to "fill the gap" between what the 12" can do and the sweet spot for the horn?
If all goes according to plan, the 6" cone mid in the Hathor 212 will do the heavy lifting from the grindy zone all the way up to where the tweeter horn takes over. I'll be juggling several tradeoffs in choosing exactly where that upper crossover point will be. I'll probably use the same horn and compression driver combination as in the 8-ohm Thunderchild 112, and the higher crossover point will protect it from the higher wattage it would otherwise see.
Just seems that there is something in the upper mids that the 3" does that a horn or tweeter can't - at least not with the same flavor. So if you really want to get wacky, 12-3-horn, with both the 3" and the horn switchable.![]()
Well without the mid we'd have a hole in the response, and if we overlap the two upper-range drivers, we get unexpected and undesirable interactions. What sneaks up and bites us in the backside is the phase response. When two drivers overlap a lot, but have different rolloffs at either ends of their range, they will go in and out of phase with one another and we'll get dips in the response that we really can't eliminate.
As far as what that 3" cone (or any good cone) does in the upper mids, I agree! That's where the Hathors beat the Thunderchilds for electric bass, if one is looking for a bit of deliberate voicing in their bass cab. If I do a three-way, the crossover will be high enough that upper mids will be done by a paper cone.