I hereby forbid any further discussion of Thunderchild cabs! For god's sake, have mercy, I already have two H1203s and an H1506...
haha. then you probably don’t want to know that someone was selling a v1 for a good price in the classifieds.
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I hereby forbid any further discussion of Thunderchild cabs! For god's sake, have mercy, I already have two H1203s and an H1506...
I hereby forbid any further discussion of Thunderchild cabs! For god's sake, have mercy, I already have two H1203s and an H1506...
Uh-huh. So let's not talk about any single Thunderchild, but instead celebrate the entire universe of Thunderchildren!
After all, I'm sure Duke loves all of his Thunderchildren equally...
Hello everyone and Happy Holidays. I pop in every year this time to say hey to my TB buddies. Charlie!!!! Hope all is well. Hello to Duke also and everyone else. Retirement has been a joy so far. Listening to TONS of tunes, reading, fishing, and mostly staying home on Saturday nights! Glad to see this site and especially this thread still cruising along!
That combination of high power handling and 4-ohm impedance is addictive, isn’t it?While I’ve moved onto powered MAS Cabinets, specifically a 4.5x5 and a 1/8. the TC-112 (v1) I owned was, pound for pound one of the finest Double Bass and Electric Bass cabs I’ve been fortunate to gig with. Ken Jung sold it to me used with a beautiful Le Cover padded case. That cabinet would do outdoor shows on big stages, without breaking a sweat.
That combination of high power handling and 4-ohm impedance is addictive, isn’t it?
So much headroom for its size...
I checked out a used MAS in Toronto (don’t know what model). It sounded good, but it broke up so early that I walked away after a few seconds.
I had the privilege to play through one of the original composite Thunderchild cabs that Mike built for Duke, so I'm well aware of the quality of his work.While it's hard to say which MAS you were playing through, there are so many current and "heritage" versions, I've never had an issue with any of mine breaking up.
My powered 4x5.5 can get loud enough for me to do 13 and 16 peice big band gigs, without breaking a sweat, and it's dispersion covers the band and the room.
Everyone has different tastes and what may be worth the wait for some may not be worth it to others BUT for me it was absolutely worth it. I LOVE my Hathor 1203. Best cab I’ve ever owned. The tone, the weight and easy schlep are unbelievable. Versatile as all get out. Handles a ton of power and sounds killer.are they worth the wait?
I ordered a Hathor 1203T in July, and their are other builds before mine.
I know Duke has had some personal challenges which has caused part of the delay.
are they worth the wait?
I ordered a Hathor 1203T in July, and their are other builds before mine.
I know Duke has had some personal challenges which has caused part of the delay.
You also have used the MAS18 as well, right? Do you prefer the Birdhaus for certain gigs? If so, when? I've been wondering if the 18 in the angled monitor-like position would give dispersion comparable to the Birdhaus. I'm tempted to attempt a DIY Birdhaus 46. It's such a simple design, and the 6" Faital is pretty darn cheap.The only Audiokinesis Cabinet I currently have is one of the Birdhaus 4x6 it's a really nice one handed carry, into small venues with the
TC Electronics BAM 200 in my bass' gig bag.
Elias 66,You also have used the MAS18 as well, right? Do you prefer the Birdhaus for certain gigs? If so, when? I've been wondering if the 18 in the angled monitor-like position would give dispersion comparable to the Birdhaus. I'm tempted to attempt a DIY Birdhaus 46. It's such a simple design, and the 6" Faital is pretty darn cheap.