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AudioKinesis Cabs Part VI...

I hereby forbid any further discussion of Thunderchild cabs! For god's sake, have mercy, I already have two H1203s and an H1506...

Uh-huh. So let's not talk about any single Thunderchild, but instead celebrate the entire universe of Thunderchildren!

After all, I'm sure Duke loves all of his Thunderchildren equally...
 
I'll shamelessly hijack the thread to say I have an amazing, Mike Arnopol-built, composite TC212 for sale over at the european classifieds, best cab I've played. I loved everything about it (sound, size, shape, weight, volume) but I'm going ampless so someone should grab it, I don't think there are others of its kind in Europe, had to import it from the US. Shoot me an offer if interested, thanks.
 
Uh-huh. So let's not talk about any single Thunderchild, but instead celebrate the entire universe of Thunderchildren!

After all, I'm sure Duke loves all of his Thunderchildren equally...

The truth needs to come out. Crop circles are real and the Children Of The Thunder are...aiyeee, no, please!!!
 
Hello everyone and Happy Holidays. I pop in every year this time to say hey to my TB buddies. Charlie!!!! Hope all is well. Hello to Duke also and everyone else. Retirement has been a joy so far. Listening to TONS of tunes, reading, fishing, and mostly staying home on Saturday nights! Glad to see this site and especially this thread still cruising along!

Hey Ken, it's great to hear from you! I'm glad to hear all is well. I'm also still using a Kart-a-bag that you recommended, and it's served me well. And thanks to you and Charlie, I've been enjoying ThunderChild cabs for years.

I'm glad I got to meet you several years back at that Italian restaurant in Chesterfield, MO.

Enjoy your retirement!

Bob
 
While I’ve moved onto powered MAS Cabinets, specifically a 4.5x5 and a 1/8. the TC-112 (v1) I owned was, pound for pound one of the finest Double Bass and Electric Bass cabs I’ve been fortunate to gig with. Ken Jung sold it to me used with a beautiful Le Cover padded case. That cabinet would do outdoor shows on big stages, without breaking a sweat.
 
While I’ve moved onto powered MAS Cabinets, specifically a 4.5x5 and a 1/8. the TC-112 (v1) I owned was, pound for pound one of the finest Double Bass and Electric Bass cabs I’ve been fortunate to gig with. Ken Jung sold it to me used with a beautiful Le Cover padded case. That cabinet would do outdoor shows on big stages, without breaking a sweat.
That combination of high power handling and 4-ohm impedance is addictive, isn’t it?

So much headroom for its size...

I checked out a used MAS in Toronto (don’t know what model). It sounded good, but it broke up so early that I walked away after a few seconds.
 
That combination of high power handling and 4-ohm impedance is addictive, isn’t it?

So much headroom for its size...

I checked out a used MAS in Toronto (don’t know what model). It sounded good, but it broke up so early that I walked away after a few seconds.

While it's hard to say which MAS you were playing through, there are so many current and "heritage" versions, I've never had an issue with any of mine breaking up.

My powered 4x5.5 can get loud enough for me to do 13 and 16 peice big band gigs, without breaking a sweat, and it's dispersion covers the band and the room.

Of course, I'm not usually playing at really high volume levels, even when I do concerts with the Lakland 5strings I own. If I were, I'd be lookiing at Thunderchild TC-112 again

because the form factor of that cabinet vs it's projection, dispersion, volume and clean low end is astounding.
 
While it's hard to say which MAS you were playing through, there are so many current and "heritage" versions, I've never had an issue with any of mine breaking up.

My powered 4x5.5 can get loud enough for me to do 13 and 16 peice big band gigs, without breaking a sweat, and it's dispersion covers the band and the room.
I had the privilege to play through one of the original composite Thunderchild cabs that Mike built for Duke, so I'm well aware of the quality of his work.

The MAS I played through was so underwhelming that I expect either the amp head or the cab was damaged. This was a trade-in at a big-box music store, so who knows how it had been treated in the past...
 
are they worth the wait?
I ordered a Hathor 1203T in July, and their are other builds before mine.

I know Duke has had some personal challenges which has caused part of the delay.
Everyone has different tastes and what may be worth the wait for some may not be worth it to others BUT for me it was absolutely worth it. I LOVE my Hathor 1203. Best cab I’ve ever owned. The tone, the weight and easy schlep are unbelievable. Versatile as all get out. Handles a ton of power and sounds killer.
 
are they worth the wait?
I ordered a Hathor 1203T in July, and their are other builds before mine.

I know Duke has had some personal challenges which has caused part of the delay.

Both Duke and Mike have had issues this year. Let’s keep both of them in our thoughts. Building cabinets is a labor of love for these guys, but as John Lennon once said “Life is what happens when you’re busy making other plans. Running an independent business, isn’t easy and sometimes it just wears you down.
 
The only Audiokinesis Cabinet I currently have is one of the Birdhaus 4x6 it's a really nice one handed carry, into small venues with the

TC Electronics BAM 200 in my bass' gig bag.
You also have used the MAS18 as well, right? Do you prefer the Birdhaus for certain gigs? If so, when? I've been wondering if the 18 in the angled monitor-like position would give dispersion comparable to the Birdhaus. I'm tempted to attempt a DIY Birdhaus 46. It's such a simple design, and the 6" Faital is pretty darn cheap.
 
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You also have used the MAS18 as well, right? Do you prefer the Birdhaus for certain gigs? If so, when? I've been wondering if the 18 in the angled monitor-like position would give dispersion comparable to the Birdhaus. I'm tempted to attempt a DIY Birdhaus 46. It's such a simple design, and the 6" Faital is pretty darn cheap.
Elias 66,
Yes, I do have the powered MAS 1/8 and It’s my number one cabinet. The Birdhaus 4x6 has it’s advantages in small cramped spaces where you and you’re bandmates are right on top of each other. The issue with the Faital 6FE100’s is that Duke feels their power handling is lower than the 100 watts they are rated at. So as a result of that, you cannot run the cabinet with a powerful head like my Walter Woods Electroacoustic Ultra. Something like the BAM 200 works great, but it limits the volume. With 4 string basses at moderate volume levels it’s a wonderful little cabinet.
 
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