fwiw I've gigged most of the current class D bass amps as well as previous AB/etc. The "feel" thing is real, but there are a lot of variables, not the least of which is the tone goals of the player and their technique.
For instance I gigged an Ashdown ABM500 for a number of years. Always liked that amp and it was a good "standard" for moving to smaller/lighter amps. I cycled through a lot of candidates that didn't really work for me for a variety of reasons - often it was "feel". Probably my favorite feel setup is Jule's Monique preamp into his M700 (Hypex) class D amp. You get the bounce from the tubes - a real tube preamp section rather than just tossing a 12AX7 into the path - and the power amp kicks like a mule. But there still is a size issues to deal with. But Monique has a feel that is pretty spectacular.
Fast forward to the D800. So far I've been impressed gigging that, though it feels a lot different than Monique. It is a very quick amp that will grit up nicely when you drive the front end a bit. But it doesn't feel like a lot of other amps. Then I pulled out my FEA dual band comp (which didn't really work for me with Monique) and all of the sudden there is a bit of give in front while still staying articulate and punching hard. While the feel is different than Monique, it works for me as well.
IME class D can be done well, and there's no way I'm going back to a big/heavy amp. If I want chewy tube, Monique fits the bill and is small/light enough to haul to the studio or put on top of an amp. Or if I want to travel simpler/lighter, just the D800 will cover any gig. I love Roger's cabs as I think the paper cone mid and no tweeter is the secret sauce - hence why I played ML112s and now have Duke's H1203 cab. Only reason I switched was to go a little smaller/lighter (I had the rev 1 ML112s) as I do a lot of load in/outs often in very tight places and every inch counts. Would love to see what Roger can do with a class D-based head.
For instance I gigged an Ashdown ABM500 for a number of years. Always liked that amp and it was a good "standard" for moving to smaller/lighter amps. I cycled through a lot of candidates that didn't really work for me for a variety of reasons - often it was "feel". Probably my favorite feel setup is Jule's Monique preamp into his M700 (Hypex) class D amp. You get the bounce from the tubes - a real tube preamp section rather than just tossing a 12AX7 into the path - and the power amp kicks like a mule. But there still is a size issues to deal with. But Monique has a feel that is pretty spectacular.
Fast forward to the D800. So far I've been impressed gigging that, though it feels a lot different than Monique. It is a very quick amp that will grit up nicely when you drive the front end a bit. But it doesn't feel like a lot of other amps. Then I pulled out my FEA dual band comp (which didn't really work for me with Monique) and all of the sudden there is a bit of give in front while still staying articulate and punching hard. While the feel is different than Monique, it works for me as well.
IME class D can be done well, and there's no way I'm going back to a big/heavy amp. If I want chewy tube, Monique fits the bill and is small/light enough to haul to the studio or put on top of an amp. Or if I want to travel simpler/lighter, just the D800 will cover any gig. I love Roger's cabs as I think the paper cone mid and no tweeter is the secret sauce - hence why I played ML112s and now have Duke's H1203 cab. Only reason I switched was to go a little smaller/lighter (I had the rev 1 ML112s) as I do a lot of load in/outs often in very tight places and every inch counts. Would love to see what Roger can do with a class D-based head.
to hear the full stack.
I'm finding now, that I'm preferring the sound of my passive basses best (or active basses in passive mode) - at least in my practice room... hmm. I'll be playing the 'stack' at church next week, so it will be interesting to see what our sound guy, and the rest of the team thinks.