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Behringer Bass V-AMP Pro

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I have been playing with a Bass V-Amp Pro for a year and a half now. It;'s been a great addition to my setup! I was first using it as a pre-amp to my Yorkville 400B until I needed more umph...Based on my experience with the Behringer V-Amp Pro and later purchasing and using the FCB1010 MIDI Pedal Board I decided to go with the EPQ2000. I know there are threads on here talking about the actual wattage on these power amps, but it's so small in my picture - to me.

Now I have a full Behringer set-up: V-Amp Pro - EPQ2000 Power Amp - FCB1010 Pedal Board and it cost me a total of $600 Canadian Dollars. I really don't know why the hate for this brand. I gig with this gear weekly and can rely on it. I even bought the V-Amp (kidney shaped) version to have as a home practice setup. I can also use it as a back up should anything happen with my Pro version...

I just found these tips so helpful and have downloaded and printed your PDFs. It's folks like you, CharlieC, who extends their knowledge to fellow bass players for the pure joy in sharing. Thank you.

I realized I was using L1, meaning I was using Cab Simulation when using cabs I already love the sound from. I now realize this was negatively altering the tone I was after. I have now turned the Cab Sim off by using L3 and the tone overall has improved while using the external cabs....Little things like that which the manual never even touches on has been brought to my attention from this thread alone, so once again Thank You!
 
I can also use it as a back up should anything happen with my Pro version...

I just found these tips so helpful and have downloaded and printed your PDFs. It's folks like you, CharlieC, who extends their knowledge to fellow bass players for the pure joy in sharing. Thank you.

This is exactly how to keep a V-AMP from failing, always have a backup device on-site at the gig!

Carry an umbrella and it will not rain :-)

Thanks!
 
While I'm about to ask a question that I realize is subject to opinion; I am phasing my '76 Jazz Bass back into my playing, and I'm curious as to what setups on the BVAMP some of you have found to be "best" for this? I played a long set last night using the SVT setup, and I can't say that it sounded bad, but I could have handled a bit more clean low than I had. I realize that I'll find a lot of this by tweaking, but just curious.

Thanks!
 
While I'm about to ask a question that I realize is subject to opinion; I am phasing my '76 Jazz Bass back into my playing, and I'm curious as to what setups on the BVAMP some of you have found to be "best" for this? I played a long set last night using the SVT setup, and I can't say that it sounded bad, but I could have handled a bit more clean low than I had. I realize that I'll find a lot of this by tweaking, but just curious.

Thanks!

The 3 Ampeg models on the V-AMP are top-notch, but my next favorite is the Fender Bassman (aka Silver Panel)

The great thing about the V-AMP is that all you need to do is spin the AMP dial

I'm sure one of those models will will make your '76 Jazz jump for joy, "Bicentennial Style" :-)

Cheers!
 
I still don't have a favorite amp model on the BVAMP for two main reasons: 1-I still can't get THAT sound out of it and 2-I've found so many of them useful depending on the situation.

Since I'm now on a cover band I'm using mostly the Rock and Rock2 depending on how much low end I want but the California with the Big Muff gets me on Muse land like that...

For my originals metalcore band the Silver face sounds sweet and the gold face sounds ok to.
 
Awesome, I'll give those a try soon. I'm battling the acoustics in our room, and the tone that I hear on stage, isn't what gets projected. I'm used to that, but just trying to overcome it. I'm going to move my cabinet further away from me to attempt to get a more "true to mix" picture of the tone. Nice thing about the BVAMP is that it's so small. I'm thinking about fabbing a small plate to mount is to, so I can use a tripod in front of me to make quick tweaks without needing to turn around. I have some broken music stands that I think will be perfect candidates for the mock up.
 
I'm hoping by moving my cabinet further away I'll find my dream tone. Then the challenge is to try get one for my Ibanez 5 string after that. My recent selections have been the Thunderbird, Rock and Rock 2, and the Tube. I hadn't thought about the gold or silver face yet, and I won't be back to it before Wednesday, but I'll give these a shot.

Thanks!
 
I'm hoping by moving my cabinet further away I'll find my dream tone. Then the challenge is to try get one for my Ibanez 5 string after that. My recent selections have been the Thunderbird, Rock and Rock 2, and the Tube. I hadn't thought about the gold or silver face yet, and I won't be back to it before Wednesday, but I'll give these a shot.

Thanks!

For the Ibanez I recommend the "classic clean" keyboard amp sim with heavy compression and heavy use of the "deep" setting. I love it.
 
Cool, I will try that one. Also, like a little kid at Christmas, I was playing with some of the effects, and stumbled upon the Delay+Chorus. Set it with a moderate delay, and started playing the harmonic intro to Trading My Sorrows, holy cow was that cool. Don't know if I could practically use it live, but it sure was a blast at the time :)
 
Soundman, I see from your signature that you use a Behringer 410, those usually get a lot of bad rep and many people complaint about busted cones. Do you really like your's or is just a cheap cab while you can't afford a better one? How is the tone like?
 
I personally love my BA410. I've never had any trouble with it at all. I love the tone that I've pulled out of it and I have run it for the past five years. I'm having a challenge getting my tone now, but that's only due to all the presets and tweaks I get to choose from now. I wouldn't hesitate to buy another one at all.
 
I'm the weird one here. I have stopped carrying the BVPro to my church playing in lieu of the simplicity of a tuner + EQ + flanger pedal. I prefer a low gain sound with my fretless.

The BVPro now lives permanently plugged in to my small mixer board at home, in stereo. It is my default practice amp since much of my guitar practice happens after the kids go to bed. Which guitar? All of them. The bass, the reso and the strat.

I am pleasantly surprised at exactly how well the setup works, and how incredible it sounds with my Audio-Technica ATH-D40fs head phones. I get the benefit of the stereo effects with this configuration.

Currently, I am defaulting to the Gold Panel amp based on K's studies that it had the flattest EQ response of the amp sims.

If I could, I would replace the P-Funk'n with tremolo or vibrato.
 
I've noticed my clip level has been blinking now that I have changed from L1 to L3 operating mode. (maybe it was doing this prior) What is the best way to stop this from occurring? Is it just gain/volume or are there other factors involved?

The easiest adjustment can be made by lowering the VOLUME knob (not the MASTER knob) and then overwriting your patch once you tame the clip light
 
If I could, I would replace the P-Funk'n with tremolo or vibrato.

G'day Caeman and anyone else that might bother to read this,

I'm sure that you are aware of this, but just so everyone is on the same page let's clarify some terminology because confusion does arise. I have even seen dictionaries and musical instrument manufacturers get this wrong (hang your head in shame Fender).

'Tremolo' is simply amplitude modulation and nothing more - i.e. if you play a note it gets (quickly) louder and softer. Some guitars claim to have a 'tremolo arm', but it is nothing of the sort as it changes pitch not volume. Whammy bar is a much better name.

'Vibrato' is simply pitch modulation and nothing more - i.e. if you play a note its pitch varies (quickly) up and down around the original pitch.

Tremolo is something that is usually achieved with an effects unit, but can be achieved by quickly wiggling the volume knob on your instrument or waggling a volume pedal (but these methods don't usually sound that great).

Vibrato is something that is usually achieved with the hand and finger that is fretting the note (or a whammy bar!). I haven't come across a simple vibrato effect, but there is little doubt that it is possible. Even if there were one available I doubt that I would want to use it as vibrato is something that can easily, flexibly and tastefully be achieved with the left hand. A vibrato effect on a chord I think would sound horrible. Many effects are pitch shifting effects of course, such as Chorus and Flanger, but these are much more complex than simple vibrato.

Now that's out of the way, we can talk about the BVAP. This has a rotary cab effect. The physical rotary speaker cabinet has, would you believe, a rotating speaking inside it (well it's not actually the speaker itself that rotates, but that's not important for this discussion). If you stand next to one of these things, when the speaker is pointing at you it is louder than when it's pointing away from you. So as the thing spins the sound goes louder, softer, louder, softer etc. The speaker can rotate at variable speed. When the rotation is fairly quick, say two or more times a second the effect is much like a tremolo effect. I say 'much like' a tremolo effect because, in addition to the amplitude modulation there is also a subtle and complex effect on the pitch, much like a vibrato (but probably more like chorus), caused by the Doppler effect. (by the way, don't walk into a music store looking for a Doppler effect pedal, you are likely to get an odd look from the salesman).

Anyhow, your wish to replace the P-funk'n with a tremolo or vibrato effect might have come true! Without actually having to give up the funky P-funk'n. You might find (or you might not) that the rotary cab with some parameter tweeks might serve your tremolo/vibrato effect needs very nicely.

If you are lucky enough to have a Mac you can use iVamp and get access to all the parameters for the Rotary Cab, which are Mix, Balance, Split Freq, and Speed. I don't doubt you can get at these with a similar Windows editor as well.

Cheers,
Berthos.
 
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