- Apr 3, 2003
- 35,515
- 19,942
- Disclosures
- Editor-in-Chief, Bass Gear Magazine
Nice shot. If I tried that move there could be paramedics involved.
M. M.
LOL! Too bad no one managed to capture any of my patented double jump front kicks!
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Nice shot. If I tried that move there could be paramedics involved.
M. M.
swapped out my HS210 for a CN112. Needed the smaller form-factor for low-volume acoustic practices in my tribute band (the room is free, so I'm not complaining).
Looking forward to seeing what the CN112 sounds like on top of my NV115 in my other CR cover band. Might be good, might not, practice at stage volume on Saturday will tell (I gotta think it will be just great).
What kind of amp is that? Looks pretty cool.
Is a Jules Monique pre amp I think? ?? What you using for a power amp?
I just received it yesterday so I haven't tried it out in a live setting yet, but so far I'm VERY happy. Super warm, tight bottom end. Seems like this would be a perfect cab for a P-bass with flats (my main bass). I'll be gigging the NV115 on Sunday, so I should have some more feedback soon...
Wait until KJung sees that pic!![]()
In response to someone who asked me a couple of weeks ago how the NV158 handles the Fender Super Bassman 300, I tried the combination last night. As expected, great tone, but it was clear that if I pushed it too much the cab would protest (not unreasonably or unexpectedly with 300 tube watts into a single fifteen). My band buddies preferred the SB300 over the 100T into the NV115, which surprised me as we were all very impressed earlier with the 100T combination. Me, I marginally preferred the 100T as I liked the extra edge I could get through driving it harder, my bandmates preferred the SB300 because they thought it sounded cleaner and punchier (as you might expect with the additional headroom). So in summary, both combinations fabulous IMO but naturally enough watch the volume potential with the SB300. I would happily gig either head with it.