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Big Amps will come back one day!!!

There will always be a market for both IMHO. Unfortunately for me I don't have someone younger and stronger to schlep heavy gear around. For the gigs I do my Fender Rumble Stage 800 sounds just fine and doesn't throw my back out - which is something I almost did the last time I used my Ashdown rig.

Also, I don't hear the "processed digital sound" everyone talks about on the amp models and cab sims. Some of you all might still have a thing for the heavy amps so best of luck to you!
 
This hasn't been my experience at all. I'm curious where you are seeing that, because in other conversations on TB, the cesspool that is facebook, and IME i see the exact opposite - in fact, I'm all Class D right now and couldn't be happier with my tone - and I have been through A LOT of amps and preamps. The portability is a plus, but I wouldn't use something that I wasn't happy with tone-wise. I suspect most other bassists are the same.

Also, for the past (at least) 3-4 decades, arensa, stadiums, large venues - all class D. I would think that if class D amps inherently had poopy tone that they wouldn't be used for these places.

Class D amps aren't missing tone, that's a fallacy, and again, I've never seen a discussion missing tone. Maybe we run in different circles ...

Exactly! I don't know what people are hearing when they talk about Class D amps not sounding warm at all. If it sounds good then it IS good.
 
If you are schlepping gear EVERY weekend around town to play covers, you are likely noping the @#$% out of this thread.

Sorry bro......the majority of us like our light gear.

You raise a real point-- Unless you have a team setting-up your gear, you are carrying your own stuff. Which is OK if you play a couple of time a year in some little bar. But when you have gig during the week, and weekend, carrying gear up and over unpaved terrain at times, up and down stairwells, across fields, etc, you appreciate that technology has advanced to the point where a 5 lb head does the job of an 85 lb head, is smaller, easier to transport, and can take being dropped a few times without catastrophic results. Just my opinion.
 
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Big amps still exist (as a matter of fact, they're bigger than ever), they're just not on the stage any more . The PA's I get to play through have tens of kilowatts of power (a bunch of amps are needed to provide all of that), and gobs of subs - although a "Fridge" may seem mighty, compared to a modern decent sized PA in a decent sized venue, 300 watts and 8 10's is really not impressive at all.
Agree 100%. At a big venue, the stage feels like an earthquake from the bass.
 
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I know Im in the minority, but I do think big amps will become fashionable again one day. Just like records have come back... Thought?
They might come back just like Records "came back." But records didn't really make a comeback. They beat out CD sales and cassette sales in a race for last place. Streaming & Digital Downloads & Synch make up 89% of recorded music revenue in 2023. That leaves 11% for all other media. Vinyl still only represent a fraction of 11% of the total market. To say they "came back" is an overstatement.

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So yeah, you might be right. Big amps might come back the way records did: they'll show an uptick in sales at some point, but will still only be a small fraction in a sea of lightweight amps, lightweight cabs, and ampless rigs.

The same reason we don't see CRT monitors and TVs making a comeback.
 
There only reason I don't go class D is; They're to hi-fi for my liking. They simply don't do lo-fi well enough. So I'll keep using my old amps until class D improves or me and my rigs are thrown on the scrapheap of history
To each his own, but I haven't had your experience. To me, class-D amps are usually very transparent, and are used in all the FOH PA systems. I found that playing with the amplifier's EQ, or using a better pre-amp can shift the character of the amp to be something you prefer. I use tube pre-amps ahead of a Quilter, or my TC electronics amps and get a nice overdrive, and lots of low-end-grunt. Again, just my experience.
 
I guess the Bergantino stuff is digital, right?
I would have to research that. I know nothing of Bergantino product other than it sounds great, but is priced higher than care to pay. If it has built-in synthetic profiles, then perhaps you got me there. But the POWER section, unless it's controlled by a microprocessor, is probably a class D amplifier (or class H, or whatever). These are NOT digital.
 
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There only reason I don't go class D is; They're to hi-fi for my liking. They simply don't do lo-fi well enough. So I'll keep using my old amps until class D improves or me and my rigs are thrown on the scrapheap of history
So in that case your FOH sound with class D amps becomes hi-fi and you lose your lo-fi sound, correct?
 
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To each his own, but I haven't had your experience. To me, class-D amps are usually very transparent, and are used in all the FOH PA systems. I found that playing with the amplifier's EQ, or using a better pre-amp can shift the character of the amp to be something you prefer. I use tube pre-amps ahead of a Quilter, or my TC electronics amps and get a nice overdrive, and lots of low-end-grunt. Again, just my experience.
Which tube preamps do you favor?
 
I'm sorry to hear that.
Can you tell me why?
I used Eden for many years...then MarkBass...then Mesa
But have and use Alembic and Demeter preamps and Led Sled power amps

Live and on tour had Ampeg SVT and Marshall tube amp and 810 backlines

Truth is, they're to hifi for my liking. I find the highs and mids over bearing and the lows too squished and pillowy and I can never find a happy medium between the two extremes. It's a constant battle of never ending dissatisfaction. Everything sounds artificial
Yet, I can go to my A, A/B amps, plug in and bingo, exactly what I'm looking for and adjustments are simple, quick and easy.
A nice rich warm fat low end, just the right amount of mids and highs.

To each his own, but I haven't had your experience. To me, class-D amps are usually very transparent, and are used in all the FOH PA systems. I found that playing with the amplifier's EQ, or using a better pre-amp can shift the character of the amp to be something you prefer. I use tube pre-amps ahead of a Quilter, or my TC electronics amps and get a nice overdrive, and lots of low-end-grunt. Again, just my experience.

See my response above re: EQ
Buying an amp that I don't like the sounds of, then throwing pedals at it to try and make it sound better, is an expensive and superfluous exercise, since I already have amps that sound great without any of what has been suggested.

So in that case your FOH sound with class D amps becomes hi-fi and you lose your lo-fi sound, correct?

Front of house, PA is none of my concern. That's out of my control. They can use whatever they like.
We are talking about what sound is emanating from our bass cabinets as that is what is in our control.
I'm yet to enjoy the sound emanating from my cab when using Class D. Try again moon-bass.
 
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