As my brother-in-law, who was a professional keyboardist, said, "I play for free. You pay me to schlep my gear."
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Exactly--- I've never played through a digital amp. All my amps are class D.What are all these "digital" amps you guys are talking about?
I guess the Bergantino stuff is digital, right?Exactly--- I've never played through a digital amp. All my amps are class D.
This hasn't been my experience at all. I'm curious where you are seeing that, because in other conversations on TB, the cesspool that is facebook, and IME i see the exact opposite - in fact, I'm all Class D right now and couldn't be happier with my tone - and I have been through A LOT of amps and preamps. The portability is a plus, but I wouldn't use something that I wasn't happy with tone-wise. I suspect most other bassists are the same.
Also, for the past (at least) 3-4 decades, arensa, stadiums, large venues - all class D. I would think that if class D amps inherently had poopy tone that they wouldn't be used for these places.
Class D amps aren't missing tone, that's a fallacy, and again, I've never seen a discussion missing tone. Maybe we run in different circles ...
If you are schlepping gear EVERY weekend around town to play covers, you are likely noping the @#$% out of this thread.
Sorry bro......the majority of us like our light gear.
I'll repeat what I once said: IF I thought I'd only ever play through earpieces or headphones from here on out, I'd sell everything and walk away.
Agree 100%. At a big venue, the stage feels like an earthquake from the bass.Big amps still exist (as a matter of fact, they're bigger than ever), they're just not on the stage any more . The PA's I get to play through have tens of kilowatts of power (a bunch of amps are needed to provide all of that), and gobs of subs - although a "Fridge" may seem mighty, compared to a modern decent sized PA in a decent sized venue, 300 watts and 8 10's is really not impressive at all.
They might come back just like Records "came back." But records didn't really make a comeback. They beat out CD sales and cassette sales in a race for last place. Streaming & Digital Downloads & Synch make up 89% of recorded music revenue in 2023. That leaves 11% for all other media. Vinyl still only represent a fraction of 11% of the total market. To say they "came back" is an overstatement.I know Im in the minority, but I do think big amps will become fashionable again one day. Just like records have come back... Thought?
To each his own, but I haven't had your experience. To me, class-D amps are usually very transparent, and are used in all the FOH PA systems. I found that playing with the amplifier's EQ, or using a better pre-amp can shift the character of the amp to be something you prefer. I use tube pre-amps ahead of a Quilter, or my TC electronics amps and get a nice overdrive, and lots of low-end-grunt. Again, just my experience.There only reason I don't go class D is; They're to hi-fi for my liking. They simply don't do lo-fi well enough. So I'll keep using my old amps until class D improves or me and my rigs are thrown on the scrapheap of history
kids will want to experience the real thing.
I would have to research that. I know nothing of Bergantino product other than it sounds great, but is priced higher than care to pay. If it has built-in synthetic profiles, then perhaps you got me there. But the POWER section, unless it's controlled by a microprocessor, is probably a class D amplifier (or class H, or whatever). These are NOT digital.I guess the Bergantino stuff is digital, right?
So in that case your FOH sound with class D amps becomes hi-fi and you lose your lo-fi sound, correct?There only reason I don't go class D is; They're to hi-fi for my liking. They simply don't do lo-fi well enough. So I'll keep using my old amps until class D improves or me and my rigs are thrown on the scrapheap of history
Which tube preamps do you favor?To each his own, but I haven't had your experience. To me, class-D amps are usually very transparent, and are used in all the FOH PA systems. I found that playing with the amplifier's EQ, or using a better pre-amp can shift the character of the amp to be something you prefer. I use tube pre-amps ahead of a Quilter, or my TC electronics amps and get a nice overdrive, and lots of low-end-grunt. Again, just my experience.
I'm sorry to hear that.
Can you tell me why?
I used Eden for many years...then MarkBass...then Mesa
But have and use Alembic and Demeter preamps and Led Sled power amps
Live and on tour had Ampeg SVT and Marshall tube amp and 810 backlines
To each his own, but I haven't had your experience. To me, class-D amps are usually very transparent, and are used in all the FOH PA systems. I found that playing with the amplifier's EQ, or using a better pre-amp can shift the character of the amp to be something you prefer. I use tube pre-amps ahead of a Quilter, or my TC electronics amps and get a nice overdrive, and lots of low-end-grunt. Again, just my experience.
So in that case your FOH sound with class D amps becomes hi-fi and you lose your lo-fi sound, correct?
I'm using Sushi Box Particle accelerator and SushiBox Bass Dude. I like the sound and they can drive the PA section of class-D amps directly, very well.Which tube preamps do you favor?
I did use that very amp for many years. Then switch to the 7 pro. Same tone, same power in a lightweight package.I still roll with SVT 4 into (2) 410HE
It’s 2024. Class D and Neodymium have caught up and left big iron and ceramics in the dust.