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Birdsong Club Pt 2

Greetings, Birdsong bassists. This past Thursday I purchased Shortbass 14-0620, which will be an unlined fretless with walnut body. I really enjoyed talking to Scott and looking and reading through his own website. He and I both love old cars and trucks, and probably talked about them as much as we discussed my new Shortbass.

- And here she is! Flying home next week:

shortbass5.jpg
 
Based on the 'x', I'm assuming your fusion has a different pickup. If it's the delano, I'll let you know how it handles effects when mine arrives. My other three have been fine with effects. My amps, speakers and settings have been a bigger difference.
 
Based on the 'x', I'm assuming your fusion has a different pickup. If it's the delano, I'll let you know how it handles effects when mine arrives. My other three have been fine with effects. My amps, speakers and settings have been a bigger difference.

Its got the Corto pickups in it. Scott recommended them for their wide tonal abilities.

What were the changes in amp/speaker/settings?

I primarily play through a B15 or V4 into 15" cabs and slightly change settings for my P and J basses.
 
Its got the Corto pickups in it. Scott recommended them for their wide tonal abilities.

What were the changes in amp/speaker/settings?

I primarily play through a B15 or V4 into 15" cabs and slightly change settings for my P and J basses.

My fretless (fusion body, corto pickups) into my favorite setting with the Source Audio Manta filter pedal - with my Aguilar TH500 (with a huge mid bump at about 800hz) into my ampeg svt-15e cab - awesome. If I change my EQ (or when every other week through my Sansamp BDDI into a Bose L1 PA setup), that favorite filter setting doesn't work at all and can risk damaging things.

As I said, the bass/effects relationship is NOT the issue. It's the frequency peaks on the effect combined with the peaks/dips on the rig.

Oh - fretted fusion or corto with drive (using the Sansamp as overdrive stompbox into the Aguilar, an MXR Bass Fuzz Deluxe, or the overdrive on the Aguilar head) - all awesome.
 
- And here she is! Flying home next week:

View attachment 503663

She arrived last Thursday, well packed (I sprang for the hardshell TKL case) and with a great setup. I am really impressed with the tone from the D'Addario ECB82 (.050 - .105) Chrome flatwounds and Lace pickup. No hum whatsoever (Scott must shield it well). Very nice neck - plays "like butter". Does a Shortbass qualify for a club number? Serial #14-0620.
 
She arrived last Thursday, well packed (I sprang for the hardshell TKL case) and with a great setup. I am really impressed with the tone from the D'Addario ECB82 (.050 - .105) Chrome flatwounds and Lace pickup. No hum whatsoever (Scott must shield it well). Very nice neck - plays "like butter". Does a Shortbass qualify for a club number? Serial #14-0620.

Absolutely!
macmanlou - #86

I've definitely found situations where that pickup configuration hummed, but you throw in enough florescent bulbs or play in the worst-wired building in DC and I'm convinced even an unplugged acoustic bass would find a way to give me 60 cycle hum. I love that neck pickup - especially for fretless.
 
Absolutely!
macmanlou - #86

I've definitely found situations where that pickup configuration hummed, but you throw in enough florescent bulbs or play in the worst-wired building in DC and I'm convinced even an unplugged acoustic bass would find a way to give me 60 cycle hum. I love that neck pickup - especially for fretless.

Thanks for the number! Yes, the pickup and its position work great for fretless - very "organic".