Quick answer from limited time spent so far... yeah, the unplugged tone is a big one for me as well, and so far, all the SB's I've picked up have had great unplugged tone.
On the horn issue, there's two things here, aesthetics (which also gets into the headstock) and function. At least from a functional standpoint, they hang just fine on a strap. From an aesthetics standpoint, I think they look great, but opinions vary as much as you can imagine on this of course.
In my case, I've actually had the luxury of playing a bunch of these things at least for a little while, and a few of them a while longer. Again, the consistency of how great they played and sounded was astonishing. Carvin has a HUGE win on their hands here. HUGE.
While at the show, I spoke to a couple top folks and voiced a concern I've heard here; "these basses are so great, the prices are gonna' have to go up, right?". At least as of this time, they're currently happy with the business model, so they're not looking at raising prices. I think this is fantastic news. It's always nice to have such a great bass at such an affordable price point.
In general, I've always been particularly impressed with Carvin's quality/price ratio, and their customer service seems to also typically get top marks. In these times, that is particularly hard to accomplish, especially while also maintaining manufacturing here in the USA. You have to give these guys props for getting all this done.
Thanks for the valuable feedback, Vic!
I hope to agree with your assessment when it arrives late February.
The SB4000 is my way of finally being able to get a left-handed Jazz style instrument in white with a maple neck because Fender seems to think we southpaws only see in black, sunburst and rosewood.
Thanks, Carvin! I hope you deliver on this, BIG TIME!

