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Carvin SB5000 / SB4000 Roll Call...Part 5!

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Check out my new SB5000 that just came in!

I decided I wanted that vintage 70's scheme to it with the rosewood, blocks, sunburst-tort look. I got the low-wide frets and am digging them. This bass has a swamp ash body and is super lightweight!

SB5000-1.jpg


Here's a shot with its older brother, my first SB5000 that got me hooked!!!

SB5000b.jpg

Both just so nice! Now the question: major/minor difference with the two fingerboards? (both bodies are ash correct?) and what are the pro's of your fret choice as I know nothing of how that could affect playability?
 
Just got off the phone with Carvin.
Ordered an SB4.

I've been following this thread for a while and I finally caved in and made the call.
Kept it simple and Ed worked with me on the price a bit. Came in at an even grand, and that's darn good for a bass this amazing.

I gotta say thanks to all you guys and everything you've posted, it really helped me come to (what I hope will be) a great decision to buy a Carvin.

Great! What are the specs? I'm surprised nobody has asked yet.
 
Great! What are the specs? I'm surprised nobody has asked yet.

Alder Body
Gloss Finish
Maple Fingerboard
Black Dots
Low Wide Frets (Like yours)
10" Radius
J99's
Cream Pickups
Active w/tone control
Chrome hardware (but I have some alterations in store)
Flatwound strings
Black Logo
Red Tort PG
Metal Handguard

Nothing super special, just an inexpensive setup.
 
Is the 10" Radius an "Option 50"? I don't remember seeing it in the order process. I wanted the 14" anyway, but I was just curious.

No, it's on the options page. You can get it in 12 (standard), 14, or 10. I've been playing fenders so long I was a little sketchy on making a jump from 7.25 to 12. 10 is close to the 9.5 of most standard fenders of today, so I opted for the 10.
Plus, Freddels gave the 10" radius with low wide frets high praise, and he seems like a trustworthy guy.
 
I find those make the best sounding SBs.

Indeed! I was dead set on the wood options from the get-go. Alder and maple, great classic sound. But I also thought the Transparent Vintage yellow finish, gold hardware, tort PG, and cream pickups would have been a pretty classy high end look. And wouldn't have done anything to change the tone. But I'm thinking of doing some mild alterations to the finish of the hardware when it comes. I'll do some before and after shots and get all of your opinions.
 
I know that you can never go by specs alone, but my favorite neck is my Lakland 4-94 at 1.6 inches which is a 10 in radius. My Sadowsky is a 12 inch at 1.5 inches . The Lakland seems a little flatter. I know I asked this question before, just curious of additional feedback and experiences since I am teetering between the Carvin 10 or 12.
 
I know that you can never go by specs alone, but my favorite neck is my Lakland 4-94 at 1.6 inches which is a 10 in radius. My Sadowsky is a 12 inch at 1.5 inches . The Lakland seems a little flatter. I know I asked this question before, just curious of additional feedback and experiences since I am teetering between the Carvin 10 or 12.

Well, it's possible the added width of the Lakland forces your hand into a flatter position even though the fingerboard itself has a tighter (rounder) radius. The general thinking would be that for all other measurements being equal, a tighter radius will feel more curved. It's also not as big an issue on bass as bassists rarely barre across strings and typically play with their finger tips or a bit of the pad. I believe guitarists are much more likely to feel the effects of fingerboard radius than bassists. I regularly switch between my 7.25 and 9.5 (both jazz basses so neck width and string spacing are the same) and barely notice a difference. I went with the 10" more for fear of a different feel than from true expectations of it.
 
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