...I realize there's such a subjective take on if a tone is Overdriven or distortion. I came across a couple cool used OD pedals and got to thinking "What are some great examples of bass OVERDRIVE in classic rock recordings?" I have a pretty large music library, my first thought was JPJ on Led Zeppelin II. What say you pros?
Mel Schacher of Grand Funk, combined a Gibson Pickup at the neck position of his Jazz bass to over drive his tube amps. I don't think any Classic Rock tones were derived by the use of pedals.
Mel is probably my biggest influence. I personally consider HIS tone a full on fuzz. Total tube amp goodness.
I heard the first notes of "Are You Ready" off the Live Album and I was hooked. E Pluribus Funk and "Footstompin' Music" are a really really close second. I have a pretty good fuzz for when I want to play some bong-rattling Schacher stuff.
He'd probably be in there. Would that early Geddy Rick tone be OD, or distortion? (I personally would call it distortion but it's almost entirely a subjective list.) I'm going to be doing some A/B tests of some new OD pedals and refreshing my memory of some players is part of the prep
James Jamerson (most of Motown) was pushing his amp and/or the mixing board on pretty much every recording - part of his sound was that the loud parts are a bit distorted.
I'd be remiss if I didn't include Roger Glover and his early 70's stuff w/ Deep Purple. Just a Rickenbacker driving the hell out of an SVT. I do wonder if any of these old pros did anything to boost their signal to intentionally overdrive their gear. Basic stuff, but remember MUCH of that older stuff didn't have pedals!
In terms of more natural overdriven coolness? Duff McKagan gets overlooked. That dude could really cook when he dug in. It isn't all that chorusy thing he does all the time. All out distortion. Can we consider Geezer Butler? Sooo many try to get that sound!