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Club Alleva Coppolo (Part 10!)

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Definitely dig the black dots more myself, but both are beautiful.

+1...with the natural finish, I like the blocks/binding on it which is the biggest reason why I wasn't completely happy with my order before - the dots looked kinda plain with the natural body. But with the trans blue, the dots work perfectly. The blocks and binding is a little too much going on with the pearloid guard and that bold trans blue color.
 
Jason, at the risk of being a copy cat, I just may have to follow your lead on that one. I've been pondering an LM5 since playing that red one at the show, and I do like the look of trans blue with a plain maple board. :cool:

Hey, anytime I can get an OSU guy interested in something blue I gotta give the thumbs up! :D
 
I just wonder if black binding might be better on this, just to tie in the details like the pickups and control knobs. Mind you, white pickups and silver knobs might do the trick too.

Hey, if you're going pimp up a bass, you may as well go all out.
 
+1...with the natural finish, I like the blocks/binding on it which is the biggest reason why I wasn't completely happy with my order before - the dots looked kinda plain with the natural body. But with the trans blue, the dots work perfectly. The blocks and binding is a little too much going on with the pearloid guard and that bold trans blue color.

+1 all the way. Too many 'design elements' can really take away from the beauty of an instrument, especially one that is based on a somewhat traditional 'J' look.
 
+1...with the natural finish, I like the blocks/binding on it which is the biggest reason why I wasn't completely happy with my order before - the dots looked kinda plain with the natural body. But with the trans blue, the dots work perfectly. The blocks and binding is a little too much going on with the pearloid guard and that bold trans blue color.

Good job man, that's gonna be a hot one! And it's great that you found a way to order a bass you're completely happy with while keeping the cost down... This way whenever you look at it you're not going, "I should've gotten blocks/binding."

And for my LM5, I think a pearl pickguard would be a perfect match with the blocks/binding but that goes with your statement above regarding having too much going on which was my thought also... So I think I will get a black and a white pickguard and keep it sorta traditional.
 
Good job man, that's gonna be a hot one! And it's great that you found a way to order a bass you're completely happy with while keeping the cost down... This way whenever you look at it you're not going, "I should've gotten blocks/binding."

And for my LM5, I think a pearl pickguard would be a perfect match with the blocks/binding but that goes with your statement above regarding having too much going on which was my thought also... So I think I will get a black and a white pickguard and keep it sorta traditional.

+1...I know that's exactly what I would have been thinking with the natural finish and the dots, and it would have bugged me.

As far as the pearloid guard with pearl blocks/binding, it just depends on the bass. With that bold trans blue I don't need two more "bling" elements (the guard and the blocks). But if the color of the bass is less bold then the pearl guard and blocks would work perfectly.
 
Just another +1 on the blue with the maple neck. I keep yearning for an LM-5 to complement my LG-5, but so many colors I like don't seem to go with the maple neck (for me). That blue works. Got me thinking (another potential copycat).

Also, Ryan, the color scheme on your KBP4 is for sure bold, but I like it: it's food-colored, as in dessert.

-Steve
 
This is directed to the cats that made it to NAMM How about some discussion about Jimmy's new one piece skunk stripe necks and how they differ both in tone and feel if any from his standard two piece fret board capped version.

+1...I'd also love to hear people's thoughts on the differences that have played both types of necks.
 
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