All I have to say is......![]()
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You said a mouthful!!! Anybody have any pics of a 3TS LG5?
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All I have to say is......![]()
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Cool. Sounds like a keeper. Thanks for sharing the pics, too.
Haha. You gotta see this bass in person. The pics don't do it justice. What are you leaning toward?

Great news, Gary!!!! That's awesome, bro!!Just got off the phone with Jimmy. What a cool guy.
well, ..... I'm in the Queue!![]()
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Bernie and I are going to have twins!
LG5
3T Sunburst
Tort PG
Nitro body
Nitro neck
Alder/Indian Rosewood
(Option to upgrade to Dalbergia Negra remains for the moment ...at the price which I just can't quite swallow today. But who knows? Anything could happen.)
AC 2 band Pre with Passive tone
Bridge - TBD
He said I could opt for the bent plate bridge later since there is plenty of time. When I asked how his vintage bridge sounds, he said: "It sounds "old." (in a proud father sort of tone-of-voice)
The funny thing is, I never wanted a 3T Sunburst bass. But this old school Fender painter makes them look like magic in Nitro.
And yeah, Jimmy welcomed me to the family as well!!
El Kabong,
Let me get this straight... you're not running the basses down, but you don't like the pickguard, the headstock, the bridge, and you find the design concept confusing.
Right.
Have you ever seen one in person? Have you ever played one? Have you ever talked to Jimmy about his design concepts and why AC basses are " way they are"?
My guess is that the answer to each of the above questions is no. My suggestion is that before you make any more judgments you actually see the bass up close.
In person the headstock is not a big deal, and adds important mass to the back end of the bass. As KJung says, the pickguard lessens the distance between the body of the bass and the strings - very important for many who slap. It also protects the impeccable finish of these basses. The bridges are designed to produce the best possible sound, and come in a configuration that is easy produce consistently in quantity. You might like a control plate, but I find that having controls mounted on a plate (or pickguard) a la Fender is a flimsier design than just mounting them to the body of the bass.
AC basses are incredibly well crafted and superior sounding instruments. If they are not your cup of tea, that's cool, but there are very good reasons why they are the way they are. Which of course is why a number of us "in the club" are somewhat fanatical about them. I bet playing one would change your mind completely.![]()
My first thought was trans white or aged oly white with a tort guard, then I saw some of the lighter metallic colors, Inca silver, harvest gold, and blue. Now the burst thought has raised it's ugly head. That's one good thing about the wait. I don't have to decide for a while yet and if I don't make a decision then I didn't make the wrong one. Maybe I'll get dakota red to match my LG-5.
Has anyone seen an AC with a tinted maple neck? Jimmy offers tining but I haven't seen any pics.
On a related note that KBP-5 kills. I really like the look of the dummy coils under the 'a' string treble pickup.
dave
Maybe that's indicative of the maturity of AC's customer base.
On a side note, my next Alleva Coppolo purchase will be a KBP5 in Aged Olympic White with a matching headstock and Tort guard.
I'm drooling about that one already!
On a related note that KBP-5 kills. I really like the look of the dummy coils under the 'a' string treble pickup.
Isn't it funny how we get so excited about a bass that we just placed on order for, that we can so readily plan the next one too? That just speaks volumes about the quality of these instruments. How cool is that!
Nice specs Bernie! I was torn in my decision to emulate Paul Turners' Oly White/Tort/ Alleva. But the 3T Sunburst with that old school Fender painter MOJO got the best of me! It really is priceless. Those don't come along every day, and that guy is not going to live forever. (to the best of my knowledge) LOL That said, I may stick with the Hipshot bridge initially and add the bent plate bridge later. After all, Paul Turners LG5 has the Hipshot and listen to how that thing sounds!
Haha it really does, Gary! Jimmy does a great job.
The 'Paul Turner' bass is a very nice one indeed. It's hard to not go with that color combo. But with the fact that the guy who shot Nitro for Fender would be shooting the burst on my bass, I couldn't resist going with it! That combined with the fact that I think that color combo would be insanely nice on a KBP5 and it was an easy decision.
So I'll two incredible basses with two of the most classic color combos ever. Sounds good to me!!![]()
I think so too! After I assemble my Aguilar rig, that's next on the list!An Oly White KBP5 with Tort and matching headstock would just be mind blowing Bernie! Well chosen, well played!![]()
I think so too! After I assemble my Aguilar rig, that's next on the list!
Wait...... do I actually need amps?![]()
I'm not sure ( help me out Kirk) but I think that will go away. I think those are fender pickup covers (2 of the same, one reversed hence the extra holes)and Jimmy's going though some incredibly expensive possess of having his own custom covers done.
Aj
details, schmetails.
Speaking of amps, what rigs are you AC owners playing on? My aging back, and a DB750 will never see eye to eye. For me right now, Markbass LMII ---> Epifani UL310. (Although I may very well jump over to the new Bergantino AE410 cab if the reports come back as favorably as I expect)
I echo that!Roscoe5.. Congrats on coming into the Family